Episode 22: Cops and Robbersons (1994)
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The discussion looks at where the film sits in Chase’s post-Vacation career, Michael Ritchie’s shaky tonal control, and the odd-couple dynamic between Chase’s flustered everyman and Palance’s granite-jawed intensity. Is this an overlooked curiosity, a misjudged genre mash-up, or just another example of how badly a Chase vehicle can skid without a sharp satirical edge?
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