Showing results by publisher "Brilliance Audio" in Sword & Sorcery

Avalon is under siege. A shadowy cabal, headed by a mysterious figure known only as "My Liege", has launched a series of deadly attacks across the globe, catching innocent human bystanders in the crossfire. Emerging from the debris of battle, Nate Garrett, the 1600-year-old sorcerer also called Hellequin, and his friends must stop My Liege once and for all. But powerful forces stand in their way. To save Avalon, they will need to enlist the help of Mordred, once Nate's greatest nemesis.

In the summer of 1880, the death of Beth Stanley’s husband puts her life’s work in jeopardy. The magic of Arcane Taxonomy dictates that every natural thing in the world, from weather to animals, can be labeled, and doing so grants the practitioner some of that subject’s unique power. But only men are permitted to train in this philosophy. Losing her husband means that Beth loses the name they put on her work—and any influence she might have wielded.

Though Vance puts himself in tradition of popular fantasy writers, one might assume that he had also grown up with Ovid and Herodotus, Homer’s Odyssey, Don Quixote, and Candide. The Cugel tales lack some of the scope and pathos of the great adventure yarns, but, in the 21st century, they may be as close as one gets to the celebration of epic human perseverance.

Whimbrel House is changing. Merritt and Hulda are raising a family. Owein has signed a marriage contract with the magically compatible Lady Cora, a heavyweight of British nobility who’s an ocean away. And the lovely shape-shifting druid Fallon makes a distractingly fetching friend for Owein. But another change is in the air, and this time it’s something wicked. The greatest wizard of the millennium, Silas Hogwood, is back—after five years dead. New body, same foul scent, and driven by madness and revenge.

In the interlocking Tales of the Dying Earth Vance explores the world at the end of time when sun is guttering. Light itself is different and Vance’s landscapes —described in language that is lyrical, seductive, and partly self-invented —are wild and surreal, full of opportunity and danger. On the Dying Earth, the rules of physics as we know them have been amended and replaced by magic. The laws of evolution have spun out creatures that are humanoid, hybrid, and often terrifying.

What humankind feared the most has come to pass: the Awakening of the Aesir, an ancient race who rose with an implacable vengeance to wage war on mortals through bombardments and plague. Two people gifted with magic and ingenuity strive to stop them. Professor Robinson Hawksley, an elocutionist in the Invisible College, prepares to exhibit his invention to the world. Using sound to defeat the enemy could change the course of the war. It’s invaluable to the military. Even more so to a conniving rival who’ll do anything to prove its patent as her own.

The stories in The Dying Earth introduce dozens of seekers of wisom and beauty, lovely lost women, wizards of every shade of eccentricity with their runic amulets and spells. We meet the melancholy deodands, who feed on human flesh and the twk-men, who ride dragonflies and trade information for salt. There are monsters and demons. Each being is morally ambiguous: The evil are charming, the good are dangerous. All are at home.

This funny and insightful science fiction classic introduces Shoogar, the greatest wizard ever known in his village. His spells can strike terror in the hearts of even his most powerful enemies. But the enemy he faces now is like none he has ever seen before. The stranger has come from nowhere and is ignorant of even the most basic principles of magic. But the stranger has an incredibly powerful magic of his own. There is no room in Shoogar's world for an intruder whose powers match his own, let alone one whose powers might exceed his.

As Vieliessar confronts the first waves of the forces of Darkness, her destined Bondmate, Runacar, leads a rag-tag group to war. For centuries, the Elves have hunted the Otherfolk - minotaurs, gryphons, dryads, and more - considering them beasts. But they have a complex society, Runacar discovers, and though he is an Elf, takes it as his mission to help them reclaim their lands from his former friends and allies.

Lorness Carol, coming of age in the kingdom of her warlord father, Lord Rafel, aspires to wield magic. But she's also unknowingly become the obsession of Kragan, an avenging wielder as old as evil itself. He's waited centuries to find and kill the female prophesied as the only human empowered to destroy him. However, dispatching the king's assassin, Blade, to Rafel's Keep, ends in treason. For Blade arrives not with a weapon but rather a warning for the woman he's known and loved since he was a child.

Luisonn’s citizens are finally united, but they don’t see the monster behind President Hulei’s lies. Firin does. He destroyed her life and turned the only man she’s ever loved against her. Now presumed dead, she resurfaces with a new face and a thirst for vengeance. The president must die. Bregan lost everything to rebellion and betrayal: his family, his theater, and now Firin. When gruesome murders rise in the city’s shadows—with many of the victims children—and clues implicate the president, Bregan starts investigating.

Jack Harper is a dangerous woman, capable of death and resurrection. Raised and utilized by Cyrus, the leader of a mystical religion, she was once a fearless and brilliant weapon against all who blasphemed. Now, having destroyed Cyrus, Jack is free to be more.