Trainspotting - Irvine Welsh
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Trainspotting has become, as McLean says, a multi-media “literary industrial complex”, with prequels, sequels, films, theatre productions and a mooted TV series having given its characters lives far beyond the pages of the original book. Given its fame, and the dark slapstick with which it is sometimes associated, it is easy to overlook Welsh’s serious intent in writing the novel.
Using heavy dialect, he set out to write a representative account of a generation’s suffering under 1980s economic policies, a popularisation of heroin, and an AIDS epidemic. He has since made it clear that he intended this to be part of a working-class saga. In the podcast, aided by McLean’s recollections of Edinburgh’s 1990 book scene, we ask if it deserves a place on the shelves of our imaginary library of great books by and about ordinary people.
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