Showing results for "Faust 2" in Classics

Faust has long been considered one of the most important works of European literature ever published. Johann Wolfgang von Goethe began writing Faust in the 1770s while still a young man, spending most of his adult life on the project. Faust was finally finished almost 50 years later, near the end of his life. Faust is a philosophical drama full of humor, satire, and tragedy. The demon Mephistopheles makes a bet with God that he can lure Faust from the path of good.

Goethe's masterpiece and perhaps the greatest work in German literature, Faust has made the legendary German alchemist one of the central myths of the Western world. Here indeed is a monumental Faust, an audacious man boldly wagering with the devil, Mephistopheles, that no magic, sensuality, experience or knowledge can lead him to a moment he would wish to last forever.

Vom frühen Welterfolg des "Werther" bis zu den nach dem Tode veröffentlichten "Maximen und Reflexionen" bietet das Hörbuch einen wunderbaren Querschnitt durch alle Phasen und Genres, an denen sich das Universalgenie Goethe versucht hat.

Faust is a tragic play in two parts that reworks the late medieval myth of a brilliant but disillusioned scholar who makes a deal with the devil. Faust is considered by many to be Goethe's masterpiece and the greatest work of German literature. Part I sets out Faust’s despair, his pact with Mephistopheles, and his love for Gretchen. Part II deals with Faust’s life at court, the wooing and winning of Helen of Troy, and his purification and redemption.

Faust is one of the pillars of Western literature. This classic drama presents the story of the scholar Faust, tempted into a contract with the Devil in return for a life of sensuality and power. Enjoyment rules, until Faust’s emotions are stirred by a meeting with Gretchen, and the tragic outcome brings Part 1 to an end. Part 2, written much later in Goethe’s life, places his eponymous hero in a variety of unexpected circumstances, causing him to reflect on humanity and its attitudes to life and death.

Nella Germania devastata alla fine della Seconda guerra mondiale, il professor Serenus Zeitblom scrive la biografia dell'amico d'infanzia Adrian Leverkühn, un geniale musicista che in cambio dell'anima ha ottenuto dal diavolo ventiquattro anni di furore creativo. Reinterpretando in chiave moderna il mito di Faust, Thomas Mann narra una vicenda che per molti aspetti sembra anticipare il destino della Germania, travolta dalla follia hitleriana e dalla distruzione.

Faust is a tragic play in two parts that reworks the late medieval myth of a brilliant but disillusioned scholar who makes a deal with the devil. it is widely considered to be Goethe's masterpiece and the greatest work of German literature. The novel Elective Affinities is the story of Eduard and Charlotte, an aristocratic couple enjoying an idyllic but rather dull life on their rural estate. They invite the Captain, Eduard's childhood friend, and Ottilie, the orphaned niece of Charlotte, to live with them, with tragic results.

Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.

Mephisto und Faust - Goethes Faust I und II als Zweierbeziehung. Eine der bedeutendsten, in jeder Hinsicht spektakulären Rollen Fred Dürens war der Faust in der legendären Inszenierung von Adolf Dresen und Wolfgang Heinz im Jahr 1968. Aus der Frage, wie Düren den Faust wohl heute spielen würde, entstand der Plan, der Auffassung von einem jungen (seinerzeit für zu jung geltenden!) Faust nun eine neue Interpretation mit einem alten, erfahrungsreichen Faust gegenüberzustellen.

In einem sind sich die Literaturwissenschaftler bei Goethes "Faust" einig: Gott wettet nicht. Das hat er gar nicht nötig. Was aber wenn doch? Gähnende Langeweile treibt schließlich so manche merkwürdige Blüte. Was wäre also, wenn Gott auf den Wettstreit mit Mephisto ernsthaft einginge? Und was wäre, wenn Gott seine Wette verlöre?