It's 31 degrees outside, but in the coolness of the 5282 studio, Kevin interviews Tim Hann, formerly of Nikoli and I Concur, as he releases Planner_Tracker, the fifth album of his electronic ambient project, break_fold.

In just under an hour, they talk about growing up in Abu Dhabi, first guitars, Bright Young Things, influences, the BBC Maida Vale Studios session, playing Reading & Leeds Festival, and Hann's electronic ambient shift in 2015.

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https://www.kevinspetchcreative.com/news.html

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Hosts Kevin Petch, Rob Wood, Melanie Delaney, Phil Todd and David Benn.

Produced by Kevin Petch for Out Of Left Field.

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Who doesn't love a big uplifting film musical? Dave. And quite a few people, if cinema audience numbers are anything to go by. What about musicals that deal with Fascism, recession, poverty, dashed hopes and the grim inevitability of the love of your life turning out to be a bit of an arse? Turns out there is a lot to think about - and discuss - when it comes to depressing musicals.

Kevin, Mel and Phil each offer a film to consider, and Phil then goes for two wickets in one over with a early Bollywood classic.

Remember, the hills are alive but it's the sound of jackboots marching towards you.

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Hosts Kevin Petch, Melanie Delaney, Phil Todd and David Benn.

Produced by Kevin Petch for Out Of Left Field.

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By the mid 70's Bowie is 'heavily self medicating' and suffering attendant delusions, paranoia and burn out. He decides to relocate to Europe, recording in France and Germany. He creates three masterpieces, the Berlin Trilogy. We suppose the Europe Trilogy had less of a ring to it.

And then Bowie officially declared the start of a new decade with Scary Monsters.

We discuss the impact and influence of this time, and Darren tells a classic Bowie anecdote, or two.

Full links at:

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We make no revenue from links or recommendations.

Hosts Kevin Petch, Darren Worth and David Benn.

Produced by Kevin Petch for Out Of Left Field.

Thanks for supporting 5282.

No peppers were harmed during the making of this episode.

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