Showing results by publisher "Spoken Realms" in Death, Grief & Loss

Today Thomas Gray is remembered almost solely for this melancholy meditation on the inevitability of death and the insignificance of fame. The poem was originally thought to have been inspired by the death of Gray's close friend, Richard West, but modern critics think this to be unlikely. Retiring by nature, Gray did not want the elegy to be published, but his hand was forced by an unscrupulous editor who planned to publish the poem without permission. The polished elegance of the versification has ensured that the poem has retained its appeal over the centuries.

An English poet and soldier, Owen depicted more graphically and effectively than any poet before him the horrors and realities of fighting in the trenches. His poignant verse has made him one of the greatest voices to emerge from World War I.

This poem consists of 11 stanzas of varying length, the first four of which were composed in 1802. These deal with the subject of death, a concept with which Wordsworth confesses to having struggled within childhood.

Award-winning narrator Mike Vendetti becomes the speaker of Dickinson's poem personifying Death. Death is a gentleman who is riding in the horse carriage that picks up the speaker in the poem and takes the speaker on her journey to the afterlife.

This collection of 23 poems contains most of the verse for which Wildred Owen is known today. Few poets have captured more effectively the tragic dichotomy of war, where, for many, survival can be a fate worse than death. The opening poem "Strange Meeting" describes a posthumous encoaunter between a soldier and an enemy combatant who he has killed on the previous day. The penultimate poem, "Disabled", is the private lament of a crippled veteran as he helplessly surveys the daily lives of people unscarred by war.

It’s a dark and stormy night, and “The Raven”, read by award-winning narrator Mike Vendetti, transports us to a lonely chamber illuminated by firelight. The inhabitant who becomes the narrator hears a gentle tapping at the chamber door. The tapping is a raven who speaks one word, “Nevermore."

I recorded this the day after we lost one of our beloved pets. Rainbow Bridge is the theme of several works of poetry written in the 1980s and 1990s that speak of an other-worldly place where pets go upon death, eventually to be reunited with their owners. It brings a lump to my throat, and often a tear to my eye but also comfort as I recall good times with Pongo.

The Bridge of Fire, which appeared in 1907, was Flecker's first published collection of poetry. It contains 35 poems, a number of which were revised and republished in later collections. As with Flecker's other collections, two persistent themes emerge: the poet's fascination with the glories of Grecian antiquity and his premonitions of an early demise. Flecker seemed to be acutely aware that not only would he pass away himself, but also the fading world of British imperialism of which he was a characteristic representative.

"The Siege of Corinth" is a tragic narrative poem first published in 1816. It was inspired by the Ottoman siege of the Venetian-held Acrocorinth in 1715.

Remember those biggies we loved in high school English? Well, here they are again performed by award-winning narrator Mike Vendetti. You'll hear "Chicago" by Carl Sandberg, "A Valediction: Forbidding Mourning" by John Donne, "Because I Could Not Stop for Death" by Emily Dickinson, "Mending Wall" by Robert Frost, "Ode on a Grecian Urn" by John Keats, "Song VII ("My song has put off her adornments")" by Rabindranath Tagore, and who can ever forget "The Love Song of J Alfred Prufrock" by T.S. Eliot.

"Annabel Lee" tells the story of young love cut short by tragedy. As the speaker (often assumed to be based on Poe himself, whose young wife died shortly before he wrote this poem) discusses his relationship with the now-deceased Annabel Lee, he presents the love between them as pure, eternal, and all-conquering. The love between the speaker and Annabel Lee may have been short-lived, but it remains too powerful to be defeated, even by death. Through describing this intensely idealized love, the poem argues that love is the strongest force on earth.

Despite Eliot's comparative youth at the time (he was in his early thirties) each poem brilliantly captures different aspects of the profound effect of the aging process on human aspiration.

This short poem, first published in 1717, became one of Pope's best-known verse works. The actual history of the lady appears to have been intentionally concealed by the poet under a mysterious veil. Dr. Johnson offers the following details, based on the content of the poem: that the lady was distinguished by her rank, fortune, and beauty; that she was committed to the care of an uncle who was being crossed in her affections by her guardian, who opposed her marriage.