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Como as práticas culturais e políticas de autoria negras podem reescrever a história do Brasil? Se não reescrevê-la, talvez ressignificar momentos importantes de seu desenvolvimento, ou realçar aspectos que sofreram um apagamento? O que as produções de escritores, artistas e intelectuais negros revelam sobre a experiência subjetiva e as reivindicações por uma sociedade mais justa? Este curso explora a contribuição fundamental da autoria negra no Brasil, abordando como essas produções culturais questionam mitos históricos e combatem o racismo estrutural.

“The poet is endemic with life itself,” Will Alexander once said, and in this searing pas de trois, Refractive Africa: Ballet of the Forgotten, he has exemplified this vital candescence with a transpersonal amplification worthy of the Cambrian explosion. “This being the ballet of the forgotten,” he writes as diasporic witness, “of refracted boundary points as venom.” The volume’s opening poem pays homage to the innovative Nigerian-Yoruban author Amos Tutuola; it ends with an encomium to the modernist Malagasy poet Jean-Joseph Rabearivelo.

A twisted night leads Kayla into a hot and steamy love affair with the man of her dreams. Her intuition tells her something is wrong about this romantic encounter, but she is captivated by lust. Suddenly, his antics become questionable, and her minor concerns turn into an obsession of searching for truths. The lies and deceit plague not only her life but her friends and family as well.