Can you ever just be, like, whelmed? We’re asking this and more as we sit down with 1999’s 10 Things I Hate About You. Set up the decks, hook up some speakers, and get ready to crash a future MBA’s cheese and wine party.

Molly and Chloe welcome actor, writer and audio producer, Steph MacGaraidh to run riot grrrl through this Shakespeare-inspired high school rom com. We discuss the casting of relative unknowns Julia Stiles and Heath Ledger, the 90s soundtrack, and how the screenwriters Karen McCullah and Kirsten Smith infuse the script with Shakespearean wit, romance and visual gags, while dialling up the feminist empowerment.

Plus we crown our favourite moments (that song and dance number! Ms Perky’s sexy novels!) and perform odes to the film’s most 90s details. All this, and some recommendations for further watching that you won’t hate, not even a little bit, not even at all.

Find Steph on the ’gram here and check out this page for details on her musical, Off the Rails.

The quote at the start is from Peter Bradshaw’s 1999 review in the Guardian.

Gil Junger discussing casting a young Heath Ledger.

Read about the 1967 Franco Zeffirelli adaptation of The Taming of the Shrew, starring Richard Burton and Elizabeth Taylor here.

Watch the documentary about the 1978 production of Shrew, starring Meryl Streep and Raul Julia at the Delacorte, New York, here. The specific sexy scene Steph mentions is in this clip.

Emily Temple’s essay for Literary Hub, ‘The Life-Changing Magic of 10 Things I Hate About You’

Kat’s reading list on the Opiate (including The Bell Jar, natch).

Far Out discusses the best of the 10 Things soundtrack.

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Bond is bungee jumping onto our screens as we rewatch 1995’s GOLDENEYE, the first of the series with Pearce Brosnan as the gadget-loving superspy and all-round ladies’ man. Arm your T-55 tank and reload your Walther PPK, we’re on a new mission.

Molly and Chloe are shaken and stirred by the fabulous casting of Brosnan, Sean Bean, Judi Dench, Alan Cumming and Izabella Scorupco, though we have a particular love for Famke Janssen’s outrageously camp performance as baddy Bond girl, Xenia Onatopp. You could say she’s Xenia Overthetop. We talk post-Cold War politics, innuendo, action scenes, 90s CGI, Tina Turner, and whether Dench’s M is right that Bond is a ‘sexist, misogynist dinosaur’.

Plus we target our most 90s moments (hacking! Minnie Driver!), assign some awards to best outfit and most catastrophic scene plus line up some top class recommendations for future spy thriller viewing.

The quote at the start is from James Berardinelli’s 1995 review for Reelviews

Classic FM’s rating of all the Bond themes

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Houston, we have a problem. For our 13th episode, we’re launching into a discussion of Ron Howard’s true-life space adventure, APOLLO 13. Fasten your helmet and head to the launchpad, we have lift-off.

Molly and Chloe crunch the numbers on this adventure blockbuster based on astronaut Jim Lovell’s memoir about the ill-fated 1970 NASA mission to the moon. We talk superstition, space shuttles, seventies fashion and scientific calculus, and what makes Tom Hanks, Bill Paxton, Gary Sinise, Kevin Bacon and Ed Harris’s performances so believable. Plus we weigh up the film’s authenticity: while its commitment to replica sets and antigravity filming in the ‘vomit comet’ had even Buzz Aldrin fooled, there’s still something missing from Mission Control…

Finally, we calculate the funniest line and best 70s spectacles for our awards section, play a quick round of Six Degrees of Kevin Bacon and make some out-of-this-world recommendations for what to watch next.

Correction! The seamstress we mentioned who made the Apollo spacesuits was called Hazel Fellows. Learn about her here.

Janet Maslin’s original 1995 review for the New York Times

An article featuring behind-the-scenes footage of the anti-gravity shoots

An interview with Ron Howard to mark the film’s 25th anniversary

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We’re off the record, on the QT, and very hush-hush as we discuss Curtis Hanson’s 1997 Oscar-winning adaptation of L.A. CONFIDENTIAL. Rev up your 1952 Mercury and smile for the paparazzi, cos we’re heading on down to take a closer look.

Molly and Chloe wind through this complex detective thriller based on James Ellroy’s novel, mapping out the starry cast, including Kim Basinger, Russell Crowe and Guy Pearce. We give the movie’s themes of violence and public image a shakedown and consider how well it has aged since the late 90s (or not). Plus we reflect on what it means to watch a Hollywood film with problematic stars such as Kevin Spacey in a post-Me Too age.

Finally, we deal out some medals and make some top-class recommendations of what to watch next.

Little correction! The Veronica Lake film mentioned is This Gun For Hire (1942).

The quote at the start is from this 1997 interview with Russell Crowe.

Cinematographer Dante Spinotti’s inspiration, Robert Frank’s The Americans.

