Showing results for "Stories" in Writing & Publishing

Stop Writing! presents a complete story-development method from David Cornue, a television writer who sold his pilot Triage to 20th Television for ABC and has spent a decade coaching writers who went on to sell scripts, join television writers' rooms, find publishers, and land on Broadway. The method follows one sequence: story first, words last. Envision the concept. Engineer the world and characters. Execute the outline. Then—and only then—start writing.

Writing for Bliss is most fundamentally about reflection, truth, and freedom. With techniques and prompts for both the seasoned and novice writer, it will lead you to tap into your creativity through storytelling and poetry, examine how life-changing experiences can inspire writing, pursue self-examination and self-discovery through the written word, and understand how published writers have been transformed by writing.

The New York Times Bestseller From the prize-winning, bestselling author of Say Nothing (soon to be streaming on Disney+) and Empire of Pain, twelve enthralling stories of skulduggery and intrigue by one of the most decorated journalists of our time. 'Eminently bingeable, religiously...

Your Story Matters presents a dynamic and spiritually formative process for understanding and redeeming the past in order to live well in the present and into the future. Leslie Leyland Fields has used and taught this practical and inspiring writing process for decades, helping people from all...

From global bestseller and creator of Jack Reacher, comes Lee Child’s first-ever autobiographical collection. From urgently scribbling out his debut Killing Floor in pencil (the stub of which he still owns), to seeing his novels adapted for the big screen . . . here are Lee Child’s...

Following on the heels of Lisa Cron's breakout first book, Wired for Story, this writing guide reveals how to use cognitive storytelling strategies to build a scene-by-scene blueprint for a riveting story. It’s every novelist’s greatest fear: pouring their blood, sweat, and tears into...

THE SUNDAY TIMES BESTSELLER **INCLUDES NEW MATERIAL** ‘If you want to write a novel or a script, read this book’ SUNDAY TIMES ‘The best book on the craft of storytelling I’ve ever read’ MATT HAIG ‘A masterpiece. I am in awe’ ADAM RUTHERFORD Why stories make us human and how to tell...

A fascinating exploration of how to use the power of storytelling to create irresistible pitches, build passionate brand loyalty, motivate teams and lead with charisma. 'Will Storr is a genius' Rory Sutherland 'A captivating and enlightening read . . Will Storr is an unusually talented and...

They were the DeMeo gang - the most deadly hit men in organized crime. Their Mafia higher-ups came to know, use, and ultimately fear them as the Murder Machine. They killed for profit and for pleasure, following cold-blooded plans and wild whims, from the mean streets of New York to the Florida Gold Coast, and from coast to coast. Now complete with personal revelations of one of the key players, this is the savage story that leaves no corpse unturned in its terrifying telling.

We all love stories. But why do we tell them? And why do all stories function in an eerily similar way? John Yorke, creator of the BBC Writers' Academy, has brought a vast array of drama to British screens. Here he takes us on a journey to the heart of storytelling, revealing that there truly is a unifying shape to narrative forms - one that echoes the fairytale journey into the woods and, like any great art, comes from deep within. From ancient myths to big-budget blockbusters, he gets to the root of the stories that are all around us, every day.

Nick Wallis, an acclaimed freelance journalist and broadcaster, has been following the story since 2010 when he met a taxi driver who told him his pregnant wife had been sent to prison for a crime she did not commit. Since then, he has recorded interviews with dozens of victims, insiders and experts, uncovering hundreds of documents to build up an unparalleled understanding of the story. Using these sources, he has been instrumental in bringing the scandal into the public eye.

When America entered World War II in 1941, we faced an enemy that had banned and burned over 100 million books and caused fearful citizens to hide or destroy many more. Outraged librarians launched a campaign to send free books to American troops and gathered 20 million hardcover donations. In 1943, the War Department and the publishing industry stepped in with an extraordinary program: 120 million small, lightweight paperbacks for troops to carry in their pockets and their rucksacks in every theater of war.

From the peak of Jeremy Corbyn's popularity and the shock hung parliament of 2017 to Labour's humbling in 2019 and the election of Keir Starmer, Left Out draws on unrivalled access throughout the party and to both leaders' inner circles to provide a blistering narrative exposé of the Labour Party during one of the most tumultuous and significant episodes in its history. It reveals a party riven by factionalism and at war over ideology, then incapacitated by crisis and indecision. 

How does one pull from one's own boring, agitated self the truth-speaker who will tell the story a personal narrative needs to tell? That is the question The Situation and the Story asks—and answers. Taking us on a tour of some of the best memoirs and essays of the past hundred years, Gornick traces the changing idea of self that has dominated the century, and demonstrates the enduring truth-speaker to be found in the work of writers as diverse as Edmund Gosse, Joan Didion, Oscar Wilde, James Baldwin, or Marguerite Duras.

On October 5, 2017, the New York Times published an article by Jodi Kantor and Megan Twohey that helped change the world. For months Kantor and Twohey had been having confidential discussions with top actresses, former Weinstein employees and other sources, learning of disturbing, long-buried allegations. The journalists meticulously picked their way through a web of decades-old secret payouts and nondisclosure agreements, pressed some of the most famous women in the world to risk going on the record.

While writers might disagree over showing versus telling or plotting versus pantsing, none would argue this: If you want to write strong fiction, you must make your readers feel. The reader's experience must be an emotional journey of its own, one as involving as your characters' struggles, discoveries, and triumphs are for you. That's where The Emotional Craft of Fiction comes in. Veteran literary agent and expert fiction instructor Donald Maass shows you how to use story to provoke a visceral and emotional experience in readers.

A Telegraph Best Book 2025 'Elegant and terrifying, the story of those who gave up life in the West for Ukraine's frontlines – some to save democracy, some to save themselves. A modern-day Homage to Catalonia – and Fight Club on steroids.' – Oliver Poole, London Standard ‘A great read’...

Bloomsbury presents Storytelling by Isabel Allende, read by Victoria Villarreal. 'A grand storyteller who writes with surpassing compassion and insight ... She will be celebrated, by readers and writers alike, for generations to come' KHALED HOSSEINI 'One of our most revered storytellers' KATE...

The Story Grid is a tool developed by editor Shawn Coyne to analyze stories and provide helpful editorial comments. It's like a CT Scan that takes a photo of the global story and tells the editor or writer what is working, what is not, and what must be done to make what works better and fix what's not. The Story Grid breaks down the component parts of stories to identify the problems. And finding the problems in a story is almost as difficult as the writing of the story itself (maybe even more difficult).

Many writers spend months—or years—developing stories with hidden weaknesses. Problems with the concept, stakes, originality, emotional connection, or audience appeal often don't become obvious until deep into the writing process—or after the script or manuscript is finished. The Idea takes a different approach. Drawing on Emmy-winning writer-producer Erik Bork's experience in film and television, the book identifies seven essential elements found in stories that succeed commercially and creatively.