• Riding the Bus with my Sister - Wait, isn't this just a Hallmark movie?

  • Mar 18 2024
  • Length: 1 hr and 20 mins
  • Podcast
Riding the Bus with my Sister - Wait, isn't this just a Hallmark movie? cover art

Riding the Bus with my Sister - Wait, isn't this just a Hallmark movie?

  • Summary

  • Rosie O'Donnell does the thing Robert Downey Jr. said never to do and earns all of the internet's hatred...but is it deserved?

    "Riding the Bus with My Sister" is a film that falls squarely in the realm of made-for-TV movies, a genre often associated with mediocrity. Yet, within this sea of forgettable productions, this 2005 offering manages to stand out—not necessarily as a shining gem, but certainly as a passable diversion.

    On the surface, it's easy to dismiss "Riding the Bus with My Sister" as just another Hallmark Channel movie, known for their often formulaic and saccharine narratives. And while this film does share some of those traits, it also manages to offer moments of genuine warmth and sincerity that elevate it slightly above the typical Hallmark fare.

    One of the most notable aspects of the film is Rosie O'Donnell's portrayal of a neuro-divergent character—a choice that has garnered both criticism and praise. It's undeniable that in today's landscape, casting decisions like this would be scrutinized for lacking authenticity and representation. However, it's important to recognize that the fault lies not with O'Donnell herself, but with the industry norms of the time.

    The story itself follows familiar beats: estranged siblings reconnecting, personal growth through shared experiences, and the power of acceptance and understanding. While these themes are handled competently, they lack the depth and nuance that could elevate the film to something truly memorable.

    In the end, "Riding the Bus with My Sister" is a middling affair, neither deserving of the vitriol it sometimes receives nor the effusive praise from certain quarters. It's a movie that fulfills its modest ambitions without ever truly transcending them. And while it may not be a masterpiece, it serves as a reminder of the limitations and missed opportunities that often characterize made-for-TV productions.

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