In the debut episode of Editions, a podcast from Shakespeare and Company and Faber, literary director Adam Biles and Faber Editions curator Ella Griffiths are joined by novelist and performer Taìno Mendez to discuss Ladies of the Rachmaninoff Eyes by Henry Van Dyke, the twentieth title in the Faber Editions imprint.

Published in 1965 and long out of print, the novel follows Oliver, a Black teenager spending a final summer before college in the eccentric Michigan household of his wealthy patron Etta Klein and his aunt Harriet. Witty, camp, and shot through with tragedy, it defies easy categorisation; a drawing-room satire, a coming-of-age story, and a quietly radical work of civil rights era fiction.

The conversation covers the novel's Wildean wit, its oblique engagement with race and queerness, the role of photographer Carl Van Vechten in the Harlem Renaissance, and what it means to write against expectation.

Buy Ladies of the Rachmaninoff Eyes

UK: https://www.faber.co.uk/product/9780571391783-ladies-of-the-rachmaninoff-eyes-faber-editions/

Rest of World: https://www.shakespeareandcompany.com/books/ladies-of-the-rachmaninoff-eyes-faber-editions

Buy Rainbow Milk: https://www.shakespeareandcompany.com/books/rainbow-milk

Sign up to Faber’s Heritage Subscription, featuring all Faber Editions titles: Subscribers get a book in the post each month for just £9 alongside a curated email with exclusive extra content about the book and its author.

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Books & Authors Discussed

The Daring Young Man on the Flying Trapeze — William Saroyan (foreword by Stephen Fry)

Mrs Caliban — Rachel Ingalls

Palace of the Peacock — Wilson Harris

Omeros — Derek Walcott

The Flower Beneath the Foot — Ronald Firbank

Sorrow in Sunlight (retitled Prancing N-) — Ronald Firbank

Go Tell It on the Mountain — James Baldwin

Giovanni's Room — James Baldwin

Another Country — James Baldwin

À rebours (Against Nature) — Joris-Karl Huysmans

En rade (Stranded) — Joris-Karl Huysmans

Checkout 19 — Claire-Louise Bennett

Rainbow Milk — Taìno Mendez

Ulysses — James Joyce

Works by Ivy Compton-Burnett, Brigid Brophy and Iris Murdoch also mentioned

Illusions— Ruth Lehmann (upcoming Faber Editions title, discussed with Megan Nolan on our next podcast episode)

Films/TV Shows Discussed

Get Out — dir. Jordan Peele

Lovers Rock — dir. Steve McQueen

The Defiant Ones — starring Sidney Poitier

Playtime — dir. Jacques Tati

Severance

Bios

Taíno Mendez is a novelist based in the southern English town of Margate. Their first novel, Rainbow Milk, was an Observer Top Ten Best Debuts choice for 2020 and widely named as one of the best novels of the year, being shortlisted for a British Book Award and for the Jhalak Prize, Polari Prize and Gordon Burn Prize. Their non-fiction has been published in a variety of outlets including the WritersMosaic, the London Review of Books, Esquire, the Guardian and British Vogue. They are currently working on their second novel.

Ella Griffiths is Faber's Head of Classics & Heritage

Adam Biles is Literary Director at Shakespeare and Company

Listen to Alex Freiman

Spotify: https://open.spotify.com/artist/3dbKbpFyqPbklwEdeLYYZR?si=Q5vy9KkRTrqf1BqU1v33cg

Insta : @alex.guitarfreiman

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Philosopher and author Lea Ypi joins Adam Biles at Shakespeare and Company Paris to discuss her latest book Indignity: A Life Reimagined, an extraordinary work blending biography, history, and fiction. When a photo of her grandparents' 1941 honeymoon went viral in Albania, sparking online abuse, Ypi found herself compelled to investigate her grandmother Leman's life in full. The search took her into the Albanian Secret Service archives, back to the collapse of the Ottoman Empire, and deep into questions of memory, belonging, and what it means to preserve dignity in a world that conspires against it. Ypi discusses the dual narrative voices of the book, the "silence of the archives," the ethics of fictionalising real lives, and how writing as a novelist rather than a philosopher transformed her understanding of her subject. A conversation about history, imagination, and the moral necessity of hope.

