Showing titles in African

Biracial Woman Says Aren’t I a Black Woman Too details a biracial woman contemplating her identity regarding issues of race and society.

Poem about the comparison of what it is to be a Modern man today. What it may have been yesterday, and what it was to compare it to our relatively recent ancestors from just a hundred thousand years or so - The Neanderthals.

Loss-iLahleko (A National Choreopoem): The Audio Experience invites you on a heartfelt journey of loss and return. This audio adaptation brings the choreopoem from the full-length book Loss-iLahleko (A National Choreopoem) to life, offering a deeply moving literary and sonic experience.

I hear the stillness of streams. What can be purer and pinker than the sincere sight and splash of our Mother Nature, the wildlife? What can be lovelier than its love? My heart and hands are happy and healed by graceful gardens that restore, reign, and rave in my soul, on the horizon, in the landscape of wonder!

Black Woman Your Body Belongs to You describes the pressure a Black woman experiences from men to have children at the height of her career.

انتقام بلقيس هذه المجموعة تناقش قضايا مجتمعية معقدة، منها الحلم بالثراء بين شباب مجتمعنا وهل تتحقق هذه الأحلام أم أنها فقط تظل تحمل صفة الأحلام، وتناقش

كذلك مفهوم الخيانة فكل منا يحمل في داخله تفسيرا للخيانة، فقد يبرر البعض الخيانة وقد يرفضها البعض الآخر ولكن.

Alcools (1913) est un recueil de poèmes de Guillaume Apollinaire qui illustre la transition entre tradition et modernité. Riche et varié, le recueil mêle des formes classiques et des innovations audacieuses, telles que l'absence de ponctuation. Les thèmes abordés oscillent entre amour, mélancolie, souvenirs et quête d'un idéal.

أكثر ما أرهقني، في التصاق كولمبس وامرأته بي، هو أنني لم أعد أجد وقتًا لمحاولة تخمينك، وكلما جلست مطأطأ النوم، وواسع الأرق، لأحياك كما أريد، وأحيك دسائس الحب...

Its events revolve around an orphan from Upper Egypt who is involved in the crime of excavating and selling Pharaonic antiquities, which leads to a bloody conflict. The novel explores in detail the process of excavating graves and the Egyptian culture’s reliance on the jinn (spirits) to fight the jinn, the guardian of the treasure. The story takes place in an atmosphere of suspense and excitement as different characters become involved in the crime, leading to a violent and destructive conflict that claims the lives of many people.

Laurel Sibanda is a Zimbabwean-British writer and poet currently living in Southeast England. She holds a Bachelor of Arts degree in English with American Literature. This is her first poetry collection, exploring identity, mental health, generational trauma, and her relationship with poetry.

Nnu Ego, filha de um grande líder africano, é enviada como esposa para um homem na capital da Nigéria. Determinada a realizar o sonho de ser mãe e, assim, tornar-se uma "mulher completa", submete-se a condições de vida precárias e enfrenta praticamente sozinha a tarefa de educar e sustentar os filhos. Entre a lavoura e a cidade, entre as tradições dos igbos e a influência dos colonizadores, ela luta pela integridade da família e pela manutenção dos valores de seu povo.

Cocaine Lion is a story about a gangsta with a Lion's head and his rise to becoming one of the biggest drug lords in Diamond City, SC. This is a story of action, drugs and love, join us for Cocaine Lion.

A literary masterpiece that beautifully captures the vibrant colors of love, hope, and faith. Stephanie Zion’s "Reflections of a Woman of Faith" takes listeners on a spiritual journey filled with hope, healing, and solace. Stephanie’s words are a testament to the strength and beauty of the human spirit. With each poem, she delves deep into the depths of her own experiences, offering readers a glimpse into her soul.

PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.

Eine Road-Novel über die Phantome der Vergangenheit, über Scham und über Wut und darüber, was es bedeutet, bei sich zu sein. Adikous Herkunft ist verschwommen, die Spuren ihrer Familiengeschichte sind verwischt, sie weiß nicht einmal, wie man ihren Namen richtig ausspricht. Dann, in einem drückend heißen Sommer, hält sie es in Paris nicht mehr aus. Adikou fliegt nach Lomé, Togo, dem Herkunftsort ihres Vaters, den sie nicht kennt.

Shad-Dari has escaped her past, her dreams now in reach. An excavator of the valuable old sounds of Órino-Rin, she steals tiny, unheard fragments of the sacred songs to erase the painful echo of her home planet, Ekwukwe. In one rebellion too far, she sets off a chain of events that severs her from time itself, forcing her, without another way forward, to face her past.