On today’s episode we welcome violinist and composer Rebekah Reid, who talks to us about navigating hypermobility as a violinist, writing music and her upcoming gig at the famous London Jazz Club - Ronnie Scott’s. During the episode we get an insight into her writing process as she shows us how she constructs a song live on stage using a loop pedal. We also chat about the harrowingly low statics highlighting that only 0.59% of Black Women had their work preformed by major Orchestras in the 2023/24 Concert Season.* As well as how we can improve this statistic moving forward and support other women. As she prepares for her gig at Ronnie’s, she also lets us know that 2027 will be a big year for new music, and oh, we’re also manifesting a loop pedal at the proms… Rebekah Reid at Ronnie Scott’s: https://www.ronniescotts.co.uk/find-a-show/rebekah-reidWebsite: https://www.rebekahreidviolin.co.ukInstagram: https://www.instagram.com/bekareidviolin/TikTok: https://www.tiktok.com/@rebekahreidmusicFia Roberts - Producer: https://www.fiaroberts.com✨New Episodes Every Monday✨Let’s Get Social 📱For more Classical Queens, follow us on: Video Podcast: https://www.youtube.com/@ChordsandQueensTikTok: ⁠https://www.tiktok.com/@chordsandqueens⁠Instagram: ⁠https://www.instagram.com/chordsandqueens?igsh=eGlkYWgyN3hmMnhm&utm_source=qr⁠ Substack: https://substack.com/@chordsqueens0:00 - Introduction 1:24 - Rebekah’s start in Music 1:57 - What made you want to play the violin? 2:32 - Did Rebekah ever think about giving up the violin? 3:55 - Navigating the Physical Side of Playing the Violin 6:27 - Talking about Injuries and Chronic Pain in Classical Music8:47 - How Music Education Shaped Rebekah’s Career 10:30 - How Rebekah Reid writes her music 13:39 - Rebekah walks us through how she creates her tracks live 14:04 - Rodeo Ride Live 16:22 - Max Richter Inspired Piece Live 18:35 - Unpacking the Writing Process 20:23 - At what point did Rebekah find her own compositional voice 22:55 - Have you ever felt excluded from the Classical genre?25:59 - Creating your own Opportunities 26:56 - Live Vs. Recording 28:13 - Preforming at Ronnie Scott’s Jazz Club 28:52 - Do certain venues make classical music feel more accessible? 31:09 - What can audiences expect from the Ronnie’s gig? 32:44 - Releasing Music 34:56 - The Lack of Women and Diversity in Music Composition 39:30 - Navigating the ‘Women Composer’ title 40:46 - How we can make composition more diverse 44:13 - Age in Classical Music 45:43 - AI in Classical Music 48:55 - Advice to Composers 52:15 - Rebekah Reid’s Music Recommendation 53:31 - Ending *https://donne-uk.org/wp-content/uploads/2021/03/DonneReport2024.pdf

On today's episode, we're joined by pianist Isabelle O'Connell and composer Rhona Clarke to talk about their album Cocteau - and how a pandemic collaboration quietly grew into something much bigger. We chat about their beginnings in music, the inspiration behind the project, and the work of Les Six member Germaine Tailleferre, whose music features on the album.Isabelle O’Connell: Website: https://www.isabelleoconnell.comInstagram: https://www.instagram.com/izzypianonyc/Rhona Clarke: Website: https://www.rhonaclarke.comInstagram: https://www.instagram.com/rhonapclarke/Cocteau: Apple Music: https://music.apple.com/gb/album/cocteau/1869394834Spotify: https://open.spotify.com/album/2vVpDmuxxxwvw3Ujmymr6D?si=_XjbogLSSUa6sp3v7ZokiwFinding a Voice Festival: https://www.findingavoice.ie✨New Episodes Every Monday✨Let’s Get Social 📱For more Classical Queens, follow us on: Video Podcast: https://www.youtube.com/@ChordsandQueensTikTok: ⁠https://www.tiktok.com/@chordsandqueens⁠Instagram: ⁠https://www.instagram.com/chordsandqueens?igsh=eGlkYWgyN3hmMnhm&utm_source=qr⁠ Substack: https://substack.com/@chordsqueens0:00 - Introduction 1:21 - Rhona Clarke’s first introduction to music 2:03 - Where Isabelle’s musical journey began 3:49 - What kind of music student was Isabelle? 4:47 - What Kind of music student was Rhona? 6:24 - How the pandemic started the ‘Cocteau’ album journey 8:00 - Translating Jean Cocteau’s art to music 9:41 - Jean Cocteau’s impact on Rhona’s music 10:20 - Selecting the music to appear on ‘Cocteau’ album 12:38 - the ‘Cocteau’ writing Process 17:49 - What was the most challenging piece? 19:20 - Selecting works written by Germaine Tailleferre 20:48 - Was Rhona inspired by the work of Tailleferre? 21:00 - Discovering the life and work of Tailleferre23:00 - Finding a Voice Festival 25:30 - What does it take to be a good collaborator in music? 28:20 - Does Rhona write music with the performer in mind? 31:40 - Anything surprising during the Cocteau process? 34:34 -Do Rhona and Isabelle agree that “art is not a pastime but a priesthood”? 37:38 - Advice to future composers and musicians 38:53 - What do Isabelle and Rhona recommend we listen to?

