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New Books in South Asian Studies

New Books in South Asian Studies

By: New Books Network
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This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field. Discover our 150+ channels and browse our 28,000+ episodes on our website: ⁠newbooksnetwork.com⁠ Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: ⁠https://newbooksnetwork.substack.com/⁠ Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studiesNew Books Network Social Sciences World
Episodes
  • Gajendran Ayyathurai, "Tamil Buddhism and Brahminism in Modern India: Deep Resistance Against Caste" (Oxford UP, 2026)

    Gajendran Ayyathurai, "Tamil Buddhism and Brahminism in Modern India: Deep Resistance Against Caste" (Oxford UP, 2026)
    Jul 4 2026
    Tamil Buddhism and Brahminism in Modern India: Deep Resistance Against Caste (Oxford University Press, 2026) explores Tamil Buddhism in modern India, focusing on its emergence as a response to caste-based oppression during the late nineteenth and early twentieth centuries. Central to this movement was Pandit Iyothee Thass (1845–1914), a pioneering intellectual who reinterpreted India’s Buddhist past to challenge brahminical dominance. Thass reasoned that it was because many Indians followed Buddhist cultural and material traditions in ancient times, that they were oppressed as untouchables and lower castes by self-privileging-caste groups, such as brahmins. Thus, Thass challenged brahminism/casteism in India by reconstructing and mobilizing a reading public about the casteless Buddhist history of Indians who were prone to caste oppression. His writings, petitions, and archives reveal the castelessness of Tamil Buddhists and their commitment to a radical political transformation in modern India. Key aspects of the Tamil Buddhist movement include public mobilization for caste-free societies, self-representation of oppressed communities, economic redistribution through affirmative action, and a feminist critique of caste and patriarchy. Through interdisciplinary methods drawn from Critical Caste Studies, this monograph uncovers the intellectual history of Tamil Buddhism and its radical call for vernacular emancipation. It highlights how Indigenous, Tamil/Indian communities used Buddhist foundations to resist caste and envision a modern, casteless future. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
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    1 hr and 37 mins
  • Aditi Chandra, "Unruly Monuments: Disrupting the State at Delhi's Islamic Architecture" (Cambridge UP, 2025)

    Aditi Chandra, "Unruly Monuments: Disrupting the State at Delhi's Islamic Architecture" (Cambridge UP, 2025)
    Jul 1 2026
    Unruly Monuments: Disrupting the State at Delhi's Islamic Architecture (Cambridge University Press, 2025) examines how Delhi's Sultanate and Mughal architecture, dating from the twelfth to the seventeenth centuries, became modern monuments and were assimilated and ordered into public consciousness as spaces for tourism, leisure, and intellectual contemplation during the colonial and early postcolonial eras (1828-1963). It examines the resistance that challenges this ordering, rendering monuments unruly and unassimilable despite state efforts to control their narrative. This exposes the nation's contradictory claims of inclusivity while marginalizing subaltern groups. It guides readers through picturesque landscapes, museums, imperial displays, postcards, travel experiences, Partition refugee camps, and cinema. Analyzing these forms reveals how the archive of Indo-Islamic monuments was shaped through presences and absences. Each chapter examines everyday life, untangles knowable public transcripts, illuminates strategic excisions and hidden transcripts, juxtaposes evidence that has not yet been analyzed in conjunction, reads archival material against the grain, and finds archival layers in unfamiliar places. NBN Host: Sohini Majumdar Sohini teaches history at University of San Francisco and Santa Clara University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
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    1 hr and 3 mins
  • Caste and Music with T.M. Krishna

    Caste and Music with T.M. Krishna
    Jun 29 2026
    This episode features a conversation with Carnatic vocalist, T.M. Krishna, who is also the author of two books on this musical tradition. We began with his first book’s account of the modernization of Carnatic music through a set of social, technical, and spatial processes that transformed it from a more socially diverse practice into a predominantly Brahmin performative genre. We moved on to discuss a figure who is at the heart of his second book: the maker of the Carnatic percussion instrument, the mrdangam. This took us into an extended discussion of the changing relationship between mrdangam makers, who are predominantly Dalit, and mrdangam players, who are predominantly Brahmin, and what the complex mix of inequality, stigma, artistry, and pride suggests about the specificity of this inter-caste relationship. The episode ended with Krishna fleshing out his distinction between classical music and art music and the reasons why he rejects the former in favor of the latter. Read the transcript Guest T.M. Krishna is a vocalist in the Carnatic tradition and the author of two books and numerous articles. References T.M. Krishna, A Southern Music: The Karnatik Story (Harper Collins, 2016). T.M. Krishna, Sebastian and Sons: A Brief History of Mrdangam Makers (Westland, 2023). Devadasi: refers to a historical practice of “marrying” girls to a temple deity. In the pre-colonial period, Devadasis held a respected place in society as literate, land owning women who were highly trained in music and dance. During colonialism, their sexual relations with male patrons came to be seen as a threat to householder society and they became targets of moral reform. The Devadasi system was abolished in 1947. Sadir: a dance form historically performed by the Devadasi community that was the precursor to modern Bharatanatyam. Bharatanatyam: a modern dance form now widely performed by upper castes. Khayal: vocal genre of North Indian music. ICS: Indian Civil Service, the higher tier of colonial administration in British India that became the basis of the post-independence Indian Administrative Service. The Music Academy: the main performance space for Carnatic music in Madras (now Chennai), India. Kutcheri: term for the venue where Carnatic music is performed. Thanjavur: city in the Indian state of Tamil Nadu known for its art and architecture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
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    1 hr and 10 mins
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