Showing results for "Emily Dickinson" in Literary History & Criticism

On August 3, 1845, young Emily Dickinson declared, "All things are ready" - and with this resolute statement, her life as a poet began. Despite spending her days almost entirely "at home" (the occupation listed on her death certificate), Dickinson's interior world was extraordinary. She loved passionately, was ambivalent toward publication, embraced seclusion, and created 1,789 poems that she tucked into a dresser drawer. In These Fevered Days, Martha Ackmann unravels the mysteries of Dickinson's life through 10 decisive episodes that distill her evolution as a poet.

"The eagerness with which the first volume of Emily Dickinson's poems has been read shows very clearly that all our alleged modern artificiality does not prevent a prompt appreciation of the qualities of directness and simplicity in approaching the greatest themes,—life and love and death. That "irresistible needle-touch," as one of her best critics has called it, piercing at once the very core of a thought, has found a response as wide and sympathetic as it has been unexpected even to those who knew best her compelling power. This second volume, while open to the same criticism as to form ...

Part of a new collection of literary voices from Gibbs Smith, written by, and for, extraordinary women - to encourage, challenge, and inspire. One of American’s most distinctive poets, Emily Dickinson scorned the conventions of her day in her approach to writing, religion, and society. Hope Is the Thing with Feathers is a collection of her vast archive of poetry to inspire the writers, creatives, and feminists of today.

In this brilliantly original book, Camille Paglia identifies some of the major patterns that have endured in western culture from ancient Egypt and Greece to the present. According to Paglia, one source of continuity is paganism, which, undefeated by Judeo-Christianity, continues to flourish in art, eroticism, astrology, and pop culture. Others, she says, are androgyny, sadism, and the aggressive western eye, which has created our art and cinema.

For Wallace Stevens, "Poetry is the scholar's art." Susan Howe—taking the poet-scholar-critics Charles Olson, H.D., and William Carlos Williams (among others) as her guides—embodies that art in her 1985 My Emily Dickinson (winner of the Before Columbus Foundation Book Award). Howe shows ways in which earlier scholarship had shortened Dickinson's intellectual reach by ignoring the use to which she put her wide reading.

LibriVox volunteers bring you 16 recordings of In Vain by Emily Dickinson.. This was the Fortnightly Poetry project for December 27, 2020. ------ Taken from Poems by Emily Dickinson, Series One by Emily Dickinson - Summary by David Lawrence

LibriVox volunteers bring you 21 recordings of The Lonely House by Emily Dickinson. This was the Fortnightly Poetry project for October 11, 2020. ------ The Lonely House seems a good prelude to Halloween. - Summary by David Lawrence

Il presente programma fece parte nel 2004 delle manifestazioni universitarie di ICAMus a Firenze (un seminario e due concerti) dal titolo Solitudini creative, a cura di Aloma Bardi, dedicate a una stagione speciale, il Romanticismo americano, nelle sue potenti implicazioni musicali studiate attraverso il movimento filosofico e letterario del Trascendentalismo e la poesia di Emily Dickinson. Il tema delle “Solitudini creative” riassume in sé valori centrali alla cultura e al pensiero nordamericani, dal rapporto con la natura alla libertà delle forme espressive, dalla protesta sociale alla...

Emily Dickinson and Charles Darwin were born at a time when the science of studying the natural world was known as natural philosophy, a pastime for poets, priests, and schoolgirls. The world began to change in the 1830s, while Darwin was exploring the Pacific aboard the Beagle and Dickinson was a student in Amherst, Massachusetts. Poetry and science started to grow apart, and modern thinkers challenged the old orthodoxies, offering thrilling new perspectives that suddenly felt radical—and too dangerous for women.

With all of its freshness and genius, this collection of over 200 titles is indeed a "letter to the world". Life, love, nature, time, death and eternity are explored with keen insight and beautiful imagery.

In Shaggy Muses, we visit Elizabeth Barrett Browning and Flush, the golden Cocker Spaniel who danced the poet away from death, back to life and human love. We roam the wild Yorkshire moors with Emily Brontë, whose fierce Mastiff mix, Keeper, provided a safe and loving outlet for the writer’s...