Showing results for "Dirt" in Literary Fiction

Georgie Jutland is a mess. At 40, with her career in ruins, she finds herself stranded in White Point with a fisherman she doesn't love and two kids whose dead mother she can never replace. Leached of all confidence, she spends her days in isolated tedium and her nights in a blur of vodka self-recrimination. One morning, in the boozy pre-dawn gloom, she sees a shadow drifting up the beach below - a loner called Luther Fox, with danger in his wake.

Lydia Quixano Pérez lives in the Mexican city of Acapulco. She runs a bookstore. She has a son, Luca, the love of her life, and a wonderful husband who is a journalist. And while there are cracks beginning to show in Acapulco because of the drug cartels, her life is, by and large, fairly comfortable. When Lydia’s husband’s tell-all profile of Javier, the jefe of the newest drug cartel that has gruesomely taken over the city, is published, none of their lives will ever be the same.

WINNER OF THE SYDNEY MORNING HERALD BEST YOUNG NOVELISTS AWARD 2025 WINNER OF THE KATHLEEN MITCHELL AWARD 2025 SHORTLISTED FOR THE MILES FRANKLIN LITERARY AWARD 2025 SHORTLISTED FOR THE MULTICULTURAL NSW AWARD 2025 SHORTLISTED FOR THE UTS GLENDA ADAMS AWARD FOR NEW WRITING 2025 'Islanders must...

Le roman en tête des ventes aux USA ! Des coups de feu, des cris, des pleurs, des bruits de pas... Lydia tente d'étouffer les bruits en pressant la paume de ses mains sur les oreilles de son petit garçon, Luca. Ils n'ont aucune idée de ce qu'il se passe au-delà de la porte des toilettes dans lesquels ils se sont réfugiés. Quand le silence revient, ils sortent et découvrent le massacre. La fête de famille a viré au drame, tous les convives de la quinceanera sont morts, baignant dans leur sang, transpercés par les balles du cartel le plus puissant d'Acapulco.

Expansive.., and eloquent.., at once grave and majestic. In the final volume of the 'Home' trilogy, it is 1974 and we are in the windswept territories of the southwest USA. Written with terse lyricism, and cinematic detail, and wry humor, Dirt and Snakes is a tale of the American West like no other in contemporary literature. This searing, extraordinarily evocative narrative opens with Gus Alamo, a wayfarer; a Cowboy.

This work is intended to stand unto itself as more a living, breathing portrait of art painted with carefully chosen words, than just as a really interesting story told. The intent here is for the listener to view the landscape through the eyes of the main character, to feel what he does as he ambles along in this adventure. When the main character feels the pain and pleasures of the old dirt road, then all will only be right if the listener feels these same identical experiences.