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Opera is the fastest growing of all the performing arts, attracting audiences of all ages who are enthralled by the gorgeous music, vivid drama, and magnificent production values. If you've decided that the time has finally come to learn about opera and discover for yourself what it is about opera that sends your normally reserved friends into states of ecstatic abandon, this is the book for you.

To watch any opera lover listen to a favorite work, eyes clenched tight in concentration and passion, often betraying a tear, is to be almost envious. What must it be like, you might think, to love a piece of music so much?And now one of music's most gifted teachers is offering you the opportunity to answer that very question, in a spellbinding series of 32 lectures that will introduce you to the transcendentally beautiful performing art that has enthralled audiences for more than 400 years.

The lights dim at the Paris Opera House. The exquisite Christine Daae enraptures the audience with her mellifluous voice. Immediately, Raoul de Chagny falls deeply in love. But the legend of the disfigured opera ghost haunts the performance, and as Raoul begins his pursuit of Christine, he is pulled into the depths of the opera house, and into the depths of human emotions.

Here is the colorful story of sometimes temperamental composers and even more temperamental singers working in an art form which has produced some of man's noblest artistic creations. This absorbing history is illustrated by over 100 musical examples by Naxos artists as well as some of the greatest singers of the 20th century, including Enrico Caruso and Fyodor Chaliapin.

They say you can’t go home again… …especially if you’re the governing mind for an interstellar military starship. It's official: Sergeant Henry Morgan has now spent more time as a starship than he spent dead. His mission is more than a century old, but in some ways, he feels like it's just begun. A desperate distress call from Earth has brought him back to his old cosmic stomping grounds, for your standard save-humanity-from-extinction-by-alien-constructs operation.

Powerful women in Viking helmets, heroic males with incredible voices, and epic themes of life and death -this is opera! Opera is an art form that tells a story through singing, music, dancing and acting. It began in 1597 when an Italian artist, Jacopo Peri, tried to reproduce the ancient Greek dramas. After noticing that the Greeks used music and speech together in these dramas, Peri chose to do the same but with signing.

Read by the author, acclaimed conductor Jane Glover. 'You don’t have to be able to hum Mozart to find this book utterly engrossing . . . I couldn’t put it down' - Joanna Lumley An expertly researched and vividly written account of Mozart’s formative trips to Italy. At thirteen years old...

The best-selling, epic space adventure, Freedom's Fire: the complete series of six audiobooks, in one bundle.

"The Magic Flute" - a full cast audio play featuring famous melodies and beautiful arias. Experience Mozart's most played fairy-tale opera "The Magic Flute" as an audio play, performed by esteemed actors, complemented by intricate sound designs and effects as well as plenty of original opera music. Each act is introduced with interesting facts about the life of Wolfgang Amadeus Mozart (1756–1791). - Tamino, a prince lost in a foreign land, is being pursued by an enormous monster.

Two centuries ago, the First Expansionary Fleet set off to the farthest reaches of the galaxy, hoping to explore, colonize, and conquer new worlds in the name of humanity. But when the fleet was violently and unexpectedly thrown off course, the colonists found themselves trapped in an unexplored region of the galaxy—and caught right in the middle of a bloody interstellar war. Now, after generations of relentless fighting, a tentative truce has finally ushered in an era of growth and prosperity.

The insectoid alien race known as the Vitri have invaded the Imperial world of Naugh in retribution for the deal broken by Grand Admiral Aatroxiss. Doing the right thing has consequences, and by saving the Turook he has doomed another world to slaughter if the Empire can't take it back in time. Aatroxiss and his flagship, the Redemption, arrive to meet up with the Imperial forces already engaged in battle, but what the Emperor's sole Grand Admiral finds there is far more than expected.

In his previous life, Liam played by the rules and lost--this time, he'll rise to the top on the side of evil! After protecting Prince Cleo from Prince Linus's assassination attempts, another prince's actions are leading to something much worse: the Empire being invaded! Liam is caught in this brewing conflict and racks up enemies inside and outside the Empire, but two individuals step up to the plate to challenge him personally...while claiming to be fellow disciples of the Way of the Flash! Can Liam cut through these conflicts and still take care of his domain?

The story begins with an investigation into some strange reports of an "opera ghost", legendary for making the great Paris opera performers ill-at-ease when they sit alone in their dressing rooms. Some allege to have seen the ghost in evening clothes moving about in the shadows. Nothing is done, however, until the disappearance of Christine during her triumphant performance.

The AI known as Reynolds is traversing the universe in search of the elusive Kurtherians, but when he realizes he needs a crew, he finds himself out of his element.

They won't settle for mere victory. They want to exterminate us. Every last one of us. A surprise attack has sent the Star Alliance fleeing for its life. A remnant of a remnant, their meager fleet—all that remains alive—flees to what seems like a safe harbor: a forgotten backwater planet called Earth. Join ace fighter pilot Chase as he teams up with the modern-day militaries of Earth and fights the last battle for the universe.

When Wolfgang Amadeus Mozart died in 1791 at the age of just 35, he nonetheless left behind the defining composition in every available musical genre of his time: symphony, chamber music, masses, and above all - opera. Opera was the prestige genre of the era, and the thought of it, Mozart wrote, made him, "beside myself at once." It was a form he loved dearly, depending on it heavily for personal, professional, artistic, and financial reasons of the greatest weight.

For generations, we colonized worlds, and the human race spread throughout the galaxy. One discovery could end it all. They called the ship Lady Vengence, and her Captain, Gavin Andal, was young, a bit arrogant, and the perfect fit for a bunch of misfits more interested in shore leave than work. Nobody was interested in being a hero. Sometimes there's no choice.

The Italians have a word for the sense of dazzling beauty produced by effortless mastery: sprezzatura. And perhaps no cultural form associated with Italy is as steeped in the love of sprezzatura as opera, a genre the Italians invented. No composer has embodied the ideal of sprezzatura as magnificently as Giuseppe Verdi, the gruff, self-described "farmer" from the Po Valley who gave us 28 operas and remains to this day the most popular composer in the genre's 400-year-old history.

Carl Ramsey has a heist to run and the crew to pull it off. All he’s missing is a specialized computer and the tech to run it. But when an unrelated robbery loses him both, the prospects for a successful job look grim. Unfortunately the one who hired them won’t take excuses, and the owners of the computer come looking for their stolen gear. Caught between a local crime lord and thugs from a galaxy-spanning syndicate, Carl needs to come up with a plan that doesn’t get them all killed.

Known as opera’s “disrupter-in-residence,” director Yuval Sharon has never adhered to the art form’s conventions. In his many productions in both the United States and Europe, he constantly challenges the perception of opera as aloof by urging, among other things: performing operas in “non-places,” such as parking lots; encouraging the use of amplification; and shuffling the traditional structure of classic works, like performing Puccini’s La bohème in reverse order, ending not with the tubercular heroine Mimi’s death but with her first falling in love.