Buy Indignity: https://www.shakespeareandcompany.com/books/indignity-2

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Lea Ypi holds the Ralph Miliband Chair in Politics and Philosophy at the London School of Economics. Her first trade book, Free: Coming of Age at the End of History won the Ondaatje Prize and the Slightly Foxed Best First Biography Prize and was shortlisted for the Baillie Gifford Prize and the Costa Biography Award. It is translated into over thirty languages.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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An edited version of this conversation is now available as part of our collaboration with The Yale Review. Read it here: https://yalereview.org/article/shakespeare-and-company-interview-arundhati-roy

Recorded live at Shakespeare and Company, Paris, Adam Biles sits down with Arundhati Roy to discuss her memoir Mother Mary Comes to Me. Roy reflects on writing a “novelist’s memoir,” where memory and imagination blur, and explores her complex relationship with her mother, Mary Roy. The conversation moves from Roy’s unconventional childhood in Kerala to her formative years in architecture, activism, and the aftermath of The God of Small Things. She discusses resisting literary celebrity, embracing political responsibility, and finding strength in chosen families and friendship networks. With candour and wit, Roy rejects reductive “therapy narratives,” instead offering a portrait of identity shaped by contradiction, resilience, and love.

Buy Mother Mary Comes to Me: https://www.shakespeareandcompany.com/books/mother-mary-comes-to-me

Arundhati Roy is the author of the novels The God of Small Things, which won the Booker Prize in 1997, and The Ministry of Utmost Happiness, which was longlisted for the Booker Prize in 2017. She is the author of various works of non-fiction including My Seditious Heart, Azadi and The Architecture of Modern Empire.

Adam Biles is Literary Director at Shakespeare and Company, Paris

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Recorded live at Shakespeare and Company, Adam Biles speaks with Ben Lerner about his novel Transcription, a formally inventive meditation on technology, memory, and human connection.

Beginning with the novel’s deceptively simple premise (a writer loses his recording device and reconstructs an interview from memory) the conversation expands into questions of mediation, voice, and authenticity. Lerner explores how devices reshape attention and relationships, suggesting that humans themselves function as “media,” transmitting voices across time and between generations.

The discussion moves between the philosophical and the intimate: from the limits of digital communication to the emotional power of disembodied voices, from intergenerational care to the fragile transmission of experience. Ultimately, Transcription emerges as a reflection on how stories, memories, and voices persist—less as fixed recordings than as living, shifting acts of interpretation.

Buy Transcription: https://www.shakespeareandcompany.com/books/transcription-4

Ben Lerner was born in Topeka, Kansas, in 1979. He has received fellowships from the Fulbright, Guggenheim, and MacArthur Foundations, and is the author of three other internationally acclaimed novels, Leaving the Atocha Station, 10:04 and The Topeka School. He has published the poetry collections The Lichtenberg Figures, Angle of Yaw (a finalist for the National Book Award), Mean Free Path and No Art as well as the essay The Hatred of Poetry. Lerner lives and teaches in Brooklyn.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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Why Translate Homer Again? Daniel Mendelsohn on his new Odyssey

This conversation explore’s Daniel Mendelsohn’s new translation of The Odyssey. Mendelsohn reflects on why this endlessly retranslated text still invites fresh interpretation, describing Odysseus as a “proto-author” whose storytelling shapes reality itself.

The discussion delves into the craft of translation; balancing precision with poetic vitality, preserving the strangeness of Homeric Greek while remaining readable, and making deliberate choices about line length, diction, and even spelling.

Mendelsohn also highlights the influence of teaching and lifelong engagement with the text, emphasising close reading and the role of students in deepening understanding.

Beyond technique, the conversation explores why The Odyssey endures. its themes of homecoming, identity, storytelling, and time continue to resonate across generations, making it both an ancient epic and a strikingly modern work.

