The Villisca Axe Murders
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The weapon was an axe taken from the family's own woodpile. The mirrors were covered, a lamp was left burning low with its chimney removed, a slab of bacon was found on the floor beside the bodies, and the doors were locked from the inside when a neighbor noticed the next morning that the chickens hadn't been let out.In this episode, I walk Villisca the way I'd walk any scene, as a former cop with 16 years behind the badge, and I'll tell you up front that this one has bothered me for a long time.
We go through the contaminated crime scene that a whole town trampled before anyone secured it, and the suspects who each wore the shadow of this thing and never quite fit it: a powerful Iowa state senator with a business grudge against Joe Moore, a suspected serial killer named Blackie Mansfield, and a strange traveling preacher, Reverend George Kelly, who confessed in detail and then took it all back.
Then there's the theory I keep circling, the one that ties Villisca to a chain of nearly identical family murders along the railroad lines of 1911 and 1912, from Colorado Springs to Kansas to Illinois, and the idea of a single man riding the rails who came in on the tracks, did his work in the dark, and was three states away before the bodies were even found.
Eight people. Six of them children. A house that became a nightmare with the doors locked from the inside, and a killer who, by every sign, stayed in that house for hours before he walked out and disappeared. More than a hundred years later, we still don't have his name. This is one of the most disturbing unsolved murders in American history, and this is the closest the evidence lets us get.
Have a forgotten historical mystery, disturbing event, unsolved crime, or hidden conspiracy you think deserves investigation?
Send your suggestions to brian@paranormalworldproductions.com.
Disturbing History is a dark history podcast exploring unsolved mysteries, secret societies, historical conspiracies, lost civilizations, and the shadowy stories buried beneath the surface of the past.
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Because sometimes the truth is darker than fiction.
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