Well, we all made it through another season, and not much worse for wear. The team had a relaxing time sitting around the table and discussing everything they did this year, the gear they acquired, the films they tried, and the developers they worked with. Plus a brief discussion of social media, AI, and more. Just some middle-aged guys chatting about photography. It's a little bit of everything to wrap up the year.

The one thing that will always keep a photographer humble is that we all make mistakes, some big, some small, some fixable. So join the gang as they talk about foul gear, forgotten steps, chemical mix-ups, and general issues that keep us humble. Yes, mistakes were made.

It's been a while since we've done one of these shows. It was back with the Nikon FA, and in that case, we just passed the camera around the table. But today we have something special, the Pentax MZ-S, the last professional camera from Pentax/Asahi with a rich history. The camera was provided by John Roberts (who is back on the show today). It was used by Alex, James, and Bill, along with the three limited-edition lenses that were released with the camera.

It's still 2025, and it's still Leica's 100th birthday. And as part of the global celebration, they recently released their first Leica-branded film, Monopan 50. And the Internet was abuzz with speculation about what the film was under the cover. Well, all signs point to Adox HR-50, which makes sense. HR-50 is sharp, fine-grained, and high-resolution. That got us thinking: why not discuss other ASA-50 films? This includes Ilford Pan F+, Adox HR-50, Ferrania ORTO, Velvia 50, and even a mention of Efke 50! We also discuss overexposure and pulling film in development, mainly because there are more 100-speed films out there these days that you can shoot at ASA 50!

Our co-host Chrissie did something to push themselves out of their comfort zone and decided to take a solo trip to Iceland. Armed with a Samsung phone, Sony A7 and a Polaroid I-2 in an effort to rekindle a passion for photography. Join Chrissie and Alex as they discuss the trip, including the reasons, gear, and of course, the photos.

Here in North America, we're fortunate to have several camera and photography stores dedicated to keeping film shooters like us happy. However, today's guest recognised a need for such a store in the city of Porto, Portugal. Fourteen years ago, Pedro started a small shop dedicated to selling cameras, watches and other antique technologies. Calling it Máquinas de Outros Tempos or Machines Out of Another Time. Today, they sell cameras and film the hungry population of the city, and business is good. In addition to sales, they also handle film developing and scanning. Every camera sold is refurbished by an in-house technician. But that isn't all, there's also Cinemot. Cinemot started as selling respooled Kodak Vision3 motion picture film, complete with a custom-built remjet stripping machine, but today sells exclusive emulsions manufactured in the EU for Cinemot. More recently, they started reusing disposable cameras, loading up Cinemot films, putting their film into these cameras, branding them and giving them a second life away from the e-waste bin.

You can visit Máquinas de Outros Tempos in person at: Rua dos Mártires da Liberdade 154, 4050-359 Porto, Portugal Máquinas de Outros Tempos: https://www.maquinasdeoutrostempos.pt/onlinestore/ Máquinas de Outros Tempos Instagram: https://www.instagram.com/maquinasdeoutrostempos/ Cinemot: https://cinemotfilm.com/ Cinemot Instagram: https://www.instagram.com/cinemotfilm/

Officially, fall has arrived here in Southern Ontario. Although with the warm weather we've been having recently, it's hard to tell other than the fact that the days are getting shorter. And with the change of season, the team sits down to talk about everything related to fall photography, from capturing the bright colourful leaves on your favourite film stocks to showing off the late fall gloom in stark black and white.

We're at the end of summer, and, like you, we don't know how it went by so quickly. Also, the constant heat warnings here in Southern Ontario limited when and how long we could get out and practice photography. However, James, Alex, and Bill all had the opportunity to get out or at least intended to practice photography. And today, they sit down to discuss mostly film stocks, such as Phoenix II and Kentmere 200, which were used by the team's cameras. But also when things go sideways and the best intentions to get out and shoot end up with leaving the camera (accidentally) behind.