On this week’s episode we try and answer the question - where are the women in the Golden Age of Scottish trad music? So let’s look at the lives of Euphemia Murray, Catherine White, Magdalene Stirling and Anna Gordon. Just some of the names that shaped 18th and 19th century Scottish Music.

Sources -

Female Composers in Scotland’s Golden Age - Aaron McGregor

https://fillocksfiddlers.com/2025/10/22/female-composers-in-scotlands-golden-age/

A Collection of Entirely Original Strathspeys, Reels… By. Ladies Resident in the Remote Part of the Highlands

https://imslp.org/wiki/A_Collection_of_Entirely_Original_Strathspey_Reels%2C_etc._(Various)

Historical Music Scotland Archives:

https://hms.scot/prints/source/143/

https://hms.scot/prints/source/145/

London Newspaper Article Found in:

https://www.ibiblio.org/fiddlers/MISSKA_MISSRU.htm

Miss Auchtertyre Score:

https://www.abdn.ac.uk/scottskinner/collection.php?pageNum_index=55

The Ballad World of Anna Gordon Book:

https://global.oup.com/academic/product/the-ballad-world-of-anna-gordon-mrs-brown-of-falkland-9780198939092?cc=us&lang=en

Magdalene Stirling Tunes:

https://www.highlandmusictrust.org/the-magdelina-stirling-collection

✨New Episodes Every Monday✨

Let’s Get Social 📱

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0:00 - Introduction

0:40 - Let’s talk women in music

1:43 - Setting the Scene

2:36 - Women’s History in 18th Century Scotland

4:24 - Euphemia Murray - check spelling

8:08 - Catherine E White

10:50 - Magdalene Stirling

12:48 - Anna Gordon - The Ballad Collector

17:17 - Conclusion

On today's episode, we sit down with Jennifer King, the award-winning pianist and recording artist. We talk about her early days learning music and the importance of being able to access music education, as well as her phenomenal career as a performer, teacher, and actress - playing the role of Ethel Smyth in The Bessie Carruthers Study Club. With such an impressive career, Jennifer has no desire to slow down and enjoy the fruits of her labour quite yet. In fact, there's one area of music she hasn't explored - and that's composing! Although, if you think her compositions might have a similar tone to her other four albums - well, I won't spoil it for you, but she lets us know in the episode. ;)

Jennifer King:

Website: https://www.jenniferkingpiano.com

Instagram: https://www.instagram.com/jenniferkingpiano?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==

Cecilia Concerts Sensory Accessible Concerts

https://www.ceciliaconcerts.ca/sensory-accessible-concerts/?srsltid=AfmBOorQY9pqpJCBRZMU82-7AqeKnftfslcYgr6--CUcMZQ0j4Nz-Ain

✨New Episodes Every Monday✨

Let’s Get Social 📱

For more Classical Queens, follow us on:

Video Podcast: https://www.youtube.com/@ChordsandQueens

TikTok: ⁠https://www.tiktok.com/@chordsandqueens⁠

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Substack: https://substack.com/@chordsqueens

0:00 Introduction

1:53 Where Jennifer’s Musical Journey Began

3:18 Finding the Piano

4:50 Early Days Learning the Piano

7:00 How Has Music Education Impacted Jennifer’s Life?

8:51 The Importance of Music Lessons in a Childs Development

9:50 Being a Proud Canadian

13:46 Becoming a Recording Artist

22:06 The Process of Making an Album

26:20 Souvenance - An Album of Music Written by Women

28:08 Reimagining Joni Mitchell

32:06 Don’t Record Something You Don’t Love

32:30 Trying to Get Women’s Work into Concert Halls

34:37 Balancing Performing with Motherhood

37:55 Collaboration as a Pianist

40:23 What Skills are required to be a good collaborator in music?

42:14 Cecelia Concerts Sensory Accessible Concerts

47:18 The Bessie Carruthers Study Club

49:20 Becoming Ethel Smyth

57:01 Becoming a Composer?

