Jerry Horror stuffs the stocking with controversy and cracked candy canes in this very naughty Christmas Spectacular. This is the slasher that turned Santa into a public menace and inspired a full-blown moral panic, complete with a protest group called Citizens Against Movie Madness and an entire hour of Phil Donahue devoted to asking, “Won’t someone please think of the children?” 🎅🪓

Originally sleighing through production under the title Slayride, the studio changed course at the last minute and unleashed a holiday shocker that opened the same weekend as a certain dream-stalking icon. For one brief, blood-soaked moment, it even out-grossed him before the backlash hit harder than a lump of coal, sending ticket sales plummeting by the second weekend. 🎅🪓

Jerry unwraps the history, the hysteria, and the holiday havoc of a film that proved Christmas can be cozy, controversial, and extremely dangerous. So pour the eggnog, lock the chimney, and remember…Santa is watching. 🎅🪓

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In the Spectacular Season 5 finale of The Offering, Jerry Horror swings into one of the most divisive superhero blockbusters of the 2000s, a film packed with soaring ambition, tangled love triangles, and more villains than you can fit into a single web. It is the movie where stunt rigs, symbiotes, and studio notes collided in spectacular, finger-guns-on-the-street fashion. 🕷

While James Franco was juggling this production alongside Pineapple Express, Topher Grace left his sitcom life behind for a chance to play a snarky, sharp-toothed foil. Behind the scenes, wardrobe tried crafting a latex black suit that ended up looking a little too gimp-chic before it was scrapped for something less dungeon-ready. And if you ever wondered why prints arrived at theaters labeled “Let’s Dance Again,” well… let’s just say someone knew exactly what kind of groovy sidewalk swagger was about to enter the pop-culture bloodstream. 🕷

Jerry digs into the big swings, the behind-the-scenes chaos, and the earnest heart of a movie that may be messy but is never boring. Suit up for the Season 5 finale as he celebrates a blockbuster that has been underrated, over-hated, and forever meme-immortal. 🕷

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Jerry Horror gears up for the penultimate episode of season 5, a momentous stop right before the big finale, by diving into one of the wildest sci-fi action gems the 90s ever unleashed. Sylvester Stallone himself called it a great action film ahead of its time, and honestly, when your dystopia comes with Taco Tuesdays, cryo-prisons, and bathroom tech no one understands, how could it not be?

Borrowing its title from a classic song by The Police, with Sting returning to rework it for the future, this movie is packed with explosive world-building and gloriously odd details. Speaking of odd details, those iconic seashells entered the script because the screenwriter’s buddy kept a decorative bag of them next to his toilet. One offhand bathroom comment later and the biggest mystery in sci-fi bathroom etiquette was born.

Jerry breaks down the satire, the chaos, the couture of a sanitized society, and the film that taught a generation to question both authoritarianism and their bathroom layout. Do not miss this special second-to-last deep dive of season 5 as he gears up for the grand finale.

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Jerry Horror cracks open the sacred text of barroom justice and enters the most chaotic watering hole of 1989, where philosophy meets flying fists and the bouncer in charge treats conflict like an art form.

Listed among the 100 Most Enjoyably Bad Movies Ever Made by the Razzie Movie Guide, this cult classic thrives on its mix of gravel-voiced wisdom and absolute barstool mayhem. Jerry digs into legendary moments, from the unforgettable body blows to iconic tough guy lines, all while exploring Dalton’s holy trinity of conflict management.

Rule one: never underestimate your opponent and always expect the unexpected. Rule two: take it outside and keep the inside looking respectable. Rule three: be nice, right up until it is time to not be nice.

It is a movie where Zen advice sits right next to shattered furniture, and Jerry is here to celebrate every philosophical punch and every surprisingly thoughtful roundhouse.

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Jerry Horror sits down with Steve Barton, aka Uncle Creepy, producer, author, and trailblazer in horror journalism, for a deep dive into his new memoir A Comedy of Tragedies: An American Memoir for the Completely Dysfunctional. As co-founder and former Editor-in-Chief of Dread Central, Steve helped shape the internet’s first wave of horror influencers and shares candid stories from a career at the forefront of the genre.

From personal tragedies, to mentorships with legends such as George A. Romero and Sid Haig, Steve’s journey is equal parts inspiring and unflinchingly honest. He also reflects on his pivotal role in the Terrifier franchise, giving fans a behind-the-scenes look at the rise of one of the most talked-about indie horror series of the past decade.

In a must-listen segment, Jerry and Steve discuss the recent Terrifier equity controversy, including issues of profit-sharing, fairness in indie horror production, and the challenges creatives face behind the camera. Whether you’re a fan of horror journalism, indie filmmaking, or the Terrifier franchise, this conversation offers a rare, in-depth perspective on the business, the art, and the dysfunction that drives the genre.

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Lace up and tune in as Jerry sprints through the dystopian chaos of the 1987 sci-fi spectacle set in the far-off future of 2019. This explosive action flick kicks off with a dance number choreographed by Paula Abdul and went on to inspire American Gladiators and the 90s arcade smash Smash TV.

Based on a novel by Richard Bachman, better known as Stephen King in disguise, this one’s packed with over-the-top kills, neon-soaked satire, and Arnold delivering lines so sharp they could cut steel. “Here is Subzero… now, plain zero.” “I’ll be back.” You know the rest.

So join Jerry for a look at one of the most underrated, over-the-top, and eerily prophetic action movies of the 80s. Because in this game, running is the easy part.

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Lock your doors and keep the city at arm’s length, Jerry Horror prowls the blood-slick sidewalks of 1980 New York, where the night belongs to the desperate, the doomed, and the depraved. To save a few grimy dollars, the filmmakers cast real adult performers as victims, turning exploitation into art, or maybe the other way around.

The film was so drenched in violence and sleaze that the MPAA didn’t even bother rating it, knowing an X would’ve been a mercy. Gene Siskel stormed out mid-screening, declaring no movie could redeem itself after what he’d seen. And yet…it endures.

From the shadows of 42nd Street comes a film that defines grindhouse horror at its dirtiest and most disturbing. I warned you not to go out tonight!

But Jerry Horror went out anyway.

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Evil dies tonight? Not quite. This week, Jerry Horror returns to Haddon...uh, a very familiar small town built entirely on a sound stage, where the screams are fake but the disappointment is real. The franchise’s masked menace takes his sweet time showing up (38 minutes and 41 seconds, to be exact) making this the longest game of hide-and-seek in slasher history.

With only three kills to his name, our favorite boogeyman seems to have traded his knife for nap time, while a new bad boy named Corey steals the spotlight (and maybe the franchise’s blackened heart). Meanwhile, our beloved scream queen bows out after six decades and seven rounds of trauma, turtlenecks, and total survivalist energy.

Jerry Horror digs into the divisive finale that split fans faster than a carving knife through a pumpkin. It’s not just the end of an era...it’s the rom-com nobody saw coming.

Produced by Peter Bune of SickboyWolfgang Productions and and George Taramas of Night Drive Productions

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