Show Notes:

This week, on For Your Consideration, Cameron dives into John Williams' 1960 novel, Butcher's Crossing, a cautionary tale about how reading Ralph Waldo Emerson can drive you into buffalo-murdering madness.

It's not uncommon to see the novel compared to Cormac McCarthy's Blood Meridian, or The Evening Redness in the West, but after reading both...he's skeptical. It seems that they don't share much more than a genre.

This episode has a two-fold purpose: 1) To cover Butcher's Crossing's adept take on the Western and 2) Why we should all be more skeptical about the act of comparing things, especially these two novels.

Butcher's Crossing: The Husks and Shells of Exploitation by Jack Brenner: https://www.jstor.org/stable/43017669

Pragmatist Individuals and the Nineteenth-Century American West in Wallace Stegner's Angle of Repose and John Williams's Butcher's Crossing by Gregory Alan Phipps: https://www.jstor.org/stable/27117925

The Influence of Jacob Boehme's Aurora on Cormac McCarthy's Blood Meridian by Lydia R. Cooper: https://doi.org/10.1080/00144940.2025.2608966

Aurora the Day Spring Or Dawning of the Day in the East Or Morning-Redness in the Rising of the SUN by Jacob Boehme: https://jacobboehmeonline.com/assets/docs/AURORA.18693240.pdf

The music used in this episode was “Старое Кино / Staroye Kino,” by Перемотка / Peremotka. You can find more of their work on Bandcamp and Youtube.

Our links: Website | ⁠Discord⁠

Socials: Instagram⁠ | BlueSky | Twitter⁠ | Facebook

Questions, comments, want to hear your voice on a bonus episode? Send us an email at slaviclitpod@gmail.com.

Show Notes:

This week, Cameron dives into Frederick Wiseman’s 2002 film “The Last Letter,” a dramatization of one chapter of Vasily Grossman’s Life and Fate: the final letter Anna Semionova writes her son, Viktor Shtrum, from a Jewish ghetto.

We’ll get into how Wiseman adapts this troubling, poignant chapter into film, why I think this chapter is the best encapsulation of Grossman’s ideas in Life and Fate, and some thoughts on why he remains so provocative today.

Quick note: At one point in this episode I misspeak and say that the Vlasovite Russian Liberation Army was entirely Russian, which was not the case. It was primarily made of of Russian former Red Army soldiers, but did include Soviet defectors of other ethnicities more broadly.

The music used in this episode was “Старое Кино / Staroye Kino,” by Перемотка / Peremotka. You can find more of their work on Bandcamp and Youtube.

Our links: Website | ⁠Discord⁠

Socials: Instagram⁠ | BlueSky | Twitter⁠ | Facebook

Questions, comments, want to hear your voice on a bonus episode? Send us an email at slaviclitpod@gmail.com.

Show Notes:

This week, you and Cameron get into some PREP WORK for an upcoming episode about Frederick Wiseman’s 2002 film “The Last Letter,” which dramatizes a chapter of Vassily Grossman’s Life and Fate.

In preparation for that episode, we’ll read that dramatized chapter — Part 1, Chapter 18, Anna Semyonova’s final letter to her son, Viktor Shtrum — along with two other letters Grossman wrote to his mother after her death.

The music used in this episode was “Старое Кино / Staroye Kino,” by Перемотка / Peremotka. You can find more of their work on Bandcamp and Youtube.

Our links: Website | ⁠Discord⁠

Socials: Instagram⁠ | BlueSky | Twitter⁠ | Facebook

Questions, comments, want to hear your voice on a bonus episode? Send us an email at slaviclitpod@gmail.com.