In 1692, Bridget Bishop was hanged as a witch. Two hundred years later, her legacy lives on in the scions of two very different lines: one dedicated to using their powers to heal and help women in need; the other, determined to grasp power for themselves. This clash will play out in the fate of Annis, a young woman in Gilded Age New York who finds herself a pawn in the family struggle for supremacy. She'll need to claim her own power to save herself - and resist succumbing to the darkness that threatens to overcome them all.  

In 1893, there's no such thing as witches. There used to be, in the wild, dark days before the burnings began, but now witching is nothing but tidy charms and nursery rhymes. If the modern woman wants any measure of power, she must find it at the ballot box. But when the three Eastwood sisters join the suffragists of New Salem, they begin to pursue the forgotten ways that might turn the women's movement into the witch's movement. 

Brittany, 1741: there hasn't been a witch born in the Orchière clan for generations. According the elders, that line is dead, leaving the clan vulnerable to persecution. Ursule Orchière has been raised on stories of the great witches of the past. But the only magic she knows are the false spells her mother weaves over the women who visit their fortune-telling tent.  All of that changes when Ursule comes of age and a spark of power flares to life.

The grieving widower. The motherless daughters. A beautiful house in the woods. Deep in a remote Norwegian forest, Lexi has found a new home with architect Tom and his two young daughters. With snow underfoot and the sound of the nearby fjord in her ears, it’s as if Lexi has stepped into a fairy tale. But this family has a history – and this place has a past. Something was destroyed to build their beautiful new house. And those ancient, whispering woods have a long memory. Lexi begins to hear things, see things that don’t make sense. 

1620s Lancashire. Away from the village lies a small hamlet, abandoned since the Plague, where only one family dwells amongst its ruins. Young Sarah Haworth, her mother, brother and little sister, Annie, are a family of outcasts by day and the recipients of visitors by night. They are cunning folk: the villagers will always need them, quick with a healing balm or more, should the need arise. They can keep secrets, too, because no one would believe them anyway.

Martha is a feisty and articulate young woman, the daughter of a wheelwright, living in a Herefordshire village in Elizabethan England. Unusually for the time she is educated and so helps at the local school whilst longing to escape the confines and small-mindedness of a community riven by religious bigotry and poverty. As she is able to read and is well-versed in herbal remedies she is suspected of being a witch. When a landslip occurs - opening up a huge chasm in the centre of the village - she is blamed for it and pursued remorselessly by the villagers.

Barrie Anne Blythe and her Aunt Charlotte have always known that the other residents of their small coastal community find them peculiar. It is the price of concealing their strange and dangerous family secret. But two events threaten to upend their lives for ever: the arrival of an abandoned baby with a hint of power like their own, and the reappearance of Barrie Anne's long-lost husband - who is not quite the man she thought she married.

When a banished witch falls in love with the legendary trickster Loki, she risks the wrath of the gods in this moving, subversive debut novel that reimagines Norse mythology. Angrboda’s story begins where most witches' tales end: with a burning. A punishment from Odin for refusing to provide him with knowledge of the future, the fire leaves Angrboda injured and powerless, and she flees into the farthest reaches of a remote forest. There she is found by a man who reveals himself to be Loki, and her initial distrust of him transforms into a deep and abiding love.

We first met the Owens in the glorious novel Practical Magic. We discovered the tragedy of the Owens siblings in Rules of Magic. Now we learn how it all began...with a baby abandoned in a snowy English field in the 1600s. Under the care of gentle Hannah Owens, little Maria learns about the 'Unnamed Arts'. Maria has a gift for them - a gift that may well prove her undoing. When Maria is abandoned by the man she loves, she invokes the curse that will haunt her family for centuries. Because magic has rules, and they must be followed. 

Upon the cliffs of a remote Scottish island, Lòn Haven, stands a lighthouse. A lighthouse that weathered more than storms. Mysterious and terrible events have happened on this island. It started with a witch hunt. Now, centuries later, islanders are vanishing without explanation. Coincidence? Or curse? Liv Stay flees to the island with her three daughters, in search of a home. She doesn’t believe in witches, or dark omens, or hauntings. But within months, her daughter Luna will be the only one of them left.

What it means to be a witch has changed radically throughout history; where 'witch' was once a dangerous - and often deadly - accusation, it is now a proud self-definition. Today, as the world becomes ever more complicated and as we face ecological, political and economic crisis - witchcraft is experiencing a resurgence. Witches are back. In A Spell in the Wild, Alice Tarbuck explores what it means to be a witch today. Rooted in the real world, but filled with spells, rituals and recipes, this audiobook is an accessible, seasonal guide to witchcraft in the 21st century. 

When 15-year old Tegen is declared the Star Dancer - the one who will save her people from a terrible evil - she is stunned. Tegen has nothing in common with the mystical druids whose rituals protect her village. She's just a normal girl, not a hero. Then Tegen learns to work real magic with an enchanted silk shawl, and has no choice but to accept her destiny. But there are those who are hell bent on destroying her before she can fulfil the prophecy and defeat the enemy that threatens her world....

Isabel Frith, the village midwife, walks a dangerous line with her herbs and remedies. There are men in the village who speak of witchcraft, and Isabel has a past to hide. So she tells nobody her fears about Wulfric, the pious, reclusive apothecary. Mae, Wulfric's youngest daughter, dreads her father's rage if he discovers what she keeps from him. Like her feelings for Rafe, Isabel's ward, or the fact that she studies from Wulfric's books at night.

Born on the fringes of Bethel, Immanuelle does her best to obey the Church and follow Holy Protocol. For it was in Bethel that the first Prophet pursued and killed four powerful witches and so cleansed the land. And then a chance encounter lures her into the Darkwood that surrounds Bethel. It is a forbidden place, haunted by the spirits of the witches who bestow an extraordinary gift on Immanuelle. The diary of her dead mother....

Women imprisoned by superstition, chained by guilt. Perched on a mountain in a land of ancient forests is a village, rife with secrets. Cut off from the outside world, it is run by the elders, men to whom tradition is all. Edith lives alone with her alcoholic father, who is forcing her to marry the village butcher. But she is in love with a shepherd who promised to return to her. As the village becomes isolated in a sea of snow, Edith loses her power of speech. And it is this enchantment that will have far-reaching consequences, not only for Edith, but for the whole village.