• Cleo Nisse, "Venetian Canvas and the Transformation of Painting" (Princeton UP, 2026)
    Jun 26 2026
    Between the fifteenth and early seventeenth centuries, European painting underwent a profound transformation as artists increasingly painted on canvas instead of wood or walls. Nowhere was more important to this shift than Venice, where painters experimented with canvas with remarkable creativity and innovation. In Venetian Canvas and the Transformation of Painting (Princeton University Press, 2026), Dr. Cleo Nisse investigates why Venetian artists adopted canvas and how it revolutionized their art between 1400 and 1600. Intertwining approaches from art history and art conservation, and featuring stunning new photographs that show details as never before, the book presents groundbreaking research based on close study of Venetian artworks, archival sources, art-making treatises, and early modern art criticism. It sheds new light on the materiality of early modern canvas, its production and supply, and the influence of climate on its use. The book offers fresh interpretations of iconic works and important concepts such as pittura di macchia and non finito, and demonstrates how canvas contributed to the radical new style of painters such as Titian, Tintoretto, and Veronese. But above all else, it shows how canvas changed the making and meaning of paintings. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices
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    47 mins
  • Where Harlem Rests at the Woodlawn Cemetery
    Jun 23 2026
    A cemetery as open-air museum? Historian and award-winning author of Boss of the Grips: The Life of James H. Williams and the Red Caps of Grand Central Terminal, Eric K. Washington thinks so. In this compelling discussion, Washington talks about his newly-completed project revealing the hidden stories of Harlem Renaissance figures buried at the historic Woodlawn Cemetery in the Bronx, New York. Funded by a $50,000 grant from the National Trust for Historic Preservation, the initiative was led by Washington, alongside A’Lelia Bundles, journalist, historian, and great-granddaughter of entrepreneur and icon Madam C.J. Walker. While the Harlem Renaissance is often told through a handful of well-known names, Where Harlem Rests (available here) allows for a look beyond the spotlight, uncovering the many voices that helped shape the movement, and the community itself, expanding the historical narrative, and honoring a broader, more inclusive legacy of creativity, resilience, and cultural impact that has long deserved recognition. The Woodlawn Conservancy is the 501c3 not-for-profit support organization for the Woodlawn Cemetery. Woodlawn Cemetery was established in 1863 and spans 400 acres in the Bronx, New York. It is one of the nation’s most distinguished historic cemeteries and a certified Level II Arboretum. In 2011, Woodlawn was designated a National Historic Landmark for its singular importance in the history of the nation and New York City. It is also an active cemetery with ongoing burials and funeral services, and more than 310,000 individuals are memorialized on its grounds. Woodlawn is one of the nation's finest examples of a 19th-century garden cemetery. Its monuments represent some of the best memorial art and architecture in the nation, including nearly 1,300 private mausoleums designed by some of the most prominent architects of the 20th century. The Woodlawn Cemetery is open to the public free of charge 365 days a year from 8:30am - 4:30 pm. You can find Erik at his website, and on at personal Instagram page, as well as @taggingthepast. His recommended reading list is available on the Additions to the Archive Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    Less than 1 minute
  • Lewis Ryder, "Connoisseurs and conmen: The contest for cultural authority in early twentieth-century Britain" (Manchester UP, 2026)
    Jun 5 2026
    ⁠Connoisseurs and conmen: The contest for cultural authority in early twentieth-century Britain⁠ (Manchester University Press, 2026) by Dr. Lewis Ryder examines John Hilditch (1872-1930), a notorious collector of Chinese art who lied, hoaxed and manipulated in his struggle against museum experts to become a cultural authority. Previously overlooked as a pest with a dubious collection, this book uses Hilditch to interrogate how far the monumental social, cultural and political changes of the early twentieth century unsettled social and cultural hierarchies and how these hierarchies were remade. It shows how the cultural elites were forced to engage with the public and re-draw the boundaries of citizenship, expertise and high and low culture in response to unprecedented social mobility, the democratisation of culture and politics, as well as the effects of British imperialism which brought ordinary Britons access to antiquities as well as confidence to claim expertise over foreign cultures. The book will interest social and cultural historians of Modern Britain, museum scholars and art historians. This interview was conducted by Dr. Miranda Melcher whose ⁠book⁠ focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on ⁠New Books with Miranda Melcher⁠, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    44 mins
  • David Cunningham on Contesting Confederate Monuments (JP)
    Jun 4 2026
