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Critical Darlings

Critical Darlings

By: Blank Check Productions
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Welcome to Critical Darlings: a podcast about the movies everyone is talking about, one new release after another. Every week, critics Richard Lawson and Alison Willmore cover the latest film driving the conversation—from big summer blockbusters to festival favorites, buzzy streamers, and major awards contenders. New episodes every Thursday. We’re a Blank Check Production! To catch up on our first miniseries covering the 2026 Oscars season, check out Blank Check on Apple Podcasts, Spotify, or wherever you listen. Stick around on this feed for new episodes going forward. Produced by Benjamin Frisch Subscribe to Richard's newsletter, ⁠⁠Premiere Party,⁠⁠ and read Alison's work ⁠⁠at Vulture. Follow @blankcheckpod on ⁠⁠Twitter⁠⁠, ⁠⁠Instagram⁠⁠, ⁠⁠Threads⁠⁠ and ⁠⁠Facebook⁠⁠! Art Social Sciences
Episodes
  • “Supergirl” And The New DCU (With Patrick Willems)

    “Supergirl” And The New DCU (With Patrick Willems)
    Jul 2 2026
    This week we’re Gunn-ing for Supergirl, with filmmaker and video essayist Patrick Willems! Supergirl is the second feature film in the new DC cinematic universe, now helmed by Guardians of the Galaxy mastermind James Gunn. Gunn’s 2025 Superman breathed new life into one of the genre’s biggest icons, but Supergirl blew a raspberry at the box office, despite the good vibes surrounding the new DCU. Supergirl, directed by I, Tonya's Craig Gillespie, borrows liberally from Gunn’s style, but in imitating Gunn, it shows just how difficult it is to pull off his deft mix of humor, spectacle, and heart. Patrick walks us through the movie’s source material, the acclaimed comics miniseries Woman of Tomorrow, and how the film follows and diverges from that book’s True Grit-inspired journey, often to negative effect. We also get into Milly Alcock’s performance as Supergirl, the needle drops, Krypto and the Superhorse (!), and what this movie means for the future of the DCU. Next week, we’re all in on Minions (Babylon Version) Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 hr and 35 mins
  • “Stop! That! Train!”, “Leviticus”, and Pride At The Movies (With Colin Drucker)

    “Stop! That! Train!”, “Leviticus”, and Pride At The Movies (With Colin Drucker)
    Jun 25 2026
    It’s Pride Week on Critical Darlings, and we’re joined by the co-host of the Alright Mary podcast (and Best Supporting Actress expert) Colin Drucker to break down two new wide-release gay movies: RuPaul’s spoofy Stop! That! Train! and the Australian conversion therapy horror film Leviticus. First, we discuss the delightful Stop! That! Train!, its performances, cameos, and various controversies including lying drag queens (funny) and AI visual effects (depressing). We also get into RuPaul and her legacy as both an artist and screen presence, and the incredibly fickle nature of the RuPaul’s Drag Race fandom and how they have received the film. In any case, she fun! Then, in a season rife with indie horror, Leviticus stands out for its brazen story of two queer teens in an industrial Aussie backwater. The metaphor of the movie, where a supernatural monster stalks gay teens in the guise of the object of their most beloved, feels audacious when most movies and TV are scared to acknowledge gay sexual desire on screen. Other sidebars include: mozzarella sticks, drag queen hairstylists, and mom hair. Next week, she’s super, AND she’s a girl? It’s Supergirl! Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 hr and 29 mins
  • “Disclosure Day” And Ranking Spielberg’s Alien Movies (With Starlee Kine)

    “Disclosure Day” And Ranking Spielberg’s Alien Movies (With Starlee Kine)
    Jun 18 2026
    It’s Disclosure Week on Critical Darlings, with writer, podcaster, and E.T. super fan Starlee Kine! Almost five decades after Steven Spielberg reimagined aliens on screen with E.T. and Close Encounters, he’s delivered another story of extraterrestrial awe. The movie stars Emily Blunt and Josh O’Connor. But the figure who looms largest over Disclosure Day is Spielberg himself. We discuss our relationships to Spielberg’s work, how Disclosure Day fits into his slate of alien films, and how the movie worked on us. Like audiences and critics, we’re split. Despite some production quibbles (take off that sweater, Emily!), Spielberg remains a master of the camera. Still, the movie’s optimism for humanity feels behind the times: or, maybe we’re just jaded? Why not both? Other topics include ghosts vs. aliens, Spielberg’s longing for the monoculture, E.T. in the wig, and finally, we do a ranking of Spielberg’s alien films. Next week, we’re celebrating Pride with two flavors of gay film: the goofy Stop That Train, and the spooky Leviticus. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 hr and 30 mins
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