“There were a whole bunch of these women who were publishing music during their liftetime in 17th-century Italy. I find it's important that young women know that they were composers other than Hildegard and Fanny Hensel who were writing. These women's voices were buried for so many years, and yet they were writing in the same styles as their male contemporaries. We can learn about our times now by looking to the past and to think critically about who we're lifting up and whose voices we are amplifying now based on how things have progressed over history.”

Dr. Meredith Bowen is an Assistant Professor of Choral Music at Michigan State University where she teaches graduate choral literature, conducting at both the undergraduate and graduate levels, and conducts the auditioned treble ensemble, Mosaic. Bowen works to expand the choral canon and amplify marginalized voices by editing, restoring, and publishing editions of historical music by women. She is an active guest conductor, presenter, and clinician and is founding singer and Artistic Administrator for mirabai, a professional women’s ensemble dedicated to amplifying women’s voices through commissioning, performing, and recording. Her editions of music by 17th-century composers are published by Boosey & Hawkes and MusicSpoke. Prior to joining MSU, Bowen was the Director of Choral Studies at Radford University in Radford, VA, taught public school in Lansing, MI, and led a variety of community choirs throughout MI. She earned her B.S. in Music Education from West Chester University, and both an M.M., and a D.M.A. in Choral Conducting from Michigan State University.

To get in touch with Meredith, you can email her at bowenmer@msu.edu or find her on Facebook (@mybowen), Instagram (@emwhybee), or TikTok (@m.y.bowen).

Email choirfampodcast@gmail.com to contact our hosts.

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“I remember when I performed at Carnegie Hall for the first time. It was transformative. I remember taking the stage and just being in complete awe. I looked out, and it was just incredible. When I heard the sound, it was even more incredible. I used to say that my favorite part of my job was standing right at the stage door and watching every choir singer come and take the stage for the first time. They would look out and just be in complete awe. Now that I’m production manager, my new favorite part of my job is when conductors come off the stage and I get to tell them, ‘turn around, go back, they’re still clapping for you.’” - Eric Spiegel

“Living abroad gave me a whole new perspective and appreciation for my home country. It taught me a lot about other cultures and how to work with different people and have a certain cultural sensitivity and sensibility. I could not recommend it enough. We’re trying to grow and enhance the kinds of international opportunities that we provide. It’s such a collaborative, educational experience that goes way beyond one or two concerts. We know for many people who travel with us, it might be their first time in Europe. We try to make sure that it’s special in every possible way that we can.” - James Redcay

A native of Allentown, Pennsylvania, James Redcay joined MidAmerica Productions in April of 2015. A graduate of New York University, Redcay spent years in New York City as an accomplished pianist, composer and teacher, performing and composing for numerous concerts and institutions. During this time Redcay also held the position of Composer-in-Residence at Stevens Institute of Technology in Hoboken, NJ. After graduating from NYU, Redcay moved abroad to Macao, where he taught music at the Conservatory of Macao and created and managed large-scale arts and entertainment programs and daily operations for Sands China Ltd., a subsidiary of Las Vegas Sands. After six fruitful years, Redcay relocated to the United States and now resides in Michigan.

Eric Spiegel holds a Master of Music Education degree from the University of Illinois at Urbana-Champaign, as well as a Bachelor of Music degree from the University of Miami Frost School of Music, with experience teaching middle and high school vocal/general music. As a performer, Eric has sung and acted in choirs, jazz groups, a cappella ensembles, and musicals across the United States and around the world. Eric conducted the Brooklyn, NY chapter of HaZamir: The International Jewish High School Choir for seven seasons, including in performances at David Geffen Hall and Jazz at Lincoln Center, and has served as MidAmerica Productions’ head of production for concerts at Carnegie Hall since 2023.

To get in touch with James & Eric, you can visit midamerica-music.com or find MidAmerica on Facebook (@midamerica.productions) or Instagram (@midamericaproductions)

Email choirfampodcast@gmail.com to contact our hosts.

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"Every single workshop I give is all about excellence, singing well, singing properly, and achieving the very best we can achieve. Why do we it? We don't do it because we'll be paid millions and millions of pounds. It's not cash-motivated. We do it because there is a higher purpose, a higher calling that makes us do it. I got offered a graduate scheme at university, so I could have been a corporate sellout. I'd probably arguably work less hours than I do in music, but I didn't do that. I don't have any regrets, because on an evening, I go home, I look myself in the mirror, and I can say to myself, 'we did some good stuff today.'"

Caius Lee is the Director of College Music at Worcester College, Oxford, where he leads the internationally acclaimed College Choir and Boys’ Choir, alongside the Jericho Youth Choir and the All Sorts Community Choir. He oversees an extensive portfolio of collegiate, community, and outreach initiatives under the Music at Worcester banner, including the groundbreaking Oxford Choral Experience and New Instrument learning scheme. Furthermore, he is a guest lecturer for the Institute of Sacred Music at St Stephen’s House and the Royal School of Church Music (RSCM).

Caius began his musical career as a chorister at Bradford Cathedral aged 11, later becoming the Cathedral Organ Scholar at 15. At 17, he joined Leeds Cathedral, concurrently holding the Idlewild Conducting Scholarship and the Cathedral Organ Scholarship. He was appointed Assistant Organist a year later, serving as the Diocesan Organist and Director of Music for the annual Lourdes pilgrimage.

Caius read Music at St Catharine’s College, Cambridge, as the Neville Burston Organ Scholar. During his time at university, he founded the Addamus Choral Programme (formerly the Florence International Singing Programme). Addamus facilitates several annual courses and has performed at prestigious venues including Westminster Abbey, St Paul’s Cathedral, Saint-Sulpice, Florence Cathedral, and the Vatican. Most recently, the programme launched the inaugural Italian Choral Programme, providing aspiring young professionals with the opportunity to perform at the Vatican, Florence Cathedral, Milan Cathedral and the Pantheon under the tutelage of a distinguished faculty, including Bob Chilcott, James Jordan, and Lorenzo Donati.

To get in touch with Caius, you can find the Addamus Choral Programme on Facebook (@addamuschoralprogramme) or Instagram (@addamus_official) or email him at caius.lee@worc.ox.ac.uk.

Email choirfampodcast@gmail.com to contact our hosts.

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Photo in episode artwork by Trace Hudson