Showing titles in Epic

The English Cantos reaches its cosmic conclusion in DoorWay. In the third and final instalment of this Dantean epic, the poet-pilgrim must complete his quest, venturing through a realm of stars, planets, constellations, and Seraphim to come face to face with the living, unknowable God—and discover his true purpose.

In Opened Doors, author Artie Bryant passionately delves into love, pain and the whirlwind of emotions in between through a profound collection of poetry, intricately penned to propel listeners into the author's transparent, visual feast of confessions.

Protectress is a hybrid poetry-prose novella offering a risky take on the legend of Medusa. With stunning economy of words and a delicate hand, Protectress provokes us to think about the feminist identity and the power of compassion. Listeners who fell deeply for Emily Wilson’s translation of The Odyssey, Margaret Atwood’s The Penelopiad, Madeleine Miller’s Circe, Emily St. John Mandel’s Station Eleven, Maria Dahvana Headley’s translation of Beowulf, and Toby Barlow's Sharp Teeth will find themselves enamoured with Protectress.

Erzsébet Báthory was history's most prolific female serial killer. Born into Hungarian nobility in 1560 she became infamous for torturing and murdering hundreds of young girls between 1590 and 1610. Erzsébet was obsessed with maintaining her youth and beauty and believed that bathing in the fresh blood of virgins would preserve her youthfulness.

In the land of Woodashoodakooda, the Woodashoodakoodans plan their work and work their plan eight days a week. There’s no time for fun and games. The good news is they have friendly, helpful robots to lighten their load. The bad news is that things don't always go as planned. As Woodashoodakooda dangles on the edge of darkness and destruction, the robots lead them on a wild goose chase down an oddly familiar rabbit hole.

ALMUSTAFA, the chosen and the beloved, who was a dawn unto his own day, had waited twelve years in the city of Orphalese for his ship that was to return and bear him back to the isle of his birth. And in the twelfth year, on the seventh day of Ielool, the month of reaping, he climbed the hill without the city walls and looked seaward; and he beheld his ship coming with the mist. Then the gates of his heart were flung open, and his joy flew far over the sea. And he closed his eyes and prayed in the silences of his soul.

Comenzaré ahora a contarles las hazañas de cierto caballero nacido en tierras muy lejanas; el cual pudo cambiar al mundo, mas el destino causóle un magno infortunio. Nuestro héroe dejo de ser humano y puede con los Dioses ser encasillado: !Oh tan grande mi señor¡ Como a pocos el destino te destrozó. Contaré ahora la relación de su fuga, su pasión y el tormentoso dolor que le causó: El planeta tierra, los humanos y su civilización.

The gods are loosely based on the Enneagram. One last thing... ORC LORE sounds best At night... By a fire... The circle turns... The circle turns... The circle turns again....

Journey into the heart of Roman Britain through the eyes of a fallen patrician's daughter, Caelwyn, as she weaves a tale of myth and legend in this captivating poetic prose. In the vein of a long, internal monologue, this poetic fiction brings the fantastical universe of.

In this book-length epic poem set in northern Nigeria, Saddiq Dzukogi blends the personal with the mythical, part prayer and part praise song, expanding the griot tradition of Bakandamiya, a poetic form from northern Nigeria popularized by Mamman Shata.

Chef-d’œuvre épique du XVIIe siècle, Le Paradis Perdu de John Milton déploie, en vers amples et solennels, une méditation vertigineuse sur la tentation, le péché et la rédemption. À l’échelle du cosmos comme au cœur de l’âme, la parole poétique scrute la grandeur et la fragilité humaines, entre épreuve, faute et espérance.

