Showing results for "memoir" in Poetry

SHORTLISTED FOR THE 2024 WOMEN'S PRIZE FOR NON-FICTION 'Vivid and empowering' GILLIAN ANDERSON 'A stunning book’ BERNARDINE EVARISTO ‘Dazzling’ TARA WESTOVER ‘A story about hope, imagination and resilience’ GUARDIAN An award-winning, inspiring memoir of family, education and resilience...

MICHAEL MORPURGO'S FIRST BOOK OF ADULT NON-FICTION IN FORTY YEARS 'A joyous meditation on the season of new beginnings' THE TIMES 'Uplifting and enchanting.' JOANNA LUMLEY 'Spring is a delight. We are all the richer for what he sees.' PHILIP PULLMAN Michael Morpurgo has lived on a farm deep in...

George the Poet knows better than anybody the importance of understanding your surroundings. Born to Ugandan parents on the St Raphael's Estate in Neasden, north-west London, George Mpanga has always been aware of his community. It was both his teacher and his inspiration - giving him the language, the experiences, and the skills to become the person he is today. In Track Record, George unveils the power dynamics that shape our world, shedding light on the forces that restrict Black creativity and put limits on Black excellence.

Vidyan Ravinthiran was born in the north of England to Sri Lankan Tamils, and moved to the United States five years ago. Considering identity in both its political and psychological senses, he leaps adventurously between memoir and criticism, understanding his life through poetry, and vice versa.

An “extraordinary” (Laurie Halse Anderson) young poet traces the lives of her foremothers in West Tennessee, from those enslaved centuries ago to her grandmother, her mother, and finally herself, in this stunning debut celebrating Black girlhood and womanhood throughout American history...

Margaretta Matilda Odell's 1834 Memoir and Poems of Phillis Wheatley is the only substantive early source on Wheatley's life. Phillis Wheatley (ca. 1753-1784) is considered the first African American poet to write for a transatlantic audience, and her Poems on Various Subjects, Religious and Moral (1773) kindled debates about race.

As an aspiring novelist in his early twenties, Cory Leadbeater was presented with an opportunity to work for a well-known writer whose identity was kept confidential. Since the tumultuous days of childhood, Cory had sought refuge from the rougher parts of life in the pages of books. Suddenly, he found himself the personal assistant to a titan of literature: Joan Didion. In hypnotic prose that pulses with life and longing, The Uptown Local explores the fault lines of class, family, loss, and creativity.

In this memoir told in poems, Dan Flanigan follows that gradual dimming through the last illness and death of his wife. Written in free verse and prose poems, Tenebrae moves across the full arc of a long marriage. These poems refuse the familiar consolations. There is no posturing, no preciousness, no self-pity. A dying woman is rendered as fully human—strong, flawed, dignified, unmistakably herself—and the speaker does not cast himself as hero.

For fans of Between Two Kingdoms and Milk and Honey, a dazzling, unconventional memoir—in essays and verse—of a young woman’s sojourn with breast cancer; a chronicle of the most tragic moments in loss, and a celebration of the most tender moments in life. Question: If one breast is triple...

Captive, Madeline Dyer's first poetry collection, is based on the therapy writings she produced when she was experiencing psychosis and OCD due to autoimmune basal ganglia encephalitis, a rare type of brain inflammation caused by the immune system attacking the brain. While her communication skills and cognitive abilities diminished due to the effects of the inflammation, she was able to share her thoughts and emotions via the written word

"Ashes in the Milk" will remind listeners that their greatest path to healing lies within—all they must do is walk down the path. Valerie Johns, MA, MFT, is a prolific poet, author, and therapist who is passionate about helping others heal from their deepest wounds.

A collection of short stories and poems, Such Pretty Pain is a beautiful invitation into the depths of our shared human experience. Drawing from real life moments that have caused the author much grief, the listener is asked to consider how they may carry their own invisible burdens and regrets. Reflections on violence, racism, trauma, and passed down pain are explored in a unique way. The transformation of harmful stigmas to liberating self expression is possible, and shared in this memoir.

This is a collection of poems inspired by love, loss of love, and other tragic and traumatic events that began in late July of 2000—so some poems are about love and others about the loss of that love. This is my autobiography in poetry form.

From life in a suburban Western Pennsylvania steel town in the middle of the post-World War II baby boom, to contemplation in retirement, Though Oftentimes Better than Master of One is a collection of brief memoirs, recollections, and prose that is meant to be listened to in small portions, much like slowly sipping a cup of warm tea during a cold winter’s evening while relaxing in a reclining chair. These brief narratives describe events from the author’s youth, college years, career, and current day life in retirement.

I Wonder When You Knew is a collection of poems, prose, song lyrics, and other writings collected from my high school days through the present time. They describe my experiences, perceptions, and philosophy of love and life. Half of the entries are autobiographical, the others fictional. These writings reflect my own adventures interacting with those people, places, and things that I have loved in my life. I hope that those who listen to these words share some of the same feelings that I have had.

Her great-great-grandma came to California in a covered wagon more than a hundred years ago, and her family has farmed in the Sacramento Valley ever since, but a life of farming was the last thing she wanted...until the day fate brings her back to the farm.

No matter what life left at my doorstep, there was always a song to help me, understand me, and pluck at my heartstrings—making me feel it was written just for me. I spent my life in search of family, haunted by the demons of my ancestors. My journey led me down many paths in pursuit of a melody understood. Some were rooted in nature’s symphonic glory and others so dark I lost my voice and identity. Yet each time a bird in hand, a sign of promise and hope, rescued me and gave me the courage to move on.

During her sophomore year at Middlebury College, Emily meets Max—“you” as she intimately refers to him in the book. Not exactly a tomboy, but not quite a girly girl either, Emily is intent on finding a masculine boyfriend to assuage a deeply rooted fear that she may not be quite feminine enough. Max—a boisterous class clown beloved by his many straight guy friends—has recently come out as gay and is embracing his newly claimed identity. Initially, Max and Emily dislike each other, but end up growing close after a make-out dare on Halloween.

The book chronicles, in poetic form, the life of a woman who, in three distinct and significant life events, feels she is “the other woman” to her husband, to her child, and even to herself, rather than the woman who is “good enough” just as she is. Not until she loses her eyesight does she finally allow herself to stop putting herself aside and be who she always has been—a strong, insightful, creative, resilient, faith driven, funny, and fun-loving woman. A resurrected woman!

Take an unforgettable journey from the Cold War USSR to Savery, Wyoming, from the mountains of Tuscany to the peak of Yosemite's Half Dome, from the Canadian wilderness to the beaches of Normandy.