Showing results by publisher "Strelbytskyy Multimedia Publishing" in Horror

Desperate in his search of the secret of life, young Dr Victor Frankenstein attempts to construct and then bring to life a previously inanimate creature. He succeeds, yet immediately finds himself horrified and repulsed by the fruit of his long-lasting labors and, as a result, abandons the creature without a word. This action begins a series of tragic events in the life of the scientist, as the enraged monster begins his quest to fill every minute of Dr. Frankenstein's life with terror, dread and misery.

A gothic melodrama full of subtle impression and epigram, which tells a story about moral corruption. The Picture of Dorian Gray touches on many of Wilde's recurring themes, such as the nature and spirit of art, aestheticism and the dangers inherent to it.

The Black Stone is a short story by Robert E. Howard, first published in 1931, and is a classic example of cosmic horror. The story follows an unnamed narrator, an antiquarian and scholar, who becomes obsessed with an ancient monolith called the Black Stone after reading references to it in historical documents. The Black Stone is located in a remote region of Hungary, where strange and disturbing events have been associated with it for centuries. Intrigued, the narrator embarks on a journey to investigate the mysterious artifact.

Skull-Face is a fantasy novella by American writer Robert E. Howard, which appeared as a serial in Weird Tales magazine, beginning in October 1929, and ending in December, 1929. The story stars a character called Stephen Costigan but this is not Howard's recurring character, Sailor Steve Costigan. The story is clearly influenced by Sax Rohmer's opus Fu Manchu but substitutes the main Asian villain with a resuscitated Atlantean necromancer (similar to Kull's bit character Thulsa Doom) sitting at the center of a web of crime and intrigue meant to end White/Western world domination with the help of Asian/Brown/African peoples.

The Shadow over Innsmouth is a horror novella by American author H. P. Lovecraft, written in November–December 1931. It forms part of the Cthulhu Mythos, using its motif of a malign undersea civilization, and references several shared elements of the Mythos, including place-names, mythical creatures, and invocations. The Shadow over Innsmouth is the only Lovecraft story that was published in book form during his lifetime. The narrator is a student conducting an antiquarian tour of New England.

From Beyond is a horror short story by American writer H. P. Lovecraft. It was written in 1920 and was first published in The Fantasy Fan in June 1934. The story is told from the first-person perspective of an unnamed narrator and details his experiences with a scientist named Crawford Tillinghast. Tillinghast creates an electronic device that emits a resonance wave, which stimulates an affected person's pineal gland, thereby allowing them to perceive planes of existence outside the scope of accepted reality.

Through the Gates of the Silver Key is a short story co-written by H. P. Lovecraft and E. Hoffmann Price between October 1932 and April 1933. A sequel to Lovecraft's The Silver Key, and part of a sequence of stories focusing on Randolph Carter, it was first published in the July 1934 issue of Weird Tales. At a gathering to decide the fate of Randolph Carter's estate (which has been held in trust since his disappearance) the mysterious Swami Chandraputra, who wears curious mittens and enveloping robes, tells Carter's acquaintances of his ultimate fate.

The Rats in the Walls is a short story by American author H. P. Lovecraft. Written in August–September 1923, it was first published in Weird Tales, March 1924. In 1923, an American named Delapore, the last descendant of the De la Poer family, moves to his ancestral estate in England following the death of his only son during World War I. To the dismay of nearby residents, he restores the estate, called Exham Priory.

Dracula is a novel by an Irish writer Sir Abraham "Bram" Stoker that was first published in 1897. The stories about vampires were created and published numerously earlier than this famous novel. But it won't be an exaggeration to say that it was Sir Stoker, who managed to write a thing that became a basis for the whole era of "vampire novels".

"Hop-Frog" (originally "Hop-Frog; Or, the Eight Chained Ourang-Outangs") is a short story by American writer Edgar Allan Poe, first published in 1849. The title character, a person with dwarfism taken from his homeland, becomes the jester of a king particularly fond of practical jokes. Taking revenge on the king and his cabinet for the king's striking of his friend and fellow dwarf Trippetta, he dresses the king and his cabinet as orangutans for a masquerade. In front of the king's guests, Hop-Frog murders them all by setting their costumes on fire before escaping with Trippetta.

