Showing results for "August" in World Literature

From the National Book Award winning author, an extraordinary, ground-breaking, epic multi-generational novel about a Korean family living under Japanese occupation. In 1930s Japanese-occupied Korea, Lee Woo-cheol was a running prodigy and a contender for the upcoming Tokyo Olympics. But he...

An L.A. Theatre Works full-cast recording, featuring members of the original Steppenwolf Theatre and Broadway productions: Tara Lynne Barr, Shannon Cochran, Deanna Dunagan (Tony Award®, Best Leading Actress), Kimberly Guerrero, Francis Guinan, Scott Jaeck, Ron Livingston, Robert Maffia, Mariann Mayberry, Rondi Reed (Tony Award®, Best Featured Actress), and David Warshofsky. Directed by Bart DeLorenzo. Recorded by L.A. Thetare Works before a live audience.

The assassination of tsarist prime minister Pyotr Stolypin, a crucial event in the years leading up to the Revolution of 1917, is reconstructed from the alienating viewpoints of historical witnesses. The sole voice of reason among the advisers to Tsar Nikolai II, Stolypin died at the hands of the anarchist Mordko Bogrov, and with him perished Russia's last hope for reform. Translated by H.T. Willetts.

Cada mes de agosto Ana Magdalena Bach toma el transbordador hasta la isla donde está enterrada su madre para visitar la tumba en la que yace. Esas visitas acaban suponiendo una irresistible invitación a convertirse en una persona distinta durante una noche al año.

Eine Geschichte über die Liebe, wie nur Gabriel García Márquez sie schreiben konnte. Jedes Jahr fährt Ana Magdalena Bach im August mit der Fähre zu einer Karibikinsel, um dort auf das Grab ihrer Mutter einen Gladiolenstrauß zu legen. Jedes Jahr geht sie danach in ein Touristenhotel und isst abends allein an der Bar ein Käse-Schinken-Toast. Dieses Mal jedoch wird sie von einem Mann zu einem Drink eingeladen. Es entspricht weder ihrer Herkunft oder Erziehung noch ihrer Vorstellung von ehelicher Treue, doch geht sie dennoch auf seine Avancen ein und nimmt den Unbekannten mit auf ihr Zimmer.

Hvad er det, der gør os til dem; vi er? Er det lige dele biologisk arv og det miljø, vi vokser op i? Eller handler det om, hvordan vi forholder os til den bagage, vi har med os? I "ALT DET VI BÆRER PÅ" vil en række kendte danskere fortælle om den arv, som de bærer rundt på i livet. I denne episode af "ALT DET VI BÆRER PÅ" kan du møde manuskriptforfatter Adam August, der som søn af instruktøren Bille August voksede op i et hjem, der flød med manuskripter.

When the body of an anonymous young Hispanic woman dressed as Queen Marie Antoinette is dredged from the Detroit River, the Detroit Police Department wants the case closed out fast. Wayne County coroner Dr. Bobby Falconi gives the woman’s photo to his old pal August Snow, insisting August show it around his native Mexicantown. August’s good friend Elena recognizes the woman immediately. Her story is one the authorities don’t want getting around - and she’s not the only young woman to have disappeared during an ICE raid only to turn up dead a few weeks later.

Karl August Böttiger war Zeitgenosse der großen Dichter und Denker von Weimar – und hielt alles fest, was ihm in die Quere kam: Stimmen und Bilder, Klatsch und Tratsch. Heute würde man Böttiger Züge eines Paparazzos zuschreiben, wenn er etwa über Goethes Häuslichkeit schreibt: "Abends sitzt er in einer wohlgeheizten Stube, eine weiße Fuhrmannsmütze auf dem Kopf, ein Moltumjäckchen und lange Flauschpantalons an." Böttiger machte sich mit seinen Schriften in Weimar so unbeliebt, dass er 1804 die Stadt verlassen musste.

Eighteen-year-old Pearl Hardisty discovers the small town of Silver Lake in Eastern Oregon has more to offer than dry sage brush, old farmhouses, and unbearable freezing cold winters when she met Frank Bunyard. The kindhearted, handsome cowboy made her glad she decided to move with her family after all. Through stories Frank shares with her, she learns about friendship, survival, and an unforgettable story of privation and loss from a small band of Modoc Indians who were left behind after the Modoc war.

In these stories of her mother, her Aunt Bet, and other women who influenced her, author and storyteller Kathryn Tucker Windham reveals the complexity of Southern women in the days before feminism entered the common vocabulary. A legacy of independent women permeates these recollections: women who managed households, who became entrepreneurs, and who managed public facilities. The women she remembers may have been fair, but they certainly were not weak.