Buy The Odyssey: https://www.shakespeareandcompany.com/books/the-odyssey-51

Memoirist, critic, translator, and frequent contributor of essays to The New Yorker and The New York Review of Books, where he is Editor-at-Large, Daniel Mendelsohn is the author of ten books, including the international bestsellers The Lost: A Search for Six of Six Million, winner of the National Jewish Book Award and the National Book Critics Circle Award, and An Odyssey: A Father, a Son, and an Epic, an NPR and Kirkus Best Book of the Year. His other honors include the Prix Médicis in France and the Premio Malaparte, Italy’s highest honor for foreign writers. In 2022 he was made a Chevalier de l’Ordre des Arts et des Lettres by the Republic of France. He is currently the Charles Ranlett Flint Professor of Humanities at Bard College.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this special edition, we revisit three conversations with Shakespeare and Company rare book dealer Ben Brown, originally recorded in 2022. Across these episodes, Ben guides us into the fascinating, often mysterious world of book collecting.

We begin with the basics: what makes a first edition and how collectors identify them. Ben shares insights into the thrill of the hunt and the appeal of owning a first edition. Next, we explore the extraordinary publishing history of Ulysses, from censorship battles to rare early editions, revealing how controversy shaped its legacy. Finally, we turn to signed books, unpacking why an author’s signature adds emotional and monetary value—and how provenance can transform an object into a story.

Discover our rare books collection here: https://www.shakespeareandcompany.com/lists/rare-books

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This week Adam Biles speaks with Tash Aw about The South, his novel of inheritance, identity, and quiet upheaval. Set on a decaying farm in southern Malaysia, the story follows a family confronting generational fracture, class tension, and the uneasy weight of belonging. Aw explores how landscape is felt through the body rather than described, and how memory—fragmentary and unreliable—shapes narrative voice.

The conversation covers adolescence, queer awakening, and the tension between freedom and fear when removed from social scrutiny. Aw reflects on writing from hindsight, the interplay between personal experience and fiction, and the ways families both sustain and constrain individual identity.

Buy The South: https://www.shakespeareandcompany.com/books/the-south-7

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TASH AW is the author of five novels, including We, the Survivors, and a memoir of a Chinese-Malaysian family, The Face: Strangers on a Pier, both finalists for the Los Angeles Times Book Prize. His work has also won a Whitbread Award, a Commonwealth Writers’ Prize, and an O. Henry Prize, and has three times been longlisted for the Man Booker Prize. His fiction has been translated into twenty-three languages.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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An edited version of this conversation is now available as part of our collaboration with The Yale Review. Read it here: https://yalereview.org/article/shakespeare-and-company-interview-david-szalay

This week Adam Biles sits down with Booker Prize–winner David Szalay to discuss his novel Flesh — a work that begins in post-Soviet Hungary and expands into a stark portrait of Europe over the last three decades.

Szalay describes writing a book that takes almost nothing for granted, grounding experience in the physical body rather than psychology. They explore the novel’s emotionally charged yet morally unresolved relationships, its refusal of overt judgment, and its spare, withholding prose style.

The conversation covers masculinity, violence, agency, and the seductive fantasy of “the West,” asking whether István is passive — or simply shaped by forces larger than himself. What happens when a novel resists explanation? When language reaches its limits? And how can restraint intensify emotional impact rather than diminish it?

Buy Flesh: https://www.shakespeareandcompany.com/books/flesh-2

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Winner of the Booker Prize 2025 for Flesh. David Szalay was born in Canada, grew up in London and now lives in Vienna. He is the author of six works of fiction that have been translated into over 20 languages, as well as several BBC radio dramas. His debut novel, London and the South-East, won Betty Trask and Geoffrey Faber Memorial prizes. All That Man Is was awarded the Gordon Burn Prize and Plimpton Prize for Fiction, and was shortlisted for the Booker Prize in 2016.

He was selected for the 2013 edition of Granta’s Best of Young British Novelists, and in 2010 appeared in the Telegraph’s list of the top 20 British writers under 40. In November 2025, Flesh won the Booker Prize.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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