    David Cunningham joins John to speak about his pathbreaking article about visiting each of the 113 communities that removed or relocated Confederate symbols between 2015 and 2023. After discussing his co-authored Social Problems article, “Contesting Commemorative Landscapes” which first got him thinking about monument removal, he posits that “expungement, amplification, and repositioning” are three ways contemporary communities contest the monuments of the past.. The conversation from there ranges onward through various kinds of contested removal, ending with Cesar Chavez and his ongoing de-monumentalization. David is author of There’s Something Happening Here: The New Left, the Klan, and FBI Counterintelligence and the award-winning Klansville, U.S.A.: The Rise and Fall of the Civil Rights-Era KKK,, a member of the City of St. Louis Reparations Commission and recently has been engaged in exploring political signalling in public art and monuments, including a forthcoming article on the political and cultural work of murals in Protestant and Catholic communities and in the interface areas that connect them in Belfast. His earlier Recall This Book episodes include on racialized policing in the US, on January 6th , and also on the 2024 presidential election–and a conversation with Glenn Patterson, author of Lapsed Protestant about the mural culture and politicized spaces of Belfast and Northern Ireland. Read the episode here. Mentioned in the episode By David Cunmningham himself: “What Richmond got Right about taking down Confederate Monuments” and a 2023 article coauthored with Christina Simko, “Montgomery’s Monumental Truths” On place vs space there is wonderful work by Pierre Nora and Henri Lefebvre. Interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman. The lucid John Guillory article (mentioned but not discussed) is “Monuments and Documents: On the Object of Study in the Humanities.” Confederate generals whose statues were erected essentially to glorify the KKK famously include Nathaniel Bedford Forrest. Private parks built up to collect Confederate monuments (with an underlying anti-government bias) include North Carolina’s Valor Memorial Park, and in Texas the SS American Memorial Foundation’s military retreat space now adorned with removed Confederate statues. In Bentonville, this park glorifies a Confederate statue that has now been (dubiously) linked to Governor James H. Berry. The MOCA/Brick reimagined MONUMENTS Exhibition includes work by Kara Walker and Bethany Collins. https://www.nps.gov/boaf/learn/historyculture/shaw.htm Sylva North Carolina Confederate plaque debate. Kazuo Ishiguro, The Buried Giant and the Nietzschean problem of “creative forgetting.” The idea of Productive creative cognitive dissonance is drawn from MLK’s idea of “creative tension.” Hajar Yazdiha, Struggle for the People’s King How long will the Chavez National Monument last? The statue at UC Fresno is already gone…” Is The Trail of Tears a historical site the same way Confederate statues are? Denmark Vescey’s Garden by Ethan J. Kytle and, Blain RobertsZore Neale Hurston Their Eyes were Watching God Learn more about your ad choices. Visit megaphone.fm/adchoices
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    51 mins
  • Homes of the Past
    Jun 1 2026
    In 1940s New York, immigrant Jewish scholars sought to build a museum to commemorate their lost worlds and people. Among the Jews who arrived in the United States in the early 1940s were a small number of Polish scholars who had devoted their professional lives to the study of Europe's Yiddish-speaking Jews at the YIVO Institute for Jewish Research. Faced with the devastating knowledge that returning to their former homes and resuming their scholarly work there was no longer viable, they sought to address their profound sense of loss by continuing their work, under radically different circumstances, to document the European Jewish lives, places, and ways of living that were being destroyed. In pursuing this daunting agenda, they decided to create a museum to memorialize East European Jewry and educate American Jews about this legacy. YIVO scholars determinedly pursued this undertaking for several years, publicizing the initiative and collecting materials to exhibit. However, the Museum of the Homes of the Past was abandoned shortly after the war ended. Homes of the Past explores this largely unknown episode of modern Jewish history and museum history and demonstrates that the project, even though it was never realized, marked a critical inflection point in the dynamic interrelations between Jews in America and Eastern Europe. Join YIVO for a discussion with author Jeffrey Shandler about this book, led by Deborah Dash Moore. Buy the book: here This book talk originally took place on June 24, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    Less than 1 minute
  • “You Sound So Australian”: From Being Read to Rewriting the Room with guest Zindzi Okenyo
    May 30 2026
    Welcome to the first episode of The Cultural Competence Collective podcast! For our first episode, we are joined by the multi-talented actress, musician and director, Zindzi Okenyo! You may recognise her from your TV screen on shows like Fisk, Wakefield and Play School, on stage from her multiple shows with Sydney Theatre Company or maybe you’ve heard her hits like ‘A Woman’s World’ as a solo artist Okenyo, or ‘Love + Kindness’ from her fun, family-friendly kids project Zindzi & the Zillionaires. Tune into our first episode as we chat with Zindzi about the importance of cultural competence, diversity and representation across the arts. Show notes This episode is hosted by Dr. Matthew Tyne, an Academic Facilitator at the National Centre Centre for Cultural Competence. He comes to cultural competence following 20 years of working in international community development, especially