Showing results for "four" in Social Classes & Economic Disparity

From Wall Street to the West Coast, from blue-collar billionaires to blue-blood fortunes, from the Google guys to hedge fund honchos, All the Money in the World gives us the lowdown on, among other things: the all-time richest Americans, who made and lost the most money in the past 25 years, the fields and industries that have produced the greatest wealth, the biggest risk takers, the most competitive players, the most wasteful family feuds, the trophy wives.

Examinando retórica, normas políticas, literatura popular y las teorías científicas a lo largo de 400 años, Nacny Isenberg rechaza las suposiciones sobre la sociedad libre de clases de Estados Unidos, donde la libertad y el trabajo duro te garantizan una verdadera movilidad social. Los blancos pobres miserables y sin tierra han existido desde la época del primer asentamiento colonial británico hasta los actuales "hillbillies".

These are the architects of the modern civil rights movement: 4 profiles of revolutionary groups making change beyond protest A radically different approach to sustaining social justice movements—4 strategies for abolition and liberation from the new architects of the modern civil rights...

From Wall Street to the West Coast, from blue-collar billionaires to blue-blood fortunes, from the Google guys to hedge fund honchos, All the Money in the World gives us the lowdown on, among other things: the all-time richest Americans, who made and lost the most money in the past 25 years, the fields and industries that have produced the greatest wealth, the biggest risk takers, the most competitive players, the most wasteful family feuds, the trophy wives.

Sanremo, il festival della paura. La kermesse canora e le immancabili polemiche in sette articoli di Repubblica: Dal governo ai vertici Rai, il lungo assedio a Fabio Fazio, di Goffredo De Marchis; Se all'Ariston sbarca un mostro a due teste, di Gianni Santoro; Un festival bizarro: più qualità ma meno spettacolo, di Gino Castaldo; Sanremo e le giurie: una, cento, mille Italie non così distanti, di Gino Castaldo; Il popolo, le élite e il festival della paura, di Natalia Aspesi; Mahmood: "Ma quale razzismo, la mia generazione è cresciuta rispettando le diversità", di Carlo Moretti.