Claire Dederer’s essay ‘What Do We Do with the Art of Monstrous Men?’ for the Paris Review.

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Check out the other films we recommended on Letterboxd

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Pick up your rotary phone and tune in your radio, cos we’re chatting about Nora Ephron’s 1993 wisecracking rom com, SLEEPLESS IN SEATTLE.

Molly and Chloe map out the filmmaking choices that made an otherwise nostalgic tale of destiny and true love into a smartly scripted comedy blockbuster, and how Tom Hanks, Meg Ryan, Rob Reiner and Rosie O’Donnell’s performances dial up the humour.

Plus we call out the film’s most 90s moments, award its quirkiest details and recommend what to watch next.

Roger Ebert’s original review from 1993.

A retrospective interview with original screenwriter, Jeff Arch.

Demis Lyall-Wilson’s trailer reimagining Sleepless in Seattle as a stalker thriller.

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They may be outlaws, but they’re stealin’ our hearts: to celebrate Women’s History Month, we’re talking about Ridley Scott’s 1991 feminist road-trip classic, THELMA AND LOUISE. Rev up the T-bird, we’re getting outta town and letting our hair down.

Riding shotgun with our not-so-careful lady drivers Molly and Chloe is Sarah Asante, a script consultant with an eye for a great storyline. Together they navigate the complexities of first-time screenwriter Callie Khouri’s Oscar-winning script, the iconic performances by Susan Sarandon and Geena Davis, and Scott’s timeless visual style. Plus we get under the bonnet to discuss how the film portrays misogyny, sexual violence and female empowerment.

Lastly we motor through the film’s most 90s moments, give out awards to our fave details (triple denim alert) and map out what to watch next.

Find Sarah’s Script Advantage Network here: https://www.skool.com/scripted-and-seen-4121/about

And check out Asante Space: https://asantespace.org/

The quote from Susan Sarandon at the start is from Reelin’ in the Years

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What’s your favourite scary movie? Our latest episode is pulling the mask off Wes Craven’s 1996 slasher satire SCREAM. Plug in your landline and rewind those rental videos, cos we’re heading back to the very first film in the franchise.

Final girls Molly and Chloe run rampage through the film’s production history, including Kevin Williamson’s script, the casting of Neve Campbell and Courteney Cox as its scream queens and the ensemble of David Arquette, Rose McGowan, Skeet Ulrich and Matthew Lillard. And that’s not forgetting Drew Barrymore, in the pivotal role of Casey, who is most definitely not phoning in her performance. We plunge into some big topics along the way – feminism, moral panics, queer representation – and ask how much gore is too much gore?

Lastly we dissect the best 90s moments and award the best line, weapon and cameos. As Stu says, it’s a scream, baby!

All the horror films referenced in Scream: a list.

Read more about the making of Scream in this retrospective from the Hollywood Reporter.

Correction! From 2028, there will be an Oscar for Best Stunt Design for films released in 2027 (not best stunt performance as Chloe claims!)

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Choose life. Choose a job. Choose this podcast. Yup, we are getting high on the pure unadulterated cinema that is Danny Boyle’s Trainspotting to mark its 30th anniversary.

Molly and Chloe are joined by award-winning writer and director Yasmin Godo to talk about the finer points of the film, from hypodermic needles to needle drops. We plunge into the darkest, most intense scenes (including how that toilet scene was created). And we discuss the astonishing visual flair of Danny Boyle, the dangerously charming performances from Ewan McGregor, Johnny Lee Miller, Robert Carlyle, Ewen Bremner and Kelly MacDonald, and celebrate its era-defining soundtrack.

Plus we’ll take a trip through the most 90s details, hand down our verdicts on the film’s best moments, plus deal some top quality recommendations for what to watch next.

Please be aware that this episode discusses a film with sensitive topics which may not be suitable for all listeners.

The opening quote is taken from an interview with producer Andrew MacDonald for Hollywood Reporter: ‘Trainspotting Oral History: Danny Boyle, Ewan McGregor Reflect on Cult ’90s Brit Hit’

The short documentary about production and costume design Chloe references can be found here.

Molly quotes Danny Boyle’s appearance on Charlie Rose in 1996 talking about Trainspotting, which you can watch here.

And here’s an in-depth analysis of how Kubrick’s A Clockwork Orange influenced Trainspotting.

Correction! Trainspotting competed in the 49th BAFTAs in 1996, which meant it was overlooked for Best Production Design in favour of Apollo 13 (winner), Braveheart, The Madness of King George and Sense and Sensibility. It did win Best Adapted Screenplay.

Follow Yasmin on Instagram.

Yasmin’s short film for Channel 4 Random Acts, (Un)fit to Work, can be viewed by UK residents here. Her video for J Appiah’s ‘Look Back’, part of the Official Selection at Aesthetica Festival, is here.

Follow us on Instagram: @total90srecall

Got an episode suggestion? Email us: total90srecall@gmail.com

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