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"...so I can maybe understand why the Beatles look a bit chubby..."

Ben and Mark discuss two Doctor Who stories that make a virtue of the absence of The Beatles, to varying degrees of success; 2024's The Devil's Chord, and 2013's Fanfare for the Common Men.

Over the course of the discussion, the Lash Lads ponder whether the Fifth Doctor is convincing as a Beatles fan, question the inclusion of "There's Always a Twist at the End", and rifle through RTD's Desert Island Discs.

Also: The Degsestial Funmaker challenges the lads to identify two niche bits of Doctor Who related audio merch, and Mark pitches a new BBC book for babies.

You can read about the plagiarism allegations against Yesterday here.

And there's a Time magazine article about the Paul is Dead conspiracy theory here.

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Ben and Mark begin the Ncuti Gatwa era proper with a discussion all about Space Babies. Was it really the best story to launch a big, bold, new global era on Disney+ or was it just same old, same old?

And by way of contrast, they then turn to The Leisure Hive, the first story of the JN-T era and a bold new vision for Doctor Who. Or was it?

Also: How did having an actual baby affect Ben's first viewing of Space Babies? Is it wise to blow the Disney money on a bunch of pram pushers in green morph suits? And why do the Foamasi give the most unsettling lap dances you've ever seen?

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Over two years on from his debut adventure, Ben and Mark return, drinks in hand, to discuss the Ncuti Gatwa era of Doctor Who. Pairing The Church on Ruby Road with State of Decay, the Lash Lads discuss crumbling institutions, rapacious kings and a revolting underclass, but that's enough about the RTD2 era, they also discuss a Christopher H Bidmead story!

Also: The Degesestial Funmaker returns to test Ben and Mark's knowledge of Doctor Who merch, but who is William H. Keith? And what do Halle Berry and Matthew Waterhouse have in common? All this and much less in the glorious return of On the Time Lash.

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