"The Cask of Amontillado" (sometimes spelled "The Casque of Amontillado" [a.mon.ti.ˈʝa.ðo]) is a short story by Edgar Allan Poe, first published in the November 1846 issue of Godey's Lady's Book. The story, set in an unnamed Italian city at carnival time in an unspecified year, is about a man taking fatal revenge on a friend who, he believes, has insulted him. Like several of Poe's stories, and in keeping with the 19th-century fascination with the subject, the narrative revolves around a person being buried alive - in this case, by immurement.

"The Facts in the Case of M. Valdemar" is a short story by American author Edgar Allan Poe about a mesmerist who puts a man in a suspended hypnotic state at the moment of death. An example of a tale of suspense and horror, it is also, to a certain degree, a hoax, as it was published without claiming to be fictional, and many at the time of publication (1845) took it to be a factual account. Poe toyed with this for a while before admitting it was a work of pure fiction in his marginalia.

"The Black Cat" is a short story by Edgar Allan Poe. It was first published in the August 19, 1843, edition of The Saturday Evening Post. It is a study of the psychology of guilt, often paired in analysis with Poe's "The Tell-Tale Heart". In both, a murderer carefully conceals his crime and believes himself unassailable, but eventually breaks down and reveals himself, impelled by a nagging reminder of his guilt.

This is complete collection of American author of horror, fantasy, and science fiction. His works were deeply pessimistic and cynical, challenging the values of the Enlightenment, Romanticism, and Christian humanism. Stephen King has called Lovecraft "the twentieth Century's greatest practitioner of the classic horror tale.

Одинокий гробовщик, привыкший к тишине и печали, однажды оказывается в самом неожиданном обществе. Но кто его гости — соседи или… клиенты? Гробовщик — изящная готическая миниатюра, где за лёгкой усмешкой слышится звон колокольчика, а между строк сквозит нешуточная сатира.

On a winter's night, as the old year slips silently into the new, shadows stir in forgotten corners, and the past refuses to rest. In The Experiment, M. R. James once again proves himself a master of quiet horror—where the chill creeps not from the cold, but from something far older, and far less forgiving. Subtle, strange, and unsettling, this is a tale that whispers its secrets, if you dare to listen. Perfect for a solitary listen by candlelight, just as midnight strikes.

A mournful cry, a well that echoes the past, and an invitation to remember the forgotten. In Wailing Well , M. R. James crafts a haunting tale of mystery and spectral terror, where the quiet of a rural landscape is disturbed by a cry from the past—an eerie wail that resonates through time. As James unearths the secrets buried in the forgotten well, he masterfully builds a sense of creeping dread and inevitable doom, reminding us that some things—once heard—can never be forgotten.

There are rooms best left unopened. In Rats, M. R. James guides us into one such space—silent, neglected, and waiting. Known for his restrained, academic horrors, James delivers here a tale that creeps up slowly and lingers uncomfortably. With a master's touch, he suggests far more than he shows, letting unease breed in the shadows and silence. This story is a quiet descent into something primal and cold, where the mundane turns menacing, and a moment's curiosity opens a door to ancient fear. Listen carefully—some noises can't be explained.

A child's toy, a cursed relic, a mystery that refuses to stay hidden. In The Haunted Dolls' House , M. R. James weaves a tale of exquisite unease, where the innocent facade of a dollhouse reveals a terrifying world of spirits long forgotten. Here, the past and present collide, and the boundaries between the living and the dead blur in unsettling silence. With his signature restraint and an eye for the uncanny, James transports the listener to a place where even the most innocent of objects can conceal a dark history—and a terrible secret that demands to be uncovered.

A curious traveler. A forbidden tomb. A name best left unspoken. When Mr. Wraxall digs into the past of a long-dead Swedish nobleman, he unearths more than just history. Something stirs beneath the surface—something ancient, waiting, watching. Count Magnus is a masterpiece of restrained horror by M. R. James, where dread builds slowly and silence says more than screams. Atmospheric, eerie, and unforgettable.