Showing results for "Black" in Literary History & Criticism

Through candid interviews with Maya Angelou, Toni Cade Bambara, Gwendolyn Brooks, Alexis De Veaux, Nikki Giovanni, Kristin Hunter, Gayl Jones, Audre Lorde, Toni Morrison, Sonia Sanchez, Ntozake Shange, Alice Walker, Margret Walker, and Sherley Anne Williams, the book highlights the practices and critical linkages between the work and lived experiences of Black women writers whose work laid the foundation for many who have come after.

When a high-powered lawyer takes a fatal plunge from the Black Eagle Building, the police quickly label it a suicide. But something doesn’t add up for Molly Morgenthau Babbits, a sharp-witted part-time investigator. Hollings Harland was tangled up in a shady copper market scheme and had just stormed out of a heated meeting with the powerful Johnston Barker. Could he have been trying to escape a dangerous web of secrets? As Molly digs deeper, she uncovers a conspiracy that threatens to ensnare everyone involved. With unexpected twists and a cast of intriguing characters, this detective ...

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When tulip-grower Cornelius van Baerle is framed for treason and sentenced to death, he is powerless against the brutal factional politics that put him in prison. But Rosa, the jailer’s daughter, is beautiful and strong-willed, and when they fall in love she determines not only to save him but also to grow the near mythical flower: the black tulip.S et in the savage turmoil of Holland’s late 17th century, this intimate novel celebrates the power of integrity over obsession, and tolerance over violence; and it creates in the black tulip a symbol of humanity’s potential.

In Bodyminds Reimagined Sami Schalk traces how Black women's speculative fiction complicates the understanding of bodyminds - the intertwinement of the mental and the physical - in the context of race, gender, and (dis)ability. Bridging Black feminist theory with disability studies, Schalk demonstrates that this genre's political potential lies in the authors' creation of bodyminds that transcend reality's limitations.

The Red and the Black by Stendhal. It is a brave author indeed who gives his hero as many flaws as Stendhal bestows upon young Julien Sorel, an ambitious young carpenter's son turned priest who secretly models his behaviour after the heroics of Napoleon, in an era when the great man had only recently died at St Helena, and French society has grown stultified (for all its still vivid memories of the Jacobins' excesses and fear these may be revived). With remarkable skill, Stendhal manages as once to hold Julian's character up to excoriating examination while leaving us with some measure of ...

Stendhal, a pen name for a French writer often at odds with English sensibilities, stands alongside literary giants like Balzac and Flaubert. Frequently defying genre classification, he is seen by some as a Romantic and by others as a Modernist, with *Le Rouge et Le Noir* hailed as the first modern novel. One thing is certain this literary masterpiece chronicles the journey of Julien Sorel, a young theology student who is intelligent, handsome, and fiercely ambitious, determined to transcend his humble peasant roots. Stendhal skillfully weaves a satirical narrative filled with passion, ...

Arthur Black's voice is unmistakable on the radio and on the page. His is the voice of reason, with a generous helping of funny; the voice that scolds us for our universal human quirks, but who says it with the tone and words that make us laugh out loud at ourselves and our neighbors. A Chip Off the Old Black, Black's latest collection of stories, will knock a sense of humor into any reader, boasting nearly 100 tales featuring everything from yarnbombing to Bambi.

Distilled over many years from Henry Louis Gates Jr's legendary Harvard course in African American Studies, The Black Box: Writing the Race is the story of Black self-definition in America through the prism of the writers who have led the way. From Phillis Wheatley and Frederick Douglass, W. E. B. Du Bois and Booker T. Washington, to Zora Neale Hurston and Richard Wright, James Baldwin and Toni Morrison, these writers used words to create a liveable world – a “home” – for Black people destined to live in a bitterly racist society.

The tulip craze of 17th century Holland has a dark side! Cornelius van Baerle, a wealthy but naive tulip grower, finds himself entangled in the deadly politics of his time, and he must decide where his true love lies.

Ever since the birth of his daughter, Nalla, Zsadist has been regressing further and further into the life he led before he met Bella, his beautiful shellan. He has been waking up in cold sweats due to nightmares from his past, hasn't made love to his wife, and won't hold his baby girl, for fear...

It's a book club, but funny!Comedian Michael Ian Black is tackling a great work of literature: Wuthering Heights.Join Michael's weekly book club as he reads aloud from a classic and asks people like Jen Kirkman, Mike Birbiglia, Michael Showalter, and even his teenage kids to weigh in with their perspectives. Season 1: Thomas Hardy's Jude the Obscure. The book is bleak, but Michael does a lot of accent work.Season 2: Mary Shelley's Frankenstein. It's alive, and it's just a big buddy. Also, more accent work.Season 3: Wuthering Heights. It's a love story? Who knowsSeason 4: American Tragedy. ...

Detective Easy Rawlins returns in a mystery set in 1961 Los Angeles as Easy accepts a job searching for a beautiful woman nicknamed Black Betty who works as a housekeeper in Beverly Hills.

In an effort to spread the amazing work of Yuki Tabata as far and wide as possible, we have converted the story into an audiobook form. Our hope is to break the stigma around Manga and bring in more people than ever to experience these amazing stories. Please, support the official release.

Black Beauty is a fictional autobiographical memoir told by a horse, who recounts many tales, both of cruelty and kindness. The title page of the first edition states that it was "Translated from the Original Equine by Anna Sewell." After its publication in 1877, Sewell lived just long enough to see her first and only novel become an immediate bestseller, as well as it encouraging the better treatment of many cruelly-treated animals. Although initially intended for people who work with horses, it soon became a children's classic. While outwardly teaching animal welfare, it also contains ...

Set in the year 1752, Black Moth unfolds a gripping tale of rivalry and romance as the notorious Devil, Duke of Andover, clashes with the dashing highwayman Jack, Earl of Wyncham, over the affections of a stunning country squires daughter. Amidst a backdrop of high-stakes card games, family scandals, and insurmountable debts, this enchanting narrative marks Georgette Heyers debut work and remains her only title in the public domain. (Summary by Sibella Denton)

In the wake of a shattered alliance, the New Republic fights a relentless new enemy in an all-new adventure in the bestselling Star Wars saga... Faced with an alarming image of Han as a battered hostage of the Yevetha, Chewbacca takes on an urgent mission. Meanwhile, Leia calls upon the Senate...

Long before The Brothers Grimm, there was a sisterhood of writers who defied the patriarchy and launched a literary craze with their feminist fairy tales—these are their stories. In 17th century Paris, a group of women who called themselves conteuses (female storytellers) came together to...

Cedric J. Robinson is one of the doyens of Black Studies and a pioneer in study of the Black Radical Tradition. His works have been essential texts, deconstructing racial capitalism and inspiring insurgent movements from Ferguson, Missouri, to the West Bank. For the first time, Robinson's essays come together, spanning over four decades and reflective of his interests in the interconnections between culture and politics, radical social theory, and classic and modern political philosophy.

In Black and Blur - the first volume in his sublime and compelling trilogy Consent Not to Be a Single Being - Fred Moten engages in a capacious consideration of the place and force of Blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms.