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Deep Cut: A Film Podcast

Deep Cut: A Film Podcast

By: Wilson Ben and Eli
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About this listen

Deep Cut: A Film Podcast is a director-focused film podcast featuring deep-dive discussions about international, art-house, and independent cinema. Each episode we discuss either a director's most popular film or a "Deep Cut Pick": a personal favorite chosen by one of us. We've covered movies from filmmakers like Hirokazu Kore-eda, Agnes Varda, Éric Rohmer, Kelly Reichardt, Wong Kar-wai, S.S. Rajamouli, Bong Joon-ho, and more. Looking for film recommendations off the beaten path? This is the pod to follow! Links to our Discord and other socials here: https://deepcutpod.comWilson, Ben, and Eli Art
Episodes
  • 121. Hong Sang-soo: On the Beach At Night Alone
    Jan 25 2026

    What do Inception, Tim Robinson, Luis Buñuel, Woody Allen, and Chantal Akerman have in common? They all get compared to Hong Sang-soo’s On the Beach at Night Alone in this episode of Deep Cut! Listen on as we unpack the movie that’s loosely about Hong’s and Kim Min-hee’s career-changing relationship, digest more awkward dinner scenes, and discuss the merits of going to the beach in the winter.

    Links:

    Scold your friends for being inauthentic at our FREE patreon, discord server, and our socials @ www.deepcutpod.com

    Timestamps:

    00:00 Intro

    02:31 General reactions

    08:00 Context / Hong+Kim relationship

    14:32 SG public opinion survey

    18:04 Hong Sang-soo's 'Inception'

    20:08 Hong Sang-soo / Tim Robinson

    21:43 Hong / Buñuel

    25:45 Hong not planning era

    27:17 Ryan Swen Notarized and dinner scene

    33:16 What to do with this movie?

    38:13 Hong's Chantal Akerman

    41:10 Hong as Woody Allen 😬

    43:35 Shape of this film

    46:43 Outro

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    49 mins
  • 120. Chantal Akerman: The Meetings of Anna
    Jan 11 2026

    Is traveling through Europe too expensive? Then hop aboard a train with the Deep Cut trio and Chantal Akerman for another sensitive, lightly autobiographical story of a surrogate character experiencing ennui and/or despair. Along the road trip, there’s sex, ‘70s outfits, and… windows. Ultimately, we struggle to decide: how well can we know Akerman through her work (or, for that matter, anyone)?

    Meet Ben, Wilson, and Eli (kinda) at our FREE patreon, discord server, and our socials @ www.deepcutpod.com

    Timestamps:

    00:00 Intro

    03:46 Summary

    04:27 General reactions

    11:33 Jeanne Dielman vs The Meetings of Anna

    16:39 Mom and Akerman herself

    22:37 Plot sequence and Akerman’s subjectivity

    30:32 Other Akerman films

    34:20 Akerman and loneliness

    37:39 Ending

    40:12 Sex

    43:29 Singing

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    53 mins
  • 119. Chantal Akerman: Je Tu Il Elle (featuring Justina Yam)
    Dec 28 2025

    We are joined by none other than friend of the pod and the artist behind all of our DC covers, Justina Yam! Justina comes on the podcast to take us back to the works of Chantal Akerman, with her first feature Je Tu Il Elle. Justina talks about her personal connection to Akerman’s films, and discusses how she continues to play with time in her filmography. Wilson and Eli talk about expressions through body language and narration, and Ben has a theory about Je Tu Il Elle being a non-linear film.

    Do you want DC merch? Tell us on the Discord!

    Links:

    Justina’s Instagram

    Justina’s recent photojournalism project: 風流 (Feng Liu)

    Ira Sachs on Je Tu Il Elle

    Eat sugar at our FREE patreon, discord server, and our socials @ www.deepcutpod.com

    Timestamps:

    00:00:00 Intro

    00:01:44 Introducing Justina Yam

    00:07:09 Je tu il elle introduction

    00:08:04 General thoughts on Je Tu Il Elle from Justina and Wilson

    00:13:21 General context of the film

    00:15:27 General reactions from Ben and Eli

    00:18:09 Sugar? Long Takes?

    00:20:56 Feminism and Akerman

    00:23:30 The three act structure

    00:27:44 Blocking and the body

    00:34:06 Long takes

    00:36:42 Sex scenes

    00:41:43 Autobiographical nature of the film

    00:47:16 Temporality

    00:53:49 The ending and career context

    00:58:49 Discomfort within Akerman’s cinema

    01:04:03 Outro

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    1 hr and 12 mins
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