Showing results by publisher "Canongate Books" in Cultural & Regional

Mark Hodkinson grew up among the terrace houses of Rochdale in a house with just one book. His dad kept it on top of a wardrobe with other items of great worth - wedding photographs and Mark's National Cycling Proficiency certificate. If Mark wanted to read it, he was warned not to crease the pages or slam shut the covers. Today, Mark is an author, journalist and publisher. He still lives in Rochdale but is now snugly ensconced (or is that buried?) in a 'book cave' surrounded by 3,500 titles - at the last count.

In a 1970s commuter town, Tracey Thorn's teenage life was forged from what failed to happen. Her diaries were packed with entries about not buying things, not going to the disco, the school coach not arriving. Before she was a best-selling musician and writer, Tracey Thorn was a typical teenager: bored and cynical, despairing of her aspirational parents. Her only comfort came from house parties, Meaningful Conversations and the female pop icons who hinted at a new kind of living.

Born in 1958, the only child of a dinner lady and a sheet-metal worker, Geoff Dyer grew up in a world shaped by memories of shortages and the Second World War. But far from being a story of hardship overcome, Homework is a celebration of opportunities afforded by the post-war settlement. Recalling an eroded but strangely resilient England, Homework traces roots that extend into the deep foundations of class society.

What is it like to be a refugee? It is a question few in the West give much thought to, and yet to be a refugee - or an immigrant - is to grapple with your place in the world, attempting to reconcile the life you have known with the unfamiliar. With this comes the weight of the expectations (and fears and resentment) of those born in the host country; foremost is the burden of gratitude: to be forever thankful for the space you have been allowed.

In Exit Wounds, Peter Godwin considers the life of migrants, exiles and refugees, and grieves the many losses that make life both magnificent and unbearable. With generations of history behind him, he brings us into the spaces which make us question, suffer and celebrate the lives we have among family and friends, and the healing of our own scars.

What is home? It's a question that has troubled Marchelle Farrell for her entire life. A longed-for career in psychiatry saw her leave behind the pristine beaches and emerald hills of Trinidad. Until, disillusioned, she uprooted again, this time for the peaceful English countryside. The only Black woman in her village, Marchelle hopes to grow a new life. But when a worldwide pandemic and a global racial reckoning collide, the upheaval of colonialism that has led her to this place begins to be unearthed. Is this really home?

In this distinct, subversive and intimate hybrid memoir, Katie Goh explores the orange as a means of understanding the world, and herself within it. What she finds is a world of violence, colonialism, resilience, survival, adaptation - and of unexpected beauty and sweetness against all odds. The orange's odyssey parallels Katie's search for her own heritage and, drawing on her family history as well as extensive travel and research, she follows it from east-to-west and west-to-east - from Longyan, China, to the Malaysian capital of Kuala Lumpur and the groves of California.

When Shane McCrae was eighteen months old, he was removed from his parents and taken to suburban Texas. His mom was white and his dad was Black, and to hide his Blackness from him, his maternal grandparents stole him. In the years that followed, they manipulated and controlled him, believing they were doing what was best for him. His grandmother loved Shane but hated people who looked like him. His grandfather policed any perceived signs of Blackness his grandson showed. In their house, Blackness would always be the worst thing about him.