The Conference for Research on Choreographic Interfaces (CRCI) presents Dances with Robots: a podcast catalyzed by the corporeal risks and expressive opportunities of contemporary technologies. Join our host, choreographer and Dean at Brown University, Sydney Skybetter, alongside a series of guest hosts, as we explore the ways that artists, activists, and technologists navigate the world through interdisciplinary practice. https://danceswithrobots.org/

See the list of featured guests this season in our archive: https://www.are.na/choreographicinterfaces/dwr-featured-guests

Our first episode comes out on November 14th. Subscribe to get a notification, or sign up for our newsletter: http://eepurl.com/iDw2to

The Dances with Robots Team

Host: Sydney Skybetter

Co-Host & Executive Producer: Ariane Michaud

Archivist and Web Designer: Kate Gow

Podcasting Consultant: Megan Hall

Accessibility Consultant: Laurel Lawson

Music: Kamala Sankaram

Audio Production Consultant: Jim Moses

Assistant Editor: Andrew Zukoski

Student Associate: Rishika Kartik

About CRCI

The Conference for Research on Choreographic Interfaces (CRCI) explores the braid of choreography, computation and surveillance through an interdisciplinary lens. Find out more at www.choreographicinterfaces.org

Thank You

Brown University's Department of Theatre Arts & Performance Studies' Conference for Research on Choreographic Interfaces thanks the Marshall Woods Lectureships Foundation of Fine Arts, the Brown Arts Institute, and the Alfred P. Sloan Foundation for their generous support of this project.

The Brown Arts Institute and the Department of Theatre Arts and Performance Studies are part of the Perelman Arts District.

Welcome to Dances with Robots! In this introductory episode, Sydney Skybetter recounts the beginnings of the Conference for Research on Choreographic Interfaces, aka CRCI (pronounced Circe, like the Greek sorceress), and breaks down how, and why, we work in dance and emerging technologies.

See featured guests, read the transcript, and more in our archives at
https://www.are.na/choreographicinterfaces/dwr-ep-1-the-nerd-gaggle

Like, subscribe, and review:
https://podcasts.apple.com/us/podcast/dances-with-robots/id1715669152

Key Takeaways from Episode 1:

1. Dancers and choreographers can offer valuable insights into the design and development of emerging technologies by considering the meaning and intention behind human movement.
2. The Conference for Research on Choreographic Interfaces (CRCI) provides a platform for artists, technologists, and academics to collaborate and explore the intersection of dance and technology.
3. Dancers should be compensated and valued for their expertise in movement and choreography when working with emerging technologies.

The Dances with Robots Team
Host: Sydney Skybetter
Co-Host & Executive Producer: Ariane Michaud
Archivist and Web Designer: Kate Gow
Podcasting Consultant: Megan Hall
Accessibility Consultant: Laurel Lawson
Music: Kamala Sankaram
Audio Production Consultant: Jim Moses
Assistant Editor: Andrew Zukoski
Student Associate: Rishika Kartik

About CRCI
The Conference for Research on Choreographic Interfaces (CRCI) explores the braid of choreography, computation and surveillance through an interdisciplinary lens. Find out more at www.choreographicinterfaces.org

Brown University's Department of Theatre Arts & Performance Studies' Conference for Research on Choreographic Interfaces thanks the Marshall Woods Lectureships Foundation of Fine Arts, the Brown Arts Institute, and the Alfred P. Sloan Foundation for their generous support of this project.

The Brown Arts Institute and the Department of Theatre Arts and Performance Studies are part of the Perelman Arts District.

Kate Gow, CRCI's archivist and web designer, sits down with host Sydney Skybetter to discuss historical intersections of dance and technology. Turns out that the weird history of dancers catching on fire, Degas, and the Nazis have a lot to do with the dance of the future.

About Kate:

Kate Gow is an archivist and designer of digital spaces. Her work revolves around memory, the body, and how we interact and perform with technology. She graduated as valedictorian from The Boston Conservatory, pioneering the Conservatory's first emphasis in Dance & Technology. In her sixth year with CRCI, she is moved to document the conference that unveiled to her the power and significance of artistic intelligence. You can find her in performance and behind the scenes as a Senior Professional Services Consultant at Quadient.

Read the transcript, and find more resources in our archive:

https://www.are.na/choreographicinterfaces/dwr-ep-2-oh-great-the-nazis-were-into-modern-dance-a-conversation-with-kate-gow

Like, subscribe, and review here: https://podcasts.apple.com/us/podcast/dances-with-robots/id1715669152

What We Discuss with Kate (Timestamps):

0:00:00: Introduction to guest Kate Gow

0:01:52: Kate's experience with fan blogging and writing fan fiction

0:05:17: Kate's multifaceted career in dance, choreography, teaching, and technology

0:06:16: The connection between movement, coding, and processing information

0:08:46: The importance of looking back at past mistakes in history

0:10:01: The evolution of dance technology and its impact on the art form

0:11:52: The focus on harm and the intersection of emerging technologies & the body

0:13:23: Being recorded and loss of control over what is seen

0:15:24: Who gets to make decisions about dance and technology

0:18:01: Choreographer Rudolph von Laban's collaboration with Nazis and dance history

0:21:09: Labanotation influence in robotics and other fields

0:23:29: Movement analysis of foreign leaders and body language consulting

0:26:10: Dancers seek stability in corporate collaborations for financial security

0:28:17: How Kate as a ballet teacher fosters agency in students.

0:30:26: Dance history provides lessons on the importance of bodies in technology.

0:32:07: Teaching consent and embodied interaction with technology through dance.

0:33:51: TikTok's algorithmic bias and the erasure of marginalized bodies.

0:35:00: Examining biases in technology through the lens of dance history.

0:37:47: Show credits & thanks

The Dances with Robots Team
Host: Sydney Skybetter
Co-Host & Executive Producer: Ariane Michaud
Archivist and Web Designer: Kate Gow
Podcasting Consultant: Megan Hall
Accessibility Consultant: Laurel Lawson
Music: Kamala Sankaram
Audio Production Consultant: Jim Moses
Assistant Editor: Andrew Zukoski
Student Associate: Rishika Kartik

About CRCI

The Conference for Research on Choreographic Interfaces (CRCI) explores the braid of choreography, computation and surveillance through an interdisciplinary lens. Find out more at www.choreographicinterfaces.org

Brown University's Department of Theatre Arts & Performance Studies' Conference for Research on Choreographic Interfaces thanks the Marshall Woods Lectureships Foundation of Fine Arts, the Brown Arts Institute, and the Alfred P. Sloan Foundation for their generous support of this project.

The Brown Arts Institute and the Department of Theatre Arts and Performance Studies are part of the Perelman Arts District.