From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999 - arguably the most groundbreaking year in American cinematic history. 

Easy Rider, Raging Bulls follows the wild ride that was Hollywood in the 70s - an unabashed celebration of sex, drugs, and rock 'n' roll (both on screen and off) and a climate where innovation and experimentation reigned supreme.

A Long Time Ago in a Cutting Room Far, Far Away is a behind-the-scenes look at some of the most influential films of the last 50 years by Paul Hirsch, a film editor who worked on more than 40 features. Starting with his work on Carrie, Hirsch gives insight into the production process, touching upon casting, directing, cutting, and scoring. It’s a riveting look at the decisions that went into creating memorable and iconic scenes and offers fascinating portraits of filmmakers, stars, and composers.

In Chasing the Light Oliver Stone talks about his rarefied New York childhood, volunteering for combat and his struggles and triumphs making such films as Platoon, Midnight Express and Scarface. Stone, now 73, recounts those formative years with vivid details of the high and low moments.

In this candid and hilarious memoir, the celebrated director, comedian, writer, and actor offers a comprehensive, personal look at his tumultuous life. He revisits his entire 60-year-long career as a writer and director, from his classics Annie Hall, Manhattan, and Hannah and Her Sisters to his most recent films, including Midnight in Paris. He discusses his marriages, romances, and famous friendships, his jazz playing, and his books and plays. We learn about his demons, his mistakes, his successes, and those he loved, worked with, and learned from.

The Beatles landing in New York in February 1964 was the opening shot in a cultural revolution nobody predicted. Suddenly the youth of the richest, most powerful nation on earth was trying to emulate the music, manners and the modes of a rainy island that had recently fallen on hard times.

The '90s was the decade when British culture reclaimed its position at the artistic centre of the world. Not since the 'Swinging Sixties' had art, comedy, fashion, film, football, literature and music interwoven into a blooming of national self-confidence. It was the decade of Lad Culture and Girl Power, of Blur vs Oasis. When fashion runways shone with British talent, Young British Artists became household names, football was 'coming home' and British film went worldwide.

Misanthrope. Iconoclast. Apostate. Drunk. Many words have been used to describe Doug Stanhope, but rarely has “hopeful” been one of them. However, heading into 2016, Stanhope peered through the apocalyptic fog and saw a forecast that was more rainbows than acid rain: His first book was set for release, his new stand-up special was in the can, and he was about to film a television pilot with his friend and confidant Johnny Depp. The only thing that could stop Doug was himself, and that’s exactly what he did.

Down and Dirty Pictures chronicles the rise of independent filmmakers and of the twin engines - the Sundance Film Festival and Miramax Films - that have powered them. Peter Biskind profiles the people who took the independent movement from obscurity to the Oscars, most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax an indie powerhouse.

Dick Clement and Ian La Frenais are the creators of some of British television's most beloved comedies. Essex-born Clement teamed up with Geordie insurance salesman La Frenais in the early 1960s and scripted a series about two young pals from Newcastle, The Likely Lads, which became one of BBC Two's first hits. The duo went on to create the classic sitcoms Whatever Happened to the Likely Lads?, Porridge starring Ronnie Barker, and Auf Wiedersehen, Pet.

For over five decades, the cinematic adventures of James Bond have thrilled moviegoers. Now, best-selling authors Mark A. Altman and Edward Gross take you behind-the-scenes of the most famous and beloved movie franchise of all time filled with reflections from over 150 cast, crew, critics, and filmmakers who reflect on the impact of this legendary movie franchise as well as share their thoughts about their favorite (and least) favorite 007 adventures and spy mania which gripped fans the world over in the wake of the success of the James Bond films.

Broadcaster, writer, philanthroper and one of the first public figures to suggest high-visibility clothing for people manning temporary car parks, the public Alan Partridge is a cherished institution. But what of the unseen Alan? For the first time, this famously private man welcomes us into his home and audibly deshrouds himself for a fascinating series of podcasts. 

This is an engrossing and candid book, a beguiling exploration of what it means to be a producer, including purchasing rights, developing scripts, casting actors, managing directors, editing film, and winning awards. Filled with tales of legendary and beloved films, as well as some not-so-legendary and forgotten ones, A Life in Movies takes listeners behind the scenes and into the history of Hollywood. 

John Cooper Clarke is a phenomenon: Poet Laureate of Punk, rock star, fashion icon, TV and radio presenter, social and cultural commentator, reluctant national treasure. At 5 feet 11 inches (116lb, 32in chest, 27in waist), in trademark suit jacket, skin-tight drainpipes and dark glasses, with jet-black back-combed hair and mouth full of gold teeth, he is instantly recognisable. As a writer his voice is equally unmistakable and his inimitable dry Salford drawl shines through the prose.

Gordy LaSure's passionate about film. He eats film, he drinks film, and sometimes he'll even watch a film. But most of all, he loves talking about film, and how they'd be a shit-ton better if only people would pull their asses out of their ears and listen to Gordy LaSure. Why are some films bad and some films terrible? How come just a handful of films (Titanic, Porky's, Dirty Harry) are any good at all? Gordy'll tell you How and Why, and he'll give you a shot of Wherefore on the side. And he doesn't shoot from the hip; he shoots from the gut.