The best-known modern Chinese fairy tale is the story of three sisters from Shanghai who, for most of the 20th century, were at the centre of power in China. It was sometimes said that ‘one loved money, one loved power and one loved her country’, but there was far more to the Soong sisters than these caricatures. As China battled through a hundred years of wars, revolutions and seismic transformations, each sister played an important, sometimes critical role and left an indelible mark on history.

Yeongdo, Korea - 1911. In a small fishing village on the banks of the East Sea, a club-footed, cleft-lipped man marries a 15-year-old girl. The couple have one child: their beloved daughter, Sunja. When Sunja falls pregnant by a married yakuza, the family face ruin. But then, Isak, a Christian minister, offers her a chance of salvation: a new life in Japan as his wife. Following a man she barely knows to a hostile country in which she has no friends and no home, and whose language she cannot speak, Sunja's salvation is just the beginning of her story.

At the age of 16, in a nationwide selection for royal consorts, Cixi was chosen as one of the emperor’s numerous concubines. When he died, in 1861, their five-year-old son succeeded to the throne. Cixi at once launched a palace coup against the regents appointed by her husband and made herself the real ruler of China - behind the throne, literally, with a silk screen separating her from her officials who were all male.

Dr. Aziz is a young Muslim physician in the British Indian town of Chandrapore. One evening he comes across an English woman, Mrs. Moore, in the courtyard of a local mosque; she and her younger travelling companion Adela are disappointed by claustrophobic British colonial culture and wish to see something of the 'real' India. But when Aziz kindly offers to take them on a tour of the Marabar caves with his close friend Cyril Fielding, the trip results in a shocking accusation....

In 2017, a routine network television investigation led Ronan Farrow to a story only whispered about: one of Hollywood's most powerful producers was a predator, protected by fear, wealth, and a conspiracy of silence. As Farrow drew closer to the truth, shadowy operatives, from high-priced lawyers to elite war-hardened spies, mounted a secret campaign of intimidation, threatening his career, following his every move and weaponizing an account of abuse in his own family.    

Larry Darrell is a young American in search of the absolute. The progress of this spiritual odyssey involves him with some of Maugham's most brilliant characters: his fiancée Isabel, whose choice between love and wealth have lifelong repercussions; and Elliot Templeton, her uncle, a classic expatriate American snob. The most ambitious of Maugham's novels, this is also one in which Maugham himself plays a considerable part as he wanders in and out of the story, to observe his characters struggling with their fates.

Of all of John Irving's books, this is the one that lends itself best to audio. In print, Owen Meany's dialogue is set in capital letters; for this production, Irving himself selected Joe Barrett to deliver Meany's difficult voice as intended. In the summer of 1953, two 11-year-old boys – best friends – are playing in a Little League baseball game in Gravesend, New Hampshire. One of the boys hits a foul ball that kills the other boy's mother. The boy who hits the ball doesn't believe in accidents; Owen Meany believes he is God's instrument. What happens to Owen after that 1953 foul ball is extraordinary and terrifying.

Polly, Annie, Elizabeth, Catherine and Mary-Jane are famous for the same thing, though they never met. They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden and Wales. They wrote ballads, ran coffeehouses and lived on country estates; they breathed ink dust from printing presses and escaped people traffickers. What they had in common was the year of their murders: 1888. The person responsible was never identified, but the character created by the press to fill that gap has become far more famous than any of these five women. 

A collection of 98 enthralling and pulse-quickening stories, spanning five decades, venerates the remarkable imagination of J. G. Ballard. With a body of work unparalleled in twentieth-century literature, J. G. Ballard is recognized as one of the greatest and most prophetic writers in the world. With the much-hailed release of The Complete Stories of J. G. Ballard, readers now have a means to celebrate the unmatched range and mesmerizing cadences of a literary genius.

"You girls are my vocation... I am dedicated to you in my prime." So says Miss Jean Brodie, a teacher unlike any other. She is proud and cultured. A romantic, with progressive, sometimes shocking ideas and aspirations for the girls in her charge. When she decides to transform a select group of pupils into the 'crème de la crème' at the Marcia Blaine School they become the Brodie set. In exchange for their undivided loyalty the girls earn a special place of honour and privilege within the school. Yet they are also introduced to a startling new world of adult games....

Taking us from Afghanistan in the final days of its monarchy to the present, The Kite Runner is the unforgettable story of the friendship between two boys growing up in Kabul. Their intertwined lives, and their fates, reflect the eventual tragedy of the world around them. When Amir and his father flee the country for a new life in California, Amir thinks that he has escaped his past. And yet he cannot leave the memory of Hassan behind him.

'There is only one book to a man,' Steinbeck wrote of East of Eden, his most ambitious novel. Set in the rich farmland of the Salinas Valley, California, this powerful, often brutal novel follows the intertwined destinies of two families - the Trasks and the Hamiltons - whose generations hopelessly re-enact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel. Here Steinbeck created some of his most memorable characters and explored his most enduring themes: the mystery of identity; the inexplicability of love and the murderous consequences of love's absence.

The 20th century should make sense. It's the period of history that we know the most about, an epic geopolitical narrative that runs through World War One, the Great Depression, World War Two, the American century and the fall of the Berlin Wall. But somehow that story doesn't quite lead into the world we find ourselves in now, this bewildering 21st century, adrift in a network of constant surveillance, unsustainable competition, tsunamis of trivia and extraordinary opportunity.

Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."

The Poisonwood Bible is a story told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it - from garden seeds to Scripture - is calamitously transformed on African soil. What follows is a suspenseful epic of one family’s tragic undoing and remarkable reconstruction over the course of three decades in postcolonial Africa.