59:00 Advice for Pianists and Musicians

1:01:00 Favourite Piece by a Woman Composer

On today’s episode, I’m joined by the wonderful multi-instrumentalist, producer, and composer Cathryn Bell. We talk about her journey as a composer and how she found her way into writing for the screen, as well as her favourite film scores and her creative process. We also dive into the lack of women in film composition and explore what can be done to better support and champion the next generation of women composers.

Cathryn Bell:

Website: https://www.cathrynbell.com

Instagram: https://www.instagram.com/cathrynbellofficial?igsh=MXE0Y2tqdnloc3Nwcw==

Tiktok: https://www.tiktok.com/@composer_storyteller?_r=1&_t=ZN-949sMoN8sBa

Spotify: https://open.spotify.com/artist/2ebo7AaKAjsW21wTpzYb8h?si=vpwe5NfwRsSYAFddNSguiQ

Apple Music: https://music.apple.com/gb/artist/cathryn-bell/1645537539

The Lemon Cake Society: https://www.youtube.com/watch?v=-Wb95lvlTyM

00:00 - Introduction

00:57 - Start of a Musical Journey

1:49 - Childhood Films that Inspired Her

3:18 - The Music She Listened to Growing Up

4:56 - Learning the Viola

5:36 - First Memories Writing Music

6:34 - A snippet of Cathryns first composition

7:55 - The Inspiration behind the piece

8:56 - Always putting story with music

9:09 - Compositional Journey

9:28 - Lack of Composer Role Models that were Women

10:32 - Training as An Actor

12:02 What being an actor taught her about writing music

13:00 - Where do the compositions start?

14:05 - What does the first few moments of writing a piece look like?

16:00 - How to decide what instrument a piece needs

16:39 - Life as a Film Composer

17:06 - How she got started writing for the screen

21:56 - A snippet from The Lemon Cake Society Score

23:30 - Making the Score for the Lemon Cake Society

26:24 - Collaboration

31:35 - From the Vault Film Scores?

32:12 - What you wish more directors knew about writing film music

34:36 - Where are all the women in film music?

34:59 - Have you been the only women in the room?

37:47 - What can we do to help women in film music?

41:21 - Advice for the next generation of women in music

43:17 - Favourite piece written by a woman

45:14 - Links to Social Media and Where to Find Her Work

✨New Episodes Every Monday✨

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On today’s episode, I’m joined by conductor, producer, and performer Shea Lolin and flautist Fiona Sweeney to discuss their recent recording of the Flute Concertino by French composer Cécile Chaminade, featured on their new album Frisson. We explore the experience of recording the work, the importance of championing music by women composers, and share advice for emerging composers on the value of collaboration with musicians and conductors in bringing new pieces to life.

Shea Lolin:

https://www.shealolin.co.uk

Instagram: https://www.instagram.com/shealolin/?hl=en

Fiona Sweeney:

Instagram: https://www.instagram.com/fionasweeney/

Cécile Chaminade Concertino, Op.107 – Czech Philharmonic Wind Ensemble, Shea Lolin & Fiona Sweeney:

https://www.youtube.com/watch?v=Z-98hwenshU

✨New Episodes Every Monday✨

Let’s Get Social 📱

For more Classical Queens, follow us on:

Video Podcast: https://www.youtube.com/@ChordsandQueens

TikTok: ⁠https://www.tiktok.com/@chordsandqueens⁠

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Substack: https://substack.com/@chordsqueens

In this episode, we explore the remarkable life and music of Marianna Martines, the 18th-century Viennese composer who lived alongside Haydn and Mozart and performed for Europe’s elite, but whose brilliance was nearly erased by history. From her virtuosic keyboard works to her stunning choral compositions, we unpack how Martines carved out a career in a world that rarely allowed women to be composers, and why her music deserves a central place in the classical canon today.

Marianna Who? Martines, Vienna and Music - Alexandra Amati

https://www.youtube.com/watch?v=2WcqqbiZc2M

✨New Episodes Every Monday✨

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For more Classical Queens, follow us on:

Video Podcast: https://www.youtube.com/@ChordsandQueens

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On the podcast this week, I’m joined by the wonderfully talented Precious Akindele. We talk about her love for Erykah Badu, her journey into writing her own music, and her advice for women and girls who want to start learning the organ.Precious also breaks down the process of creating and programming her own organ recital in March 2026, and gives us an insight into her upcoming new music.Precious’s instagram: Instagram: https://www.instagram.com/precious_mymusic/✨New Episodes Every Monday✨Let’s Get Social 📱For more Classical Queens, follow us on: Video Podcast: https://www.youtube.com/@ChordsandQueensTikTok: ⁠https://www.tiktok.com/@chordsandqueens⁠Instagram: ⁠https://www.instagram.com/chordsandqueens?igsh=eGlkYWgyN3hmMnhm&utm_source=qr⁠ Substack: https://substack.com/@chordsqueens