When he noticed that the wing of the aeroplane was falling apart, Alan Biengo was not surprised. After all, he had pretty much predicted that it was going to happen.

Even so, he was absolutely furious.

But when his skill for predicting calamity on an aeroplane proved more than a little astute, it was to lead him to make a discovery about the nature of flight that was all the more surprising considering how obvious it ought to be...

In the final episode of this season of Neurotic Literature, we bring you a story for anyone who is a little bit afraid of flying.

'How strange... I was having a most wonderful dream.'

When Gillian collapses at her granddaughter's ballet performance, her son Bradley is forced to confront his fears about vulnerability and mortality, still raw from a recent loss.

But as doctors puzzle over her condition, Gillian becomes convinced that her deterioration is being caused by something - or someone - far beyond the explanation of medical science. Are her memories playing tricks, or is the voice in her sleep reaching for her - and, perhaps, for the rest of the family?

A story about ghosts, whether they be real or imagined...

Derek Smawk was an easy man to loathe. A squat figure with a pinched face, his track record prior to election had shown him entirely unsuited to the role of a public servant. Lazy, incompetent and a congenital liar, his all-round unattractiveness was matched by a kind of bullish incoherence when he spoke in public, as if he didn't really think his audience merited the effort to make actual sense. He was, if nothing else, an unlikely person ever to be a Prime Minister, lacking as he was in personality or any notable skills.

This was his biggest strength as a politician: being unelectable puts a person in a position of absolutely no responsibility at all, enabling them to make all kinds of promises that need never be tested.

In this story, we find out what happens when somebody unelectable unexpectedly gets elected, and their promises suddenly become a little bit significant...

(It's just a story, of course - this sort of thing could never really happen, could it?)

It's the first rule of the internet, isn't it? Be careful what you put out there: once online, it's there for everyone to see, for the rest of eternity.

Yet here we all are, spaffing our thoughts all over social media, distributing our photographs whether mundane or indecorous, and generally putting every last bit of our personal lives out there on blogs, vlogs, tweets, tiktoks, snapchats, instas and, er, podcasts.

(This is entirely a work of fiction, by the way. The names, characters and incidents portrayed in it are the work of the author's imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental. And that goes for all of the other stories on Neurotic Literature, got it?)

Probably, too many of us have woken up to discover that the brave, bold post of yesterday evening is the huge error of judgement of the here and now. But for Ben, who perhaps should found a more conventional way to deal with his anxiety (say, counselling, prayer, or good old fashioned repression), an unwise video turns out to be just the first step into an uncertain new world of online celebrity...

A story about how one man's therapy turns out to be everyone else's entertainment.

This is a story about Derek, the mole who didn't like digging.

He liked all kinds of other things. Digging just happened to be a thing he did not like.

Which might have been fine, except that he was a mole. And being a mole meant that certain things were expected of him.

Digging, for example.

But Derek was a very obstinate mole.

Listen to the whole story to see how that works out for him. (Though there is a small clue in the title.)

It wasn't Timothy Jenkins' fault. If nobody explains to you that content is intended only for a teenage, female audience, a juvenile reader will assume that it is all part of the rich pageant of literature, a glass held up to the lives of others in the way that is a feature of all fiction.

The publishers should have made it clearer, probably. But they would no doubt argue that it was an issue of branding. That any prolific and bestselling author of children's books is marketed with a certain consistency as a matter of course. If you're apportioning blame, the publishers would say, blame the publicists.

Regardless of whose fault it was, the issue remains: ignorant though he was as to the intended audience of the books he was getting through, Timothy was reading girl fiction, written for girls and about girls, its concerns entirely the concerns of girls. They were, in short, books meant for girls.

You might argue that, in any case, it was a little bit late to be apportioning blame. But as far as Timothy's parents were concerned, somebody needed to be held responsible. The question was, who?

As to whether or not it was too late... that would turn out to be an even trickier question to answer.

A glimpse of some of the delights awaiting in the hotly anticipated third season of Neurotic Literature, arriving imminently!

It's a tough business, writing.

All those hours, days, years even, of sweat and toil, writing and rewriting to turn out something heartfelt, original and possibly even brilliant, only to discover that you have merely completed the first leg of a far more arduous journey, one that will probably end with your finely wrought prose being discarded and read by nobody.

Take this podcast, for instance. Blimmin' ages, it takes. The writing, the recording, the editing, the coming up with something pithy and enticing for the blurb (is this one succeeding? probably not). And for what? A handful of listeners, a few compliments, a modicum of attention in the ghastly vastness that is the world wide web. Mere crumbs, dear listeners - and you can't live on crumbs.

(I am, by the way, most grateful for the listeners, the compliments and the attention. Do keep them coming.)

Publication, though: that's the Holy Grail for many an author, and in this day and age it is not easily won. Still, if you have talent, if you're prepared to learn the market and perservere, if you can counter rejection with resilience, and keep making your writing stronger and more marketable, then you're in with a chance. That's what they say.

But what if they're not telling you quite everything you need to know...?

A story (as yet, unpublished) about the murky underworld of literature, and why you can't always trust your agent.