Showing results for "Born" in History & Criticism

A thought-provoking exploration of Bruce Springsteen’s iconic album, Born in the U.S.A.—a record that both chronicled and foreshadowed the changing tides of modern America On June 4, 1984, Columbia Records issued what would become one of the best-selling and most impactful rock albums of all...

Whether you are a fan of hip-hop, or you are just curious about it, you will not have to look further after finding Eric Reese's The History of Hip Hop. This concise but in-depth audiobook explores all the distinguishing traits of what is not only a genre of music but a lifestyle. Reese traces the history of hip-hop from its beginnings in the 1970s and reveals how it changed in the next decades until it became a worldwide phenomenon. The author gives attention to the influence of hip-hop at every level, including art and fashion.

When Bruce Springsteen went back on the road in 1984, he opened every show by shouting out, "one, two, one, two, three, four," followed by the droning synth chords of "Born in the U.S.A." Max Weinberg hit his drums with a two-fisted physicality that cut through the swelling chords. With a rolled-up red kerchief around his head and heavy black boots under his faded jeans, Springsteen looked like the character of the song, and from the very first line ("Born down in a dead man's town") he sang with the throat-scraping desperation of a man with his back against the wall.

This is the first study to explore fully the myth of America as reflected in the nation's popular music. Beginning with the songs of the Pilgrims and continuing through more than two centuries of history and music, Born in the U.S.A. shows the emerging American myth and gives a close reading of the compositions of songwriters as diverse as William Billings, Henry Clay Work, Irving Berlin, Woody Guthrie, Bob Dylan, and Bruce Springsteen.

Every Christmas, millions gather in cathedrals and concert halls for a spectacular tradition: the sing-along to the Messiah. It’s a celebration of one of music’s finest miracles, where a composer drafted the world’s perennially favorite oratorio in just 24 days. Choruses and solos range from stirring to dizzyingly complex, and together, the songs express the full significance of what Christ came to this scarred world to achieve on our behalf.