Showing results for "Gaston Leroux" in Genre Fiction

Des voyageurs surpris par l'orage se réfugient chez un homme qui a autrefois passé un pacte avec le DIABLE... Repenti, il attend vainement que son pacte cesse. Or, cette nuit-là, nos voyageurs mi-goguenards mi-effrayés vont le tenter… Un récit fantastique ou SF, qui grâce à l'interprétation magistrale de Marc Deroy vous fait dresser les poils et vous donne la chair de poule !

The lights dim at the Paris Opera House. The exquisite Christine Daae enraptures the audience with her mellifluous voice. Immediately, Raoul de Chagny falls deeply in love. But the legend of the disfigured opera ghost haunts the performance, and as Raoul begins his pursuit of Christine, he is pulled into the depths of the opera house, and into the depths of human emotions.

The story begins with an investigation into some strange reports of an "opera ghost", legendary for making the great Paris opera performers ill-at-ease when they sit alone in their dressing rooms. Some allege to have seen the ghost in evening clothes moving about in the shadows. Nothing is done, however, until the disappearance of Christine during her triumphant performance.

Le commandant du Bayard ne respirera à l'aise qu'une fois à Cayenne, sa cargaison de forçats débarquée, car quelque chose se prépare, il le sent. La mise aux fers de Chéri-Bibi, chef occulte et incontesté des forçats, ne le rassure pas et il a raison: Chéri-Bibi s'évade et s'empare du navire.

A phantom has haunted the Paris Opera House for years. Now he is infatuated with singer Christine Daaé. Despite an astonishing debut performance, Christine fails to win the lead in Faust, and the Phantom’s cursed retaliation on the opera house is spectacularly fatal. As the chandelier falls, he kidnaps Christine, and through hidden passages and behind trapdoors, shares his life story with her. To secure her escape, Christine promises to stay true to him forever. But when the Phantom learns of the prima donna’s intention to flee, his passion turns terrifying.

The actors, singers, and patrons of the Paris Opera House say that a ghost haunts the labyrinthine chambers beneath its stage. While there are those who laugh off such superstitions, they always do so nervously, in the bright light of day. Nearly everyone connected with the Opera House in any way has felt the phantom's vague, troubling presence. But beautiful, talented young singer Christine Daae will soon experience a terror far more acute than any vague feeling of unease.

In the hidden passages beneath the Paris Opera House lives a mysterious man who conceals his disfigured face. From the shadows, he watches the dressing rooms and follows Christine, a young singer with extraordinary talent for whom he feels an obsessive love. Through Erik—tormented by his deformity and passion for beauty—and through the labyrinth of the Opera House itself, Leroux takes us to the world behind the curtain. A story where the fantastic is told with journalistic precision, enriched with many real elements that inspired the author.

A baffling series of incidents at the majestic Paris Opera sparks frightening rumors about a mysterious opera ghost. Performers are ill-at-ease when they sit alone in their dressing rooms, alleging to have seen the enigma in evening clothes moving about in the shadows. Then a young and beautiful prima donna is visited by a masked "Angel of Music" who teaches her to sing and jealously demands her devotion—but with a price. With an increasing pattern of fear and violence, the phantom of the opera begins to strike, but always with a beautiful young performer at the center of his deadly desires.

Eric possessed many truly brilliant and extraordinary abilities including musical genuis. Being outcast from society for his ugliness, Eric was forced to wander from one country to another. When in France, he worked at fairs demonstrating tricks and ventriloquism. Later he became a bricklayer and was engaged in building the Paris Opera House. Upon completion of the construction, Eric decided to hide from the world in the cellars of the Opera and turned this great building into his own empire.

Un vieil homme, tout voûté, traînant la jambe, parcourt les rues de Paris, un panier de cacahuètes au bras. Sa silhouette est familière aux habitués des terrasses des Champs-Élysées comme à la jeunesse du quartier Latin. "Papa cacahuètes" se moque pas mal des quolibets, sur son passage. Il poursuit son bonhomme de chemin avec une idée fixe en tête. Une idée formidable ! Faire de son fils le maître de la France ! Car il a un fils, ce loqueteux !

Fatalitas ! Après s'être emparé du Bayard, bateau-cage à destination du bagne de Cayenne, l'indomptable Chéri-Bibi trouve sur sa route l'individu qu'il hait le plus : le marquis du Touchais, l'homme qui lui a ravi sa belle Cécily. Mais la vengeance se déguste comme la viande... froide.

La suite des aventures de Palas que nous avons laissé dans une fâcheuse situation avec Chéri-Bibi.

Arigonde dit le Parisien, fric-Frac, le Caïd, le Bêcheur, Palas n'a pas pires ennemis à Cayenne et il passerait de mauvais quarts d'heure sans la protection du "dab du Pré", autrement dit le roi du bagne Chéri-Bibi. Celui-ci l'a pris en affection parce qu'il le sait injustement condamné et a décidé de l'aider à s'évader pour qu'il refasse sa vie.