رقْمِك الأوّل.. معَ العالمْ.. رِفيعْ صَعْب.. ما تِرْضيك.. غير.. الأوّلَهْ تِشْهد.. الدّنْيا وعَالمْها ..الْوسيعْ أنتَ.. حَلاّل.. الْأمُور.. المُعضِلَهْ قَلْب أبو خالدْ وطنْ ضَمّ الْجِميعْ هذيَ القصّهْ وكلّ المسْألَهْ النّوايا البِيض تبْقى ما تِضيعْ ربّنا إنْ حَبّ عَبْدهْ كَمّلَهْ يا كَفو.. يتْبَع كَفو.. فِكْرِكْ بِديعْ يِخْترِقْ عقْل الْخِصيم.. وْيذْهلِهْ أشْهد إنّك للْوطَن سَدٍّ.. مِنيعْ مِبْهر.. الْعالَم.. وهَذيْ.. مَرْجَلَهْ وأشْهد إنّهْ مِن عَصَى شورِكْ يِضيعْ ما ربَحْ.. غير.. الهَزَلْ.. والْبَلْبلَهْ مِن خُطاك.. القاحِلَهْ تِنْبِتْ.. رِبيعْ أنتَ.. رَحمةْ.. مِن إلهي.. مُرسَلَةْ بِكْ إماراتيْ غَدَتْ عِشْق الجميعْ يا مُهنْدسْهَا.. ورَاعي.. الأوّلَهْ

À l’arrière-saison, un chevalier quitte sa maison, seul, en proie aux pensées. La nature se défait—feuilles, fleurs, odeurs—tout tend à froideur et à neige. À l’écoute d’un propos de vérité, il mesure l’enfance passée, la jeunesse dépensée, l’honneur et la grâce divine. Composé à l’ombre d’un deuil—la mort du duc de Bourgogne, trépassé devant Nancy en Lorraine—ce poème méditatif interroge la gloire qui s’éteint, la vanité des choses et la constance des âmes. Une élégie chevaleresque, grave et sobre, où le temps et la mémoire conduisent vers une ferme résolution.

The year is 878. Young King Alfred struggles to regain his West Saxon kingdom from the invading pagan Danes led by Gormr (aka Guthrum, aka Godrum). His kingdom overrun, Alfred joins Gormr's court disguised as a Welsh gleeman. Gormr consults Alfred as a counselor and wizard, but resists Alfred's attempts to convert him. Meanwhile, Alfred learns that his lady and their children are Gormr's prisoners.

Doris Margot Schlechta versteht ihre Gedichte als Hoffnungspost an die Seele. Sie selbst hat auf ihrem Lebensweg eine große Portion Optimismus im Gepäck, der sie durch schwierige Zeiten getragen hat. Mit ihren Texten lenkt sie den Blick auf Lyrische Momente, die in jeden Alltag Hoffnung streuen, aus der ein gutes Leben wachsen kann.

Blanche Kommerell hat ihre Gedanken in Worte gekleidet. Gedanken über das Leben, die aktuelle Zeit, den Tod, Freude, Leid und Hoffnung. Immer wieder Hoffnung! Linus Haagen begleitet sie feinabgestimmt und gefühlvoll mit eigenen Kompositionen am Klavier. Ein Arrangement, das mit Texten und Melodien einlädt zum Innehalten und Besinnen auf das, was wertvoll für uns ist.

Gives a poetical insight into Notre Dame history and what it means for France and the World.

Bu destan şiir öykü, Hacı Bektaş katına buğday istemeye giden bir genç adamın öyküsü değildir yalnızca. Kaderini fark eden, şu yeryüzüne neden gönderildiğini bilip, gereğini yerine getiren bir Anadolu fidanının öyküsüdür. Ben gelmedim davi için, Benim işim sevi için, Hakk'ın evi gönüllerdir, Gönüller yapmaya geldim...

ரமயணக கதகள பரதம மழதவம பரவ இரககம ரமயணம, கலதத வனற நறகம ஒர படபப. ரமயணததல வரம பலவற நகழவகளம கதகளம இனறளவம மககளல நனவகரபபடகனறன. ரமயணததல வரம பலவற கதகள எளய நடயல சலலம பததகம இத. இககதகளப படததல ஒடடமதத ரமயணததயம படககம அனபவததப பறலம. லத கபபவன மதல பததகமன 'மகபரதக களக கதகள' பறற வரவறபனத தடரநத வளயகம இவரத இரணடவத நல இத. சறவரகளககம, கழநதகளககக கத சலல நனககம பறறரகளககமன பததகம.

Cecilia Toussaint nos regala su voz y magnífica narración para contarnos Persuasión, la última novela de Jane Austen. Publicada póstumamente en 1818, presenta un cuadro de familia sumamente austeniano: un viudo pomposo que sólo lee el baronetario, una hija soltera llena de pretensiones...