Showing results for "1.000" in Drama

The second of Shakespeare's tetralogy that deals with the successive reigns of Richard II, Henry IV, and Henry V. Henry IV, Part One depicts a span of history that begins with Hotspur's battle at Homildon against the Douglas late in 1402 and ends with the defeat of the rebels at Shrewsbury in the middle of 1403. From the start it has been an extremely popular play both with the public and the critics and this full cast performance is by The Marlowe Society.

Much has happened in the five years since Reagan disappeared through the curtain of time, taking Cullen McKinnon with her in the hope of saving the young knight's life. The least of those events is Henry's awarding Connor the titles of duke of Featherstone and earl of Rockport. Upon Connor's request, the earldom was passed into his care to hold until the rightful heir can take possession. No one but Nic, Morgan, and he knew that the heir is Reagan O'Riley.

Blackstone Audio presents An American Family Shakespeare Entertainment: Based on Charles & Mary Lamb's 20 Tales From Shakespeare, augmented by miscellaneous scenes and soliloquies from Shakespeare's plays, featuring Elizabethan songs and dances in new arrangements for stringed instruments.

The second part of the award winning stage perfomance of Shakespeare's greatest work by Sir John Gielgud.

Agamemnon, Heerführer der Griechen, hat seine Tochter Iphigenie getötet, um günstige Winde für die Fahrt nach Troja zu erhalten. Nun, nach langen Jahren im Krieg kehrt er zurück, als Kriegsbeute Kassandra im Gefolge. Seine Frau Klytämnestra bietet ihm scheinbar ehrvollen Empfang - doch kaum in den Palast eingezogen, ermordet sie sowohl ihn als auch Kassandra - aus Rache für den Tochtermord. Auch Ägisth, Agamemnons Neffe und ihr Liebhaber, ist Teil des Komplotts - hat denn auch er gegenüber seinem Onkel grausame Rachegelüste.

Travel back in time to 16th century Denmark, as renowned vocal actor David Ian Davies introduces you to Shakespeare's timeless play, Hamlet. Filled with all of the excitement and zest you would expect from the Bard, this production is an audio treasure from beginning to end.

This drama follows the myth of Iphigenia at Aulis, where she is subject to human sacrifice by her father Agamemnon. He draws her and Clytemnestra, her mother, thither with a promise of marriage to Achilles. The necessities of sacrifice are both in dialogue and in choral poetry weighed and judged. This play concludes either in an epiphany of wisdom or of violence. A form for tragedy in English, distinguished by seven scenes of dialogue and seven choral performances, is established in this play.