Showing results for "JRR Tolkien" in European

The Homecoming of Beorhtnoth Beorhthelm’s Son was originally published in the 1953 edition of Essays and Studies. In December of that year, J.R.R. Tolkien took possession of a reel-to-reel tape recorder and, some time during the first few months of 1954, decided to record ‘the whole thing on tape’ as a way of ‘testing’ the performative quality of the dramatic dialogue between Tídwald and Torhthelm.

Tolkien’s acclaimed modern classic ‘fairie’ tale, read by Derek Jacobi. ‘Here is something that no devotee of the Hobbit epic can afford to miss, while awaiting a further instalment of the history of these fascinating people – a selection [of verses] offered as an ‘interim report’...

A leading scholar draws on fifty years of reading and studying J.R.R. Tolkien to explain how he created an entire world.

J.R.R. Tolkien: An Audio Portrait is a compilation of radio and TV archive material from the '60s and '70s featuring interviews with J.R.R. Tolkien, his relatives, and his colleagues in which he talks about The Lord of the Rings, his other Hobbiton books, life as an academic, correspondence received from fans, and his views on the 20th century. This audiobook is presented by Brian Sibley.

What is it about Middle-Earth and its inhabitants that has captured the imagination of millions of people around the world? And why does Tolkien's creation continue to fascinate and inspire us eighty-five years on from its first appearance? Beginning with Tolkien's earliest influences and drawing on key moments from his life, Twenty-First-Century Tolkien is an engaging and radical reinterpretation of the beloved author's work. Not only does it trace the genesis of the original books, it also explores the later adaptations and reworkings that cemented his reputation as a cultural phenomenon.

The poems of this book were written at very various times, one (“Wind over the Sea”) I believe even as early as 1910, but the order in which they are here given is not chronological beyond the fact that the third part contains only poems written after the outbreak of the war. Of these some were written in England (at Oxford in particular), some in Wales, and very many during a year in France from November 1915 to December 1916, which was broken by one leave in the middle of May.