Our last two Pride Pics of 2026 are The Matrix (1999) directed by The Wachowski Sisters and I Saw the TV Glow (2024) directed by Jane Schoenbrun! Is transness about unplugging or plugging in? Why can't Ricky do the Agent Smith voice? Should Anthems for a Seventeen Year‐Old Girl be in every movie? All that and more on this long-ass episode!

Our Pride Pics continue with Happy Together (1997) directed by Wong Kar-Wai and Fight Club (1999) directed by David Fincher. With Happy Together, we talk about our trouble connecting with the characters and story and the bury your gays trope; with Fight Club, we somehow talk about everything except the movie for 90 minutes? Weird episode!

Life is a cabaret! Or is it? Our Pride Pics continue this week with two bangers: musical drama Cabaret (1972) directed by Bob Fosse and psychological drama Beau Travail (1999) directed by Claire Denis. Eso son Reebok o son Nike?

Happy Pride Month Watchers!! This week's pride pics were Ed Wood (1994) directed by Tim Burton and Being John Malkovich (1999) directed by Spike Jonze. Identity issues galore! Is the human experience inherently lonely or is that specific to men? Fetishes! Being Jesse Plemons? Is this anything? Plus: a not-so-brief intro about Curry Barker's Obsession!

This week's Rick's Pick is Se7en (1995) directed by David Fincher. DETECTIVE!!!!!!!!!!!!!!!!!!!!!!

This week's Lane's Frame is Margaret (2011) directed by Kenneth Lonergan! You think this movie is about a bus crash but really it's about a trainwreck. We go long about the depth of this movie's characters and compare it to every single Mike Leigh film we've covered. Plus: Ricky prepares a little game!

This week's Rick's Pick is The Cook, the Thief, His Wife & Her Lover (1989) directed by Peter Greenaway! We both come to this movie a little cooler than Drowning by Numbers, but don't worry: Ricky spends a looong time talking about vore. Plus: a little game.

The cat, TOTALLY out of the bag: it's The Insider (1999) directed by Michael Mann! We open this week's Lane Frame with a loooong digression about Taco Bell and breakfast foods before getting into Mann's oeuvre. We chat about his use of color, the effectiveness of the camerawork, and Al Pacino's energy levels. Plus: Ricky tries to explain some internet shit to me and I still don't understand it tbh. Hopefully you do, WWWatchers.