Episode No. 758 features artists Leasho Johnson and Laura Facey.

Both artists are featured in "Dancing the Revolution: From Dancehall to Reggaetón" at the Museum of Contemporary Art Chicago through September 20. The exhibition explores and expands the visual, political, and spiritual histories of dancehall and reggaetón through contemporary art produced in the Caribbean, New York, London, and beyond. It was curated by Carla Acevedo-Yates with Cecilia González Godino, Iris Colburn, Nolan Jimbo, and nibia pastrana santiago. A catalogue will be published by the museum and DelMonico Books in July. It is available from Bookshop and Amazon for $60-65.

Johnson's paintings explore Black queer identity, Caribbean folklore, and post-colonial narratives. His pictures find meaning in the space between figuration and abstraction, and between Jamaican cultural heritage and broader art histories. His exhibition credits include the 2025 Liverpool biennial at the Walker Art Gallery and group shows at the Leslie Lohman Museum, New York, the Portland (Me.) Art Museum, and the National Gallery of Jamaica. His work is in the collection of the Art Gallery of Ontario, Toronto, the Pérez Art Museum Miami, and the University of Michigan Museum of Art.

Facey is a Jamaica-based sculptor whose work addresses the land around her and the histories it holds. Her work often seeks what Facey calls "a healthy alchemy" for people and the earth. She has shown at the International Slavery Museum in Liverpool, the Havana biennial, and at the National Gallery of Jamaica. Her 2003 Redemption Song is sited in Kingston, Jamaica's Emancipation Park. A career-spanning monograph of her work will be published later this year.

Instagram: Leasho Johnson, Laura Facey, Tyler Green.

Air date: May 14, 2026.

Episode No. 757 of The Modern Art Notes Podcast features art historian and curator Yve-Alain Bois.

Bois is the curator of "Matisse in Vence: The Stations of the Cross," at the Baltimore Museum of Art. The exhibition presents about 80 of the drawings Matisse made for the painted ceramic mural of the Stations of the Cross at the Chapel of the Rosary in Vence. The exhibition reveals how Matisse worked through each of the Stations to arrive at a syncretic, dramatic presentation. Bois was assisted by Alix Agret and Katy Rothkopf. The exhibition, which is on view through June 28, is accompanied by a fascinating, essential catalogue published by Musée Matisse Nice and Bernard Chauveau Publishing. It is available from the BMA for $35.

Instagram: Yve-Alain Bois, Tyler Green.

Air date: May 7, 2026.

Episode No. 756 features author Victoria Johnson and curator Emily A. Beeny.

Johnson is the author of "Glorious Country: How the Artist Frederic Church Brought the World to America and America to the World," the first major biography of the most important and influential painter in the US nineteenth century. The book will be published by Scribner next week. Johnson's book tells the story of Church's life, and especially his travels even as she explains how Church's work engaged with the scientific and political worlds of his time. It is likely to be the authoritative source on Church's life for decades to come. Amazon and Bookshop offer it for about $35.

Beeny is the curator of "Manet & Morisot," an exploration of the artistic exchange between Édouard Manet and Berthe Morisot, now at the Cleveland Museum of Art. The show particularly focuses on the 15 years between 1868 and 1883, when Manet and Morisot shared perhaps the closest relationship of any two impressionists. It's on view in Cleveland through July 5. A fine catalogue was published by the Fine Arts Museums of San Francisco in association with Yale University Press. Amazon and Bookshop offer it for $57-70.

Instagram: Victoria Johnson, Tyler Green.