Showing titles in African

Ganz in der Tradition der Griots, der afrikanischen Barden, erzählt Al Zanabili diese mythische, gleichwohl modern anmutende Erzählung aus Burkina Faso. Sie handelt vom Wert der Beharrlichkeit und des Mutes: wer diese Tugenden erwirbt, dem winkt das Glück des Jägers. Mit Trommeln, Rasseln, den Früchten des Flammenbaumes und allerlei Perkussion wird die Geschichte von Zankolon, dem Taugenichts, so lebendig, als wäre sie tatsächlich geschehen.

The poems in Leaked Footages carry urgent subjects, ranging from death to disappearance to grief to memory. Not only do the poems fulfill the tradition of witnessing often manifested in contemporary poets such as Garous Abdolmalekian and Ilya Kaminsky, but they extend that tradition by the medium through which they witness: the technical and the technological.

In Opened Doors, author Artie Bryant passionately delves into love, pain and the whirlwind of emotions in between through a profound collection of poetry, intricately penned to propel listeners into the author's transparent, visual feast of confessions.

This dazzling debut announces a not-so-new voice: that of the spoken-word poet Tjawangwa Dema. Winner of the Sillerman First Book Prize for African Poets, Dema’s collection, The Careless Seamstress, evokes the national and the subjective while reemphasizing that what is personal is always political. The girls and women in these poems are not mere objects; they speak, labor, and gaze back, with difficulty and consequence. The tropes are familiar, but in their animation they question and move in unexpected ways.

South Africa is a complicated, contradictory, and haunted place. Len Verwey captures the trajectory of life in such a place, dealing with childhood, war, marriage, divorce, and death. He explores the challenges posed by place and history, shared identities, deep embeddedness in the continent, and the legacies of violence and exclusion, as well as beauty. Verwey offers poems that speak of uncertainty, ask questions, and challenge simplistic and scapegoating narratives that become so tempting when living in a society undergoing intense social and economic pressure.

Loving the Dying is a collection of poems on life’s different stages. Set against the backdrop of a conflicted society, Len Verwey looks at a person’s life from youth and growing up to aging and dying, considering what the ineluctable reality of death might imply about how we should think about our lives. These are poems of uncertainty rather than certainty. The more overtly biographical ones end with as many questions as they start with, and there is often sympathy for the outsider or the marginalized voice.

Faydé ha preso la sua decisione. Andrà a Maroua, a servizio nella casa di qualche fulani benestante, come hanno fatto le sue amiche, che tornano al villaggio per le festività ben vestite e cariche di doni per le proprie famiglie. Per sua madre, Kondem, la sola idea è insopportabile. Lei sa bene che vita fanno le domestiche in città, e non vuole che sua figlia sperimenti sulla propria pelle la stessa sofferenza e la stessa umiliazione che l'hanno fatta tornare in montagna giurando: mai più.

What if words were the ultimate weapon? Welcome to The G.R.I.O.T. (The Gods Revel In Our Talents)—a groundbreaking cinematic spoken word journey where poetry fuels revolution, mythology meets reality, and truth is forged in the heat of battle. In the legendary Tournament of Ascension, warriors don’t fight with swords—they fight with their voices. 'The Nubian', an unknown poet with no rank or history, steps into the Celestial Coliseum, where gods, spirits, and oppressive systems await his challenge. With every verse, he shatters illusions, topples false kings, and reclaims lost narratives.

"Imbuidos de afán de no dejar morir el bagaje de la imaginación africana, de la imaginación negra, de la imaginación que no sale de leer ni escribir, Amalialú y yo nos encontramos. Es seguro que los cuentos del Chocó no son africanos, son chocoanos, pero, aunque en algo del fondo, sí lo son. También son africanos. Son negros. Son nuestros". Por Arnoldo Palacios

In Time and Songs of the River Men, Chinaka philosophises existence with an almost unflinching enthusiasm that transcends wandering, for although he describes himself as a "wanderer," it's obvious that the wealth of experience and philosophical insights engrafted in the poems surpass wandering, especially the metaphysical poems about 'life,' 'death,' and 'time'-the very essence of being. Chinaka puts on the gift of garb of an existentialist here.

In A Delicate Delivery, Ndaba Sibanda masterfully weaves words into powerful poetic tapestries, unveiling the silenced struggles, uncelebrated triumphs, and raw resilience of Africa's unsung heroes. With evocative imagery and poignant rhythm, these poems echo the unheeded cries of history, the weight of injustice, and the enduring spirit of those who fought, suffered, and dreamed of a better tomorrow.

Beautiful Minds is empathetically filled with emotions we can all identify with. It is a collection of poems that take us on a sequential journey and our personalised interpretations lead us to arrive at individualised destinations. If you desire to sojourn within pages of multiculturalism and poetic beauty then Beautiful Minds is where you must begin.

Biracial Woman Says Aren’t I a Black Woman Too details a biracial woman contemplating her identity regarding issues of race and society.

Nnu Ego, filha de um grande líder africano, é enviada como esposa para um homem na capital da Nigéria. Determinada a realizar o sonho de ser mãe e, assim, tornar-se uma "mulher completa", submete-se a condições de vida precárias e enfrenta praticamente sozinha a tarefa de educar e sustentar os filhos. Entre a lavoura e a cidade, entre as tradições dos igbos e a influência dos colonizadores, ela luta pela integridade da família e pela manutenção dos valores de seu povo.

Cocaine Lion is a story about a gangsta with a Lion's head and his rise to becoming one of the biggest drug lords in Diamond City, SC. This is a story of action, drugs and love, join us for Cocaine Lion.

A literary masterpiece that beautifully captures the vibrant colors of love, hope, and faith. Stephanie Zion’s "Reflections of a Woman of Faith" takes listeners on a spiritual journey filled with hope, healing, and solace. Stephanie’s words are a testament to the strength and beauty of the human spirit. With each poem, she delves deep into the depths of her own experiences, offering readers a glimpse into her soul.

PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.

Eine Road-Novel über die Phantome der Vergangenheit, über Scham und über Wut und darüber, was es bedeutet, bei sich zu sein. Adikous Herkunft ist verschwommen, die Spuren ihrer Familiengeschichte sind verwischt, sie weiß nicht einmal, wie man ihren Namen richtig ausspricht. Dann, in einem drückend heißen Sommer, hält sie es in Paris nicht mehr aus. Adikou fliegt nach Lomé, Togo, dem Herkunftsort ihres Vaters, den sie nicht kennt.

I hear the stillness of streams. What can be purer and pinker than the sincere sight and splash of our Mother Nature, the wildlife? What can be lovelier than its love? My heart and hands are happy and healed by graceful gardens that restore, reign, and rave in my soul, on the horizon, in the landscape of wonder!

Black Woman Your Body Belongs to You describes the pressure a Black woman experiences from men to have children at the height of her career.

Its events revolve around an orphan from Upper Egypt who is involved in the crime of excavating and selling Pharaonic antiquities, which leads to a bloody conflict. The novel explores in detail the process of excavating graves and the Egyptian culture’s reliance on the jinn (spirits) to fight the jinn, the guardian of the treasure. The story takes place in an atmosphere of suspense and excitement as different characters become involved in the crime, leading to a violent and destructive conflict that claims the lives of many people.