Showing titles in Media Studies

Writer Stan Lee and artist Jack Kirby co-created the all-star group of six superheroes in September 1963. From there, just three main writers chronicled Earth's Mightiest Heroes in that most turbulent of decades: Roy Thomas, Steve Englehart, and Jim Shooter, each with differing approaches. The Avengers quickly became the pivot around which the Marvel Universe turned. To look back through its issues is to get a crash course in '70s pop culture.

In a captivating realm where cinematic narratives enchant countless viewers, how can one harmonize their faith with the craft of filmmaking? The Wages of Cinema encourages a deep dive into this relationship, drawing upon the significant reflections of Dorothy L. Sayers defending the authenticity of art and truth's manifestation.

In the 1950s, Confidential magazine, America's first celebrity scandal magazine, revealed Hollywood stars' secrets, misdeeds, and transgressions in gritty, unvarnished detail. Deploying a vast network of tipsters to root out stars' sexual affairs, drug use, and sexuality, publisher Robert Harrison destroyed celebrities' carefully constructed images and built a media empire. Confidential became the best-selling magazine on American newsstands in the 1950s, surpassing Time, Life, and the Saturday Evening Post. Confidential's spectacular rise was followed by an equally spectacular fall.

Carolin Kebekus nimmt sich selbst, die Gesellschaft und alle Mütter und Väter aufs Korn, denn beim Kinderkriegen und Kinderhaben haben offenbar alle ungefragt ein Wörtchen mitzureden. Warum Schwangerschaft und Geburt immer noch mit vielen Tabus und falschen Annahmen behaftet sind, was einem als Schwangere und Mutter so alles passieren und entgegengeschleudert werden kann, was man so hört und liest und ungefragt gesagt bekommt, weil es tatsächlich alle besser wissen – das beschreibt dieses Hörbuch mit einer gehörigen Portion Selbstironie und dennoch unbeirrbarem Blick.

From the editor in chief of Breitbart News, the New York Times bestselling “must-read” (Sean Hannity) investigation into how the establishment media became weaponized against Donald Trump and his supporters on behalf of the political left. In this timely and “important book” (Glenn Beck)...

Gary Webb had an inborn journalistic tendency to track down corruption and expose it. For over thirty-four years, he wrote stories about corruption from county, state, and federal levels. He had an almost magnetic effect to these kinds of stories, and it was almost as if the stories found him. It was his gift, and, ultimately, it was his downfall.

Miles Morales as Spider-Man is a coming-of-age tale of a smart, affable teen coming into his power. From his reluctance to becoming a super hero to his desire to help others, to the rocky balance between his school life and super hero responsibilities, Miles is always at the precipice of making tough decisions—choices whose consequences are as weighted in his personal life as they often are for the survival of the world.

In this incisive new work, Adrian Daub analyzes the global spread of cancel culture discourse as a moral panic, showing that, though its object is fuzzy, talk of cancel culture in global media has become a preoccupation of an embattled liberalism. There are plenty of conservative voices who gin up worries about cancel culture to advance their agendas. But more remarkable perhaps is that it is centrist, even left-leaning, media that have taken up the rallying cry and really defined the outlines of what cancel culture is supposed to be.

In The Murder of Marilyn Monroe: Case Closed, renowned MM expert Jay Margolis and New York Times best-selling author Richard Buskin finally lay to rest more than 50 years of wild speculation and misguided assertions by actually naming the screen goddess's killer. At the same time, they use the testimony of eyewitnesses to describe exactly what took place inside her house on Fifth Helena Drive in Los Angeles's Brentwood neighborhood.

ONE OF THE NEW REPUBLIC'S BEST BOOKS OF THE YEAR “Nothing I’ve read has cut to the heart of the ’00s like Y2K.” — Bustle Perfect for fans of Jia Tolentino and Chuck Klosterman, Y2K is a delightfully nostalgic and bitingly told exploration about how the early 2000s forever changed us...

That Day in Dallas: Lee Harvey Oswald Did Not Kill JFK is best described as a prosecution by Robert K. Tanenbaum of those corrupt, unscrupulous government and unelected agency officials, who from inception with predetermined outcomes, deceitfully engaged in insecure, phony pretense probes regarding the assassination in Dealey Plaza. Those responsible are prosecuted while those who speak truth to power are exonerated.

Conspiracy theories are as old as politics. But conspiracists today have introduced something new - conspiracy without theory. And the new conspiracism has moved from the fringes to the heart of government with the election of Donald Trump. In A Lot of People Are Saying, Russell Muirhead and Nancy Rosenblum reveal how the new conspiracism differs from classic conspiracy theory, why so few officials speak truth to conspiracy, and what needs to be done to resist it.

Burn It Down has descriptive copy which is not yet available from the Publisher...

The Loch Ness monster: a creature that should have died out with the dinosaurs or a legend built on hoaxes and wishful thinking? Sir Peter Scott, internationally renowned naturalist and president of the World Wildlife Fund, was convinced that the monster existed. So were senior scientists at London's Natural History Museum and Chicago University; they lost their jobs because they refused to renounce their belief in the creature.

Movies matter—that is the message of Reel to Real, bell hooks' classic collection of essays on film. They matter on a personal level, providing us with unforgettable moments, even life-changing experiences, and they can confront us, too, with the most profound social issues of race, sex and class. Here bell hooks—one of America's most celebrated and thrilling cultural critics—talks back to films that have moved and provoked her, from Quentin Tarantino's Pulp Fiction to the work of Spike Lee.

In Killing the Planet: How A Financial Cartel Doomed Mankind, best-selling authors Rodney Howard-Browne and Paul L. Williams investigate the true motives and consequences of the Pilgrim Society. Early members of the Society included J. P. Morgan, Andrew Carnegie, Andrew Mellon, Cornelius Vanderbilt, Paul Warburg, Mortimer I. Schiff, Otto Kahn, and John D. Rockefeller.

Today's computers are composing music that sounds "more Bach than Bach", turning photographs into paintings in the style of Van Gogh's Starry Night, and even writing screenplays. But are computers truly creative - or are they merely tools to be used by musicians, artists, and writers? Miller, an authority on creativity, identifies the key factors essential to the creative process, from "the need for introspection" to "the ability to discover the key problem." He talks to people on the cutting edge of artificial intelligence and explores the riches of computer-created art.

USA Today best seller. The incredible true story of the most banned documentary in history. Researching the controversy arising after the release of the viral phenomenon known as Plandemic, the most seen and censored documentary in history, an investigative journalist sets out to disprove and debunk claims made throughout the film. Instead, the journalist opens a Pandora’s box to witness firsthand an underworld of corruption, lies, and the darkest of unsolved mysteries.

Virtually anyone who has ever watched a profound movie, a powerful TV show, or read a moving novel understands that entertainment can and does affect us in surprising and significant ways. But did you know that our most popular forms of entertainment can have a direct physical effect on us, a measurable impact on society, geopolitics, the economy, and even the future itself? In You Are What You Watch, Pulitzer Prize-winning author Walter Hickey proves how exactly how what we watch (and read and listen to) has a far greater effect on us and the world at large than we imagine.

Brought to yoy by Penguin. The average person sees about 10,000 commercial visuals a day. Yet, research shows we can only process about 1% of the visual information we encounter. If a picture is worth a thousand words, where does this excess leave us? In The Visual Detox, art expert and...