in Southeast Asia and the Pacific, and sexual health promotion with diverse communities in Australia. Produced by: Adubi Plange, Dr Amy McHugh, Sarah Mashman Podcast Artwork: Zein Arif Featured Music: - A Woman’s World by OKENYO - Anthropology by OKENYO You can find more of Zindzi’s music on her webpage OKENYO: http://www.okenyo.com/ You can find music by Zindzi & the Zillionaires on their webpage: https://www.zindziandthezillionaires.com/about. Resources You can read more about DESTINY, Zindzi’s most recent piece of directorial work through the Melbourne Theatre Company: https://www.mtc.com.au/discover-more/backstage/destiny-programme/. The Sydney Morning Herald article mentioned can be found here: https://www.smh.com.au/entertainment/theatre/actor-musician-and-presenter-zindzi-okenyo-on-taking-risks-and-self-care-20180216-h0w7zu.html If you are interested in developing your knowledge about race and racism, and deepen your understanding of the diversity of the world's cultural histories and identities, you can enrol in the NCCC’s free online course Confident conversations about race and racism: https://www.coursera.org/learn/confident-conversations-about-race-and-racism Participants will learn about the dynamics of cultural difference, and how to increase their knowledge and ability to address inequity, bias and privilege, and to create space for effective dialogue about racism. Mental Health Support Services: For University of Sydney staff: CONVERGE Converge offers multiple dedicated helplines for specialist services: All staff: 1300 687 327 First Nations helpline: 1300 287 432 LGBTQIA+ Helpline: 1300 542 874 Domestic and Family Violence Helpline: 1300 338 465 Aged Care Helpline: 1300 035 337 Disability and Carers Helpline: 1300 243 543 Youth and Student Helpline: 1300 687 399 Spiritual and Pastoral Care Helpline: 1300 772 435 www.convergeinternational.com.au Wellmob – social, emotional and cultural wellbeing resources for Aboriginal and Torres Strait Islander people https://wellmob.org.au/ 24-hour crisis hotlines 13 Yarn Beyond Blue LifeLine: NSW Mental Health Line Learn more about your ad choices. Visit megaphone.fm/adchoices
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    Less than 1 minute
  • Kanika Singh, "The Story of a Sikh Museum: Heritage, Politics, Popular Culture" (Cambridge UP, 2025)
    May 27 2026
    The Story of a Sikh Museum: Heritage, Politics, Popular Culture, published by Cambridge University Press in July 2025, is a pioneering study on Sikh museums, a unique phenomenon of contemporary India—for their sheer numbers, distinctive display, malleability and presence in multiple cultural spheres and their political significance. This case study of Bhai Mati Das Museum at Gurdwara Sisganj, Delhi, examines the process of creation of Sikh heritage through history, paintings, and museums, unearths networks of patronage, and analyses the ways in which specific versions of the Sikh past are used to make present-day claims. It is based on interviews with artists and patrons, material from personal and institutional archives, a visual analysis of Sikh popular art and a critical examination of the museum's narrative. This book brings together Sikh history, popular art, politics and museums to discuss some of the most important current debates (of nation, identity and heritage) and reveals new ways in which we may understand museums, especially in a non-Western context. Kanika Singh is a historian, founder of Delhi Heritage Walks and Director at Centre for Writing & Communication at Ashoka University. Harleen Kaur is a historian and urban studies scholar who recently completed her Joint PhD from National University of Singapore and King’s College London. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    40 mins
  • Kristin LaFollette, "Rehumanizing People of the Past: Bioarchaeology, Medical Museums and Archives, and the Human Remains Trade" (SUNY Press, 2026)
    May 20 2026
    Rehumanizing People of the Past: Bioarchaeology, Medical Museums and Archives, and the Human Remains Trade (SUNY Press, 2026) argues that much of the technical communication used to reference human remains--including reports in bioarchaeology, labels and descriptions in medical museums and archives, and web content in the human remains trade--does not adequately recognize the humanity of the individuals represented by those remains. The book presents "rehumanizing language" as a solution to this dehumanization problem, framing it as advocacy and social justice work in technical communication. Building from concepts and ethical standards in bioarchaeology, medical museums and archives, and the human remains trade along with technical communication and rhetoric of health and medicine (RHM), each chapter presents a framework for developing rehumanizing language in various contexts to better honor, dignify, and respect the people represented by human remains. These frameworks are also applied to several original studies, which explore existing technical communication and the ways it uses rehumanizing language or could be adapted to be more rehumanizing. Overall, this book is a tool for both technical communicators and practitioners in numerous fields, offering practical guidance for emphasizing the humanity of the dead. Kristin LaFollette is Associate Professor of English at the University of Southern Indiana. She is the author of Hematology, a full-length collection of poetry, and coeditor of Queer Approaches: Emotion, Expression, and Communication in the Classroom. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    55 mins