Showing results for "Herman Melville Moby Dick" in World Literature

"Call me Ishmael." Thus starts the greatest American novel. Melville said himself that he wanted to write "a mighty book about a mighty theme" and so he did. It is a story of one man's obsessive revenge-journey against the white whale, Moby-Dick, who injured him in an earlier meeting. Woven into the story of the last journey of The Pequod is a mesh of philosophy, rumination, religion, history, and a mass of information about whaling through the ages.

Ismael, un joven con experiencia en la marina mercante, decide que su siguiente viaje será en un ballenero. El joven entabla amistad con el arponero Queequeg, con quien se enrola en el Pequod, dirigido por el misterioso y autoritario capitán Ahab, un viejo lobo de mar con una pierna construida con la mandíbula de un cachalote.

Moby Dick, by Herman Melville, was first published in 1851. Known for its famous opening line, "Call me Ishmael," and for its epic narrative, complex characters, and rich symbolism, it is considered one of the greatest works of American literature.

Herman Melville's high-seas adventure of whaling lore and legend is told through the eyes of Ishmael, a sailor aboard the ship Pequod. Under the command of the relentless madman Captain Ahab, whose sole quest is to hunt down and kill the whale who took his leg, Moby Dick is the tale of an unholy war against a creature as vast and dangerous and unknowable as the sea itself.

A “brilliant and provocative” (The New Yorker) celebration of Melville’s masterpiece—from the bestselling author of In the Heart of the Sea, Valiant Ambition, and In the Hurricane's Eye One of the greatest American novels finds its perfect contemporary champion in Why Read Moby-Dick?...

Moby Dick, la novela que William Faulkner hubiera querido escribir, va siempre acompañada del reconocimiento y el elogio que merece toda construcción narrativa impecable. La lucha del capitán Ahab, su terrible obsesión y la mítica persecución de la enorme ballena ha traspasado fronteras, consiguiendo así la indiscutible categoría de obra maestra de la literatura universal.

A decade and a half before surprising the world with a book of Civil War poetry, Herman Melville was already confident of what was “poetic” in his prose. As Hershel Parker demonstrates in this book, Melville was steeped in poetry long before he called himself a poet. Here Parker, the dean of Melville studies, gives a compelling, in-depth account of how one of America’s greatest writers grew into the vocation of a poet.