Showing results for "of murder" in Judaism

In 1144 the mutilated body of William of Norwich, a young apprentice leatherworker, was found abandoned outside the city's walls. The boy bore disturbing signs of torture, and a story spread that it was a ritual murder, performed by Jews, in imitation of the Crucifixion as a mockery of Christianity. The outline of William's tale eventually gained currency far beyond Norwich, and the idea that Jews engaged in ritual murder became firmly rooted in the European imagination.

Until his death in 4 BCE, Herod the Great's monarchy included territories that once made up the kingdoms of Judah and Israel. Although he ruled over a rich, strategically crucial land, his royal title did not derive from heredity. His family came from the people of Idumea, ancient antagonists of the Israelites.

Judenjagd, hunt for the Jews, was the German term for the organized searches for Jews who, having survived ghetto liquidations and deportations to death camps in Poland in 1942, attempted to hide "on the Aryan side." Jan Grabowski's penetrating microhistory tells the story of the Judenjagd in Dabrowa Tarnowska, a rural county in southeastern Poland, where the majority of the Jews in hiding perished as a consequence of betrayal by their Polish neighbors.

In Murder in Manchuria, Scott D. Seligman explores an unsolved murder set amid the chaos that reigned in China in the run-up to World War II. The story unfolds against the backdrop of a three-country struggle for control of Manchuria—an area some called China's "Wild East"—and an explosive mixture of nationalities, religions, and ideologies. Semyon Kaspe, a young Jewish musician, is kidnapped, tortured, and ultimately murdered by disaffected, antisemitic White Russians, secretly acting on the orders of Japanese military overlords who covet his father's wealth.

Award-winning journalist Javier Sinay investigates a series of murders from the nineteenth century, unearthing the complex history and legacy of Moisés Ville, the “Jerusalem of South America,” and his personal connection to a defining period of Jewish history in Argentina.

The twentieth-century artist Bruno Schulz was born an Austrian, lived as a Pole, and died a Jew. First a citizen of the Habsburg monarchy, he would, without moving, become the subject of the West Ukrainian People's Republic, the Second Polish Republic, the USSR, and, finally, the Third Reich. Schulz was also a talented illustrator and graphic artist whose masochistic drawings would catch the eye of a sadistic Nazi officer. Benjamin Balint chases the inventive murals Schulz painted on the walls of an SS villa into multiple dimensions of the artist's life and afterlife.