Amanda Fields and Holly Rizzuto Palker chat with Martheaus Perkins, author of The Grace of Black Mothers, about Black motherhood, poetic form, and the complicated inheritance of the American Dream.

Martheaus Perkins is a first-generation college graduate and son of a single Black mother. He is the author of The Grace of Black Mothers, published with Trio House Press. His writing has appeared in Black Warrior Review, diode, Obsidian, Mizna, and Beloit. The name “Martheaus” is a collection of each woman who raised him: “Mar-” was his grandmother, “-Thea-” is his mother, and “-us” represents the aunties who created the name.

Perkins’ debut poetry collection, The Grace of Black Mothers, is a lyrical reckoning, finding grace through Black mothers, aunties, and grannies. Mamie Till-Mobley, Sybrina Fulton, Harriet Tubman, and the author’s own mothers guide readers through the collection. All the while, Perkins brings an array of poetic forms to genres such as fighting game menus, optometry charts, screenplays, pirate codes, and social media threads. The Grace of Black Mothers includes homemade heroes and villains, justice and fabrication, wit and risk, resurrection and erasure.

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Amanda Fields and Holly Rizzuto Palker chat with Heather Sweeney, author of Camouflage: How I Emerged From the Shadows of a Military Marriage, about identity, divorce, and rebuilding after years as a military spouse.

Camouflage: How I Emerged From the Shadows of a Military Marriage is about Heather Sweeney’s journey from being overshadowed by her husband’s military career to rediscovering her identity as a single mother. The memoir explores how military spouses often conform to a support role that is secondary to their spouse’s military career. Sweeney writes about how the hardships of military life contribute to her adaptability and resilience.

Heather Sweeney is the author of the memoir Camouflage: How I Emerged from the Shadows of a Military Marriage. She writes about divorce, life as a military spouse, parenting, and women’s health. Her work has appeared in The New York Times, The Washington Post, HuffPost, Newsweek, Business Insider, Good Housekeeping, and Military.com. She lives in Virginia, and Camouflage is her first book.

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Amanda Fields and Tiffanie Drayton chat with Whitney French, author of Syncopation: A Novel in Verse, about memory, identity, and what it means to reshape yourself in a fractured world.

In Syncopation: A Novel in Verse, in the aftermath of a Memory War, society is fragmented into new cultures, castes, and coalitions. Set against a backdrop of retrofitted food garages, microchip-sorting factories, and hyperloop terminals, this novel-in-verse emphasizes memory as the highest currency and love as dangerous, unruly, and singed with hope.

The protagonists are O and Z, two young women searching for purpose in a world where a decades-long earthquake reverberates, and the population scrambles to hide from deadly acid rain. Descended from space pirates, O is drawn to the sky, while Z is earthbound, a skilled forager with connections to the black market. The two become travel companions and lovers, and are conflicted between choosing their values or each other.

In this speculative novel, French offers readers an intricate future-world that resonates powerfully with our own, as it explores a people gripped in the war-torn politics of migration, memory-keeping, labor, and survival.

Whitney French is a writer, educator, and publisher. She is the editor of the award-winning anthology Black Writers Matter (University of Regina Press, 2019) and Griot: Six Writers’ Sojourn into the Dark (Knopf Canada, 2022). Whitney is a Black futurist who explores memory, loss, technology, and nature in her work. She is a certified arts educator and an assistant professor in creative writing at the University of British Columbia. She is also the co-founder and publisher of Hush Harbour, the only Black queer feminist press in Canada.

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Syncopation: A Novel in Verse

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