Showing results for "Faust" in Epic

Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.

Alex has taken firm control over his county as the count of Brit. By and large, everything has settled into a fairly normal pattern for him, his Numbered, and his wife. The problem of course is there's still an ongoing war between two duchies, and Regina Tanulf, Alex's liege and lord, has plans for him. Plans that he wants no part of. Except that he doesn't really have a choice in the matter. Everything begins to spin back out of control as a messenger from the Wild Lands arrives with a plea for help.

Faust has been caged, buried, cut off from his allies and his magic. His enemies think they've won. They're about to learn, the hard way, that this is one sorcerer who always has a trick up his sleeve. Nobody has ever escaped from the Iceberg. But the Iceberg has never had a prisoner like Daniel Faust.

Alex is dead. Dead, and apparently with a one-way ticket to a place that only the worst of the worst go. All for a simple choice he made about a product his company owned. Damned for all time. Luckily for him, he's about to be given a chance. Another choice to make. He can return to the land of the living, though his soul would belong to another. Except the world he's being sent to isn't the same one he came from. It's not even a similar period in time, but from something long past in history. The dark ages.

The war with Gaelis has gone poorly for Alex's foes and well for his allies. He's enriched himself, empowered his county with that coin, and built his county ever higher. The war swings in favor of his Duchess. Yet the war still goes on. The end doesn't seem to be near, nor does Alex feel as if it is as simple as he'd once thought it. Because spring is here. Roads will be opening. Passes will be traversable. Making it possible for armies to march. Which means it's time for Alex to get back to work. Because more than ever, he has a lot to lose, including his newborn children.

Town marshal Elias Faust thinks that he can make any problem go away if he throws enough lead at it. The living’s easy for a lawman. Bloody, but easy - that is, until Magnate Gregdon arrives with his undead syndicate to tear the town of Blackpeak, Texas apart. When a shootout with a pair of outlaws goes sideways, Elias Faust accidentally draws the Magnate’s attention. As if dealing with arcane sorcery, reanimated corpses, and the Magnate’s personal vendetta aren’t enough, Faust finds himself at the center of a power-struggle for Blackpeak’s eldritch secrets.

Placed by the hands of a god into the womb of Dragoloth's royal family, Pharun has struggled all his life to prove that he is worthy to inherit the throne. But now the throne sits empty, with more than one candidate vying for its seat. Violence erupts, and corruption is unearthed as a game of gods and thrones threatens to make the greatest empire in the world crumble. All Pharun ever wanted was to prove he was a worthy son. Now he has to prove himself a worthy king.