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Michelle & Jeremy Draw a Map to the Stars

Michelle & Jeremy Draw a Map to the Stars

By: Michelle & Jeremy
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The podcast that looks to the stars abroad in Hollywood and above in the night sky. Join Michelle Balderston and Jeremy Ramos-Foley as they dive deep into the astrological charts and filmic works of many diverse talents. Essentially, they're pairing astrological readings with film analysis.© 2024 Michelle & Jeremy Draw a Map to the Stars Art
Episodes
  • Kirsten Dunst
    May 4 2022

    April 30, 1982. At 40 years old, Kirsten Dunst has managed thus far a storied 37 year long career in front of the camera. From Mary Jane Watson to Marie Antoinette, the Dunst Cinematic Universe boasts no shortage of beautiful, strong and beyond mythic female archetypes portrayed by the acclaimed actress. Lending a tenderness and self-awareness to every role, Dunst is one of our finest film stars whose long list of directorial collaborations brings its own kind of reverence.

    Particularly with film heir Sofia Coppola. Having formed a kinship with the writer-director, the two women share a past in front of the camera at a dangerously vulnerable age. Honing their singular experiences of adolescence in the limelight, Coppola and Dunst's work on "The Virgin Suicides" (1999) and "Marie Antoinette" (2006) tailors their personal phenomena for universal impact and empathy, with women whose names conjur ideas and images of doomed, lost youth (via the suburban ennui of Lux Lisbon and the arranged matrimony of the Queen of France).

    Is Kirsten severely underappreciated? Is Andy Garcia actually the worst in "The Godfather Part III"? What's the problem with leisure?
    Join us and find out!

    Artwork by Sara Helm / Music by Jacob Anstey

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    Questions, concerns, Mary or Marie?
    Email us! maptothestarspodcast@gmail.com

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    59 mins
  • Kathryn Bigelow
    Apr 6 2022

    November 27, 1951. Kathryn Bigelow’s storied career has taken her from cult vampire fare (“Near Dark”) and heady sci-fi commercial failures (“Strange Days”) to Oscar-winning war dramas that blend explosive real-life events with explorations into the confounding psyches of individuals in conflict (“The Hurt Locker” and “Zero Dark Thirty”). Having come up in the 70s through the Whitney Museum in New York, her conceptual art and film school beginnings (taught by no less than Andrew Sarris and Susan Sontag, among many others) create a direct guide for navigating her difficult, restless filmography. As someone who claims filmmaking is inherently voyeuristic, Bigelow is fascinated by the recreation and mediation of images on-screen, and how film renegotiates with the constructed image at large from cable news to war coverage. In short, no Bigelow film can be read as simply what’s on the screen.

    On this episode, Michelle and Jeremy discuss the masterful director’s high-profile 90s features - the smash breakout “Point Break” (1991) and the commercial hiccup “Strange Days” (1995). Both feature [capital m] Men struggling with their sense of self, resorting to violence and crime as their expression of choice.

    Are “The Hurt Locker” and “Zero Dark Thirty” the same film? What’s something that changes each time you look at it? Is Benjamin Button real?
    Join us and find out!

    Artwork by Sara Helm / Music by Jacob Anstey

    Like: https://www.facebook.com/maptothestarspodcast
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    Questions, concerns, Mace or mace?
    Email us! maptothestarspodcast@gmail.com

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    54 mins
  • Noah Baumbach
    Mar 2 2022

    September 3, 1969. According to Noah Baumbach (our first Sun in Virgo!), the writer-director doesn't make autobiographical films, but personal ones. His specific brand of pathos typically addresses the neurotic dysfunction of familial and romantic relationships, both torn apart and shoddily sewn back together through enduring love and common understanding. On this episode, Michelle and Jeremy discuss Baumbach’s mid-2000s breakthrough hit "The Squid and the Whale" and his most recent Oscar-winner "Marriage Story," where the central patriarchs, Bernard and Charlie, grow increasingly defensive and desperate when their small world of big culture is shattered by their female partners’ desires for an independent career.

    In the end, artistic literacy doesn’t actually give someone the vocabulary for the language of love.

    How wet is this episode? How did Michelle pass out on a train? Is "Blue Velvet" the perfect date movie?
    Join us and find out!

    Artwork by Sara Helm / Music by Jacob Anstey

    Like: https://www.facebook.com/maptothestarspodcast
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    Questions, concerns, machismo or machismo?
    Email us! maptothestarspodcast@gmail.com